Gorgeous classical guitar feel. This gives me images of a passionate couple trying to resolve some of their relationship challenges through a complex dance. Poignant space. :)

Magistral Phrygian finger's guitar, awesome way of sound

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole (The Eclectic Collective with John Anthony)

Synthwave instrumental piece by Lahti Synth Project – electronic music producer and sound designer.

YouTube: https://youtu.be/8tN00_HO4ZU

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More music:
SoundCloud https://soundcloud.com/lahti-synth-project
Spotify https://open.spotify.com/album/42xQfj0VYGeiWWhHoQiwjH
Deezer https://www.deezer.com/album/398080547
Pandora https://www.pandora.com/AL:20947003
Look for Lahti Synth Project on other streaming platforms too.

Music & Production © 2024 Vladimir Gudkov.
Used artwork from Usplash (www.usplash.com).
Produced in Ableton Live.

Village Home

Sooo, yeah, it's a song that's an apology of sorts to my kid for suggesting she become a ninja killer assassin in 'Revenge of Ceres.' 

Sorry, honey! Just daddy working through his issues. 

Influences: DJ Shadow, Massive Attack, Tricky

Ceres Lament

Fun collaboration with Negative Headphones

Shut The Fuck Up

Shut The Fuck Up (a Negative Headphones Collaboration)

There's something metronomic about the planet, Nod. 

The slide guitar was played on a telecaster whilst the heavier riffs came from a Duesenberg Paloma put through a modern amp.

G-ZIP IT!

222 Near

'Turn The Page Please' is a Jazz Fusion/Rock track and features Tony Conway on guitar (solo).
It's always a pleasure to have Tony join me and no exception here, as he takes another excellent solo.
https://soundcloud.com/user-95115433

Walking The Straight And Narrow

Turn The Page Please

Turn The Page Please (Feat. Tony Conway)

40 grados, Ariel en Bicicleta

Composed, arranged, performed, and produced by:
Carlos Vivanco

Murmullo Del Viento

Volando En Sueños

battle of heroes - Marcos Kaiser

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Volando En Sueños

Carlos Vivanco

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