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LITTLE SPARROW

Anin Misone - Nobody's Fault (el mago Edit)

from the Nickodemus "Moon People" album now on @wonderwheel-recordings 

http://wonderwheelrecordings.bandcamp.com/album/wonderworld-10-years-of-painting-outside-the-lines-mix


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Los Tarantos by Nickodemus

https://soundcloud.com/maltauro
https://soundcloud.com/djdunwich
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AS THE WORLD TURNS THE BIT RATE INCREASES. THE MORE WE CREATE THE MORE WE EXTINGUISH. WE MEAN, YOU SEE, EVERYTHING – INCLUDING MUSIC AS PROCESS – SEEMS TO HAVE BEEN SCATTERED VORACIOUSLY AROUND THE SPACE. THUS, EACH ONE OF THESE INFORMATIONS MAY SETUP AND BUILD AN INDEPENDENT CONCEPT OF WHAT CONSTITUTES THEMSELVES. FROM THIS POINT OF VIEW, CASACAOS PROUDLY PRESENTS THE COMPIL(ACTION) “MUX”, WHERE WE’RE GETTING TO KNOW A LITTLE MORE ABOUT THIS ESPECIFIC MUSICAL UNIVERSE AROUND US. DISTINGUISHED SAMPLE DATAS CAN ALL BE CONFIGURED INTO A MEASURELESS SINGLE FLOW OF INTENSITY. THE COMPILATION IS BASED ON COMPOSITIONS / EDITIONS OF OUR MUSICAL PARTNERS. MOVING ON, WE FOUND OURSELVES FACING THE QUESTION OF HOW WE CAN SPREAD THIS SONORITY TO EVERY CORNER OF THE WORLD.
Curator: Moisés Lourenço.
Organization: Junia Andrade & Moisés Lourenço.
Art Designer: BBlancato.
CasaCaos thanks everyone involved in making this compilation. Y’all are awesome!
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O PLANETA GIRA, A TAXA DE BITS AUMENTA. CRIA-SE, DESCRIA-SE. DISPERSANTES E AÉREAS, AS INFORMAÇÕES PASSAM SOBRE(NAS) NOSSAS CABEÇAS VORAZMENTE CONFIGURANDO E CONSTRUINDO, CADA QUAL, SEU TERRITORIO. SOB ESTA ATMOSFERA, CASACAOS ORGULHOSAMENTE APRESENTA SUA PRIMEIRA COMPIL(AÇÃO); UMA FRESTA DO NOSSO RECORTE MUSICAL: “MUX”. UMA AMOSTRA DE DADOS DISTINTOS QUE PODEM SER RECONFIGURADOS NUM ÚNICO FLUXO DE INTENSIDADE IMENSURÁVEL! A COMPILAÇÃO BASEIA-SE EM COMPOSIÇÕES E EDIÇÕES DOS NOSSOS PARCEIROS MUSICAIS. ELA FAZ FLORESCER EM NÓS AINDA MAIS A NECESSIDADE DE TRANSFIGURAR, DILATAR E TELEGUIAR AOS QUATRO CANTOS DO ESPAÇO SIDERAL ESSA SONORIDADE!
Curadoria: Moisés Lourenço
Organização: Junia Andrade & Moisés Lourenço
Arte: BBlancato
CasaCaos agradece a todos os envolvidos diretamente/indiretamente nesta compilação. Vocês são demais!
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320KBPS
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01. Nillo – Dormida
02. DJ Foi Mal – Into The Brejo
03. Luciano Motoki – Bellatrix
04. Baru – Kula Kangri
05. Alle Luara – Miavergana Sitara
06. Gr◯un土 a.k.a DJ GROUND – Corroborizm
07. B1N4 – S3X N4TUR3
08. Mental Carnival – Come Together
09. Tabu – Riturbano
10. Sound.Audio.Music – Be Free
11. Risa – Selvagem (Maco Maltauro EDIT maximized by Dunwich)
12. Trio Mocotó – Não Adianta (Wolf Remix)
13. Dorival Caymmi – Noite de Temporal (Maco Maltauro Psychedit)
14. Willpiercey - Mr. Withers (Acauã Na Noite Edit)
15. BREZØLIN – Deep Sensation
16. San Ignácio - Puedo Cantar Dumbia (feat. Fauna)
17. DjSuperStereo - Gusto (Savages Y Suefo's Sexy Samba Remix)
18. Scooby Dub - Sommer in Berlin
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Risa — Selvagem (Maco Maltauro Edit maximized by Dunwich)

ART COVER DESIGN BY : CHRISTIANE BANANITA BOCK

LHASA - EL DESIERTO (SANTIAGO MONTALBANO & JELIPE JALAPEÑO EDIT)

Buy/Stream : https://linktr.ee/SibuAthens
Opunga album : https://sibu.bandcamp.com/album/opunga

Produced &  Mixed by Sibu
Mastered by Funkanizer
Artwork by George Tsatsaragos

Bandcamp

Sibu - Jasmin

El Regreso del Gallito (The Return of the Rooster) takes its inspiration from the sounds and landscapes of Paraguay, the small South American country unbeknownst to many outside its borders. Paraguayan composer and producer Santi and Turkish singer Tuğçe take listeners on a tantalizing journey into this “island surrounded by red coasts, in the heart of South America”. El Regreso del Gallito also marks the duo’s first time collaboration with U.S. based visual artist Scott Partridge, whose artwork perfectly captures the somewhat familiar and somewhat magical world of the album. 

The opening track, Gallito, begins with a bold, orchestral string section, and quotes the popular Paraguayan polka “Gallito Cantor”. The spoken poetry announces the return of a mysterious traveler, with a strange voice and burgundy crest, to his native land. This track, like the rest of the album, reveals the compositional approach that Santi takes to music production in which he writes and sequences every single note and beat for all instruments. Based on this opening track, Scott’s cover art for the album depicts the mythical Gallito, which- like the album itself- is a novel interpretation of the folkloric elements, in this case, gallinas de suerte or “lucky chickens”, of Paraguay. 

The second track, Doña Antonia, tells the story of a street vendor who travels each morning from her home in Yaguaron to the capital city Asuncion to sell her medicinal herbs that cure everything, from heartbreak to oblivion. The track is sensual, mystical, and up-tempo. In a “world that keeps spinning without compassion”, Doña Antonia’s song (and her ice cold tererê with lemon) reassure the poet, the dreamer, those who are disheartened, of possible relief and even transformation. 

La Revancha del Arpa, humorously named after Gotan Project’s debut album “La Revancha del Tango”, brings to the dance floor the intricate melodies and waterfall-like textures of the Paraguayan harp, the instrument that is at the center of the Paraguayan musical genre of the Guarania. Like Gotan Project’s “La Revancha del Tango” which gave tango its electronic sound and international revival, in La Revancha del Arpa, Santi extends the Guarania outside of its Paraguayan conventions and immerses it into Latin America’s vibrant electronic music scene and beyond. 

The fourth track, San Juan, is a grand celebration, based on the traditions of many other neighboring countries throughout Latin America. Weaving together polyrhythmic percussion, deep bass, synthesizers, the energetic accordion and the playful harp, this upbeat track is filled with fire, dancing, and daring games. Even the mysterious Gallito is back on the scene calling for community and musical innovation. 

In the last piece, the journey comes full circle, as Santi and Tuğçe give us their rendition of what is perhaps the most known Guarania of Paraguay, Recuerdo de Ypacaraí. Santi’s hypnotizing harmonies along with Tuğçe’s soothing vocals turn this timeless song into a lullaby which takes us back to a night by Lake Yparaci and invites us to remember and linger on. 

Follow the artists @ 

facebook.com/santi.production/ 
soundcloud.com/santi-productions 
soundcloud.com/tugce-kurtis

Buy on Bandcamp!

Santi & Tuğçe - Doña Antonia

Self-produced and produced mini Album.
Percussions: Martin "Cannonball" Lillyman
Master: Ally Jowett

Cariñito (Los hijos del Sol)

just made a blend of these two wonderful tracks:

Cesaria Evoras - Petit Pays (Onur Engin Edit)
&
JAJA - Gobata

Cesaria Evoras - Petit Pays (Nacho Pitchu Blend)

* Read more:  http://boltingbits.com/premiere-africa-show-massanga-yeahman-remix-mawimbi/ ‎
* Watch on Youtube; https://youtu.be/jnq9HbUvaek
* Pre-order : https://wearemawimbi.bandcamp.com/album/radio-mawimbi-volume-2

Since 2013, the Parsian collective Mawimbi (@wearemawimbi) have demonstrated that music has no borders. Consisting of musicians POUVOIR MAGIQUE, SSCK, ALT, L'ENFANT-LOUP, ALT!, and UMEME,  the group spends the majority of their time as a record label and DJ crew. The goal of their mission is to select the finest rhythms and vibes from the Motherland and spread their idea of multicultural club culture across the most famous clubs in France.

However, this description of Mawimbi does not do them justice. The crew doesn’t appear to care about exclusivity or being pretentious. They do their best to not alienate the current club culture by incorporating more conventional forms of dance music like ghetto house, modern highlife and shamanic techno in their projects. This certainly helps lessen the culture shock, making the global journeys they take people on slightly more digestible and familiar. Think of Mawimbi as your trusty tour-guide that will take care of you as they expose you to the alluring soundscapes of places like Soweto, Bamako, and Kinshasa.

The “musical tourism” Mawimbi have carried out the past 4 years has given them a following of over 10,000 people that stretch from Berlin to Pretoria, and Tokyo to Amsterdam. Due to their recent success, the crew is coming out with the second volume to their compilation series Radio Mawimbi.

We were lucky enough to get our hands on the A1, and are quickly becoming fans of Yeahman's remix of Africa Show’s 1960’s song “Massanga.” The song is from Angola, but the remixer hails from Toulouse. Seeming to be a proponent of the old adage “less is more,” Yeahman does not do anything to detract from the original’s feel. Instead, he decides to pick up the record’s sloth-like tempo while blending in an assortment of his own percussion and echoing synths; making it perfect for warm weather excursions to the beach!

To get your a copy of Yeahman’s remix, plus the compilation’s 8 other tracks, simply follow this link to purchase!

PREMIERE : Africa Show - Massanga (Yeahman Remix)

Come.... to... the.... Caribbean...
#UMOJAEDITS
#FREEDL

Come To The Caribbean (UMOJA DUB)

Brazilian podcast-curatorship channel

If you want to get in touch\
casacaos@live.com\

Risa — Selvagem (Maco Maltauro Edit maximized by Dunwich)

Casa Caos

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