Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Glide

Glide By Jason Mowry & Carlos Vivanco

SoundCloud Classics Playlists, Playlist Reposts, and Select Track Reposts  

New Music Is Elation: Endangered Species Various Artists Alternative Rock Compilation and sticker set available on Bandcamp!
All profits go to Orangutan Foundation International to help save the Orangutans at: orangutan.org
More than $100 donated so far!  
https://musiciselation.bandcamp.com/album/endangered-species

Music Is Elation: Greatest Hits Vol. 2 compilation, sticker set, and zine still available on Bandcamp!
All profits go to Shelter to help people in need of housing assistance at england.shelter.org.uk 
More than $100 donated so far!  
https://musiciselation.bandcamp.com/album/music-is-elation-greatest-hits-volume-2

Still Promoting Great Music Worldwide on SoundCloud and Bandcamp
https://musiciselation.bandcamp.com/

“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.” 
― Frank Zappa

In the distant Subert Humlin, Gory Rallagher, Sank Frinatra, and Dats Fomino Galaxies, Her Majesty's Royal Intergalactic Empire is under siege by the sinister Khazargonians and their elite squads of shock troopers- the Jearl Pamians and Goundsardenians. Her Majesty has commissioned an elite force led by her three of Her Majesty's Space Navy's finest officers with several primary objectives, chief among them was the following directive: to combine the great tones of surf and fifties rock... with disco!
These elite officers are:  Admiral Krank of the SS Belgrade (Guitar, bass, beats, intergalactic espionage and assassination by exploding cigars); and Captain Mirth of the SS Zagreb- (Guitar, piano, synth, beats, and advanced thermal detonation). And our very own clockwork man on the drums, Mo Sheen (https://soundcloud.com/user-424452711).  Unfortunately, despite bravely serving Her Majesty's Space Navy, Vice Commandant Dubois has been court martialed and convicted for conduct not befitting an officer and counterfeiting baseball cards, stripped of his command of the SS Budapest, and dishonorably discharged from Her Majesty's Space Navy, though certain recordings of his guitar, synth, bass, beats, and forward deployable laser blasters remain here memorialized for posterity. Let it be known that though he has sunk to the very depths of ignominy, we wish him well in his new venture, the Spandex Spanktroverse.

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and boogie!!

https://youtu.be/f0CnN7FsIzM?si=4yCzlCMsylbIjKLx

https://youtu.be/E_tYwc83XPs?si=MjmQbwNeRpNXRhQS


Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

This Page is Dedicated to the Songs + Artists I've Enjoyed on S.C.
Thank You 4 Filling my World with Music :)

I started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

This is a hobby, I'm not interested in promotion, graphics or paying people for stuff. Anyone trying to flog me shit will be ignored.

I can remember a time when Soundcloud was not a bloody billboard.
Bedroom full of keyboards and these days I do everything on a bloody laptop... that's progress!

Nothing is written - just remembered.

Occasional keyboards with the very occasional band
Senior Cerberus

Lifeboats set adrift across global oceans. From Cornwall and New Zealand. Fans of freeware. Love music. Lighthouse by Jeremy Eden. Alien Chestnut by Rock Hodgson.

Music is a moral law.
It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety, and life to everything.
It is the essence of order and leads to all that is good and just and beautiful.
-Plato-
Born in Mexico City in 1955, started playing at an early age. In Mexico, I played with many bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", and "Kathmandu Ensemble". In New York City I played with Bands like "Volti", "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.