GodKingMajorLucre - ( Just Vibe )

Scomodo

Kate  Scomoda(Testi di Anam Hermit)

Push Me (Monoton Edit)

“Purgatory Song” is based on a voice improvisation, which I recorded years ago for a collaboration with South African musician and visual artist Garth Erasmus, but never used. Later I added some sounds of a prepared piano, as an ironically broken allusion to the romantic “Kunstlied”. Much later I processed these elements together with electronic sounds to create the Purgatory Song.
The artwork has been made by Thomas Müller. See also www.flickr.com/photos/txmx-2/albums

Purgatory Song

Roller

Voltaic 2. Rascalaty

naviarhaiku488:
in dream world
was I laughing at a turtle?
winter seclusion

haiku: Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa
image: Todd Trapani https://unsplash.com/photos/ymEcUhbjCrI
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Laughing at a Turtle [NaviarHaiku488]

noxpox - Attack Of The Bhang Khalif

Canto toca

In The Garden

Hero

(John Stone)


Now dragons may be hard to find
Those knights of old have done their worst
Perhaps they’re in some smoky cave 
Sleeping deep within the earth
Now those who wish for derring do
Well they will have to look anew
P’haps catching tides, surfing waves or flying through the air

They want to be a hero
They want to be the one
Whose names is on the lips of men
An hour in the sun
But harbour lights are burning bright
And I’ll be home with you tonight
Don’t want to fight for what seems right over some imagined cause
Don’t want to be anyone else’s hero, but yours.

There’s those who sailed away to sea
In search of fortune and of fame
Who found some far untrodden land
And gave the land their name
Now there’s no undiscovered place
Where dint of man you’ll find no trace
Except perhaps inside your heart
That’s where I’ll play my part

Don’t want to be a hero…


The works of man shall turn to dust
And memories shall fade
Battles lose their consequence
As history’s remade
There’s those who seek eternity
They wonder far and wide
They reach across the universe
But never reach inside.

Don’t want to be a hero…

Hero

VETO

watch the video at:
  https://youtu.be/u-S4-Y7yQoQ

Seventh Heaven

You Have a Chance

Do you want to be an angel? -
"Yes, to show people on earth..,
that we exist."

TRITONUS/TRITONE__________________________________________________

Who knows to what extent the Church forbade composers to use this interval. According to musicologist Anthony Pryer, the tritone "...was recognized as a problem in music as early as the 9th century [and] as a natural consequence, and so they banned it [and] had rules to get around it. I don't think it was ever considered the devil residing in music".

Why is the tritone considered evil?
In the typical story about the tritone, many people believed that this interval had such an unpleasant sound that the people of the Middle Ages considered the tritone to be "the devil's work."

As we have already noted, we rarely hear the tritone as an independent interval. However, as with everything in music theory, there are many counterexamples. One such example of the devil's tritone can be found in the Black Sabbath classic " Black Sabbath ".

Listening to it, one might think that this is exactly what the church wanted to ban centuries ago!

The tritone interval is contained in every dominant seventh chord. The tritone interval gives the dominant seventh chord such a strong resolution to the I chord in a chord progression.

Fallen Angel

Plastic Jesus

pewter swollen sky

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Canto toca

Anthony Cutrera Morales

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