Feels like being caught in a shower of solar light particles. :)

And now there are tumbling asteroids in the mix. Haha. Great percussion. :D

Wonderful string work. Cello I presume (now that I realize how deep it can go)?

A carefully crafted with a fabulous soundscape. :)

Beautiful "certified organic" piece, Carlos - and title and artwork too!

Four guitars on a deliciously depressive and sleep deprived winter's day. Neither entirely composed nor completely improvised, it is more a finger painting.

For Ray.

january

01 Meadows

Here a first collab with HyLGZ22 :
https://soundcloud.com/user-618736932

On his excellent music, I wrote a poetry and played sitar and flute, with owls:

Déjà se décline du delta la symphonie vespérale de quelques prêtresses ainsi purpurines et hymnes aux ruines qu'affine de platine la poussière bientôt stellaire serres par sortilèges soufflés à la bouche en prières d'Alice. 
Elle n'a pas l'emprise des siècles celle qui se fait désirer de frissons en frissons lissés par ce lapis lazuli couché à l'horizon et parure de la bientôt nuitée mais elle est sut irrémédiablement d'Alice ainsi enténèbrée de secrets aux glyphes des cieux, à leurs paroles de pierres, à leurs amours occultes qu'elle en serait prête à sacrifier son hymen à Amon afin de jouir du geyser scintillant tout là haut où se gorgera l'esquisse astrale par augures abyssales des sables néanmoins éteints d'une destinée diamantifère.
D'un soupir, Alice redessine ce monde bien trop carcéral affirmant sa quête céleste et d'une caresse sur l'albâtre dépose le petal écarlate d'un ancien cerisier maître des floraisons explosives d'orient.
Par le socle de cette confiance, par son cœur éclatant, par son souffle ciseleur, par son clin d'œil qui enflamme l'instant, Alice attend la comète Ikeya-seki dans les ruines de Tanis, telle l'adorable horreur de la mort fécondant l'existence à l'aurore.

Alice Waiting For Comet Ikeya–Seki In The Ruins Of Tanis - HyLGZ22 & Wivresse

This is the first collaboration with James-Lee (aka Irunak), created mainly with synthesizers and some sound processing. The experiment started with my tune 'Ding an sich' (this time with guitar just as an accompaniment). James-Lee created the augmented passages in five segments with mysterious voices and archaic sounding instruments on and between this template. All together made the whole thing to a magical brew and unexpected journey for both of us. 
Here you can listen into the creative musical universe of James-Lee Frontier: https://soundcloud.com/irunak

Ding An Sich • Duo (James-Lee Frontier & Axel Weiß)

Ulysses

Avec les moutons de Delphine

The spirit of the garrigue
In mischievous resurgence
In the logos of human manias
Layer
Rowdy
A hand that the shadow stammers
Carmine
Remembrance of shattered limestone
By the Charcoal Goddess
Tit girls certified cave, for a kiss.
For a kiss,
For, a kiss,
Has disguised the quest
For a kiss,
The part that has become a predator of the whole
For a kiss,
universal betrayal
Angels who own that nitescent sex
To bond
Abound in your senses
Is hungry
To bend the bow of mothers lands

Beltane Kiss

Ymblis

method: recording semitone sequences, layering, morphing with pedals while recording,  layering, panning tiny critters, layering, etc. headphones recommended
narration: shallow waters. seaweed. the powers it forces. the powers that force it. since it is hard to hear through the water's surface,the written-out poem can be found below. seaweed has oh some many overlapping voices ..... like the multivocal waves themselves
image: copyright jo richter

poem / copyright jo richter:

what hides within me
remains well-hidden
until it awakes
stirs and elopes

from far without me
adaptive swaying
in flow with the current
tentacle tides

deceptively timid
quite unassuming
tumbler of shadows
living on light

protruding from vastness
ancient sea giants
sediment trances
supporting frail roots

seaweed sensibilities

Composed, arranged, performed, and produced by:
Carlos Vivanco

Light Flux

Cosmic String Vibrations

Composed, arranged, performed, and produced by
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Absinthe Dream

Absinthe Dream by Jason Mowry & Carlos Vivanco

R-Brasília

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Cosmic String Vibrations

Carlos Vivanco

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