And even better when the bassline breaks up into occasional higher pitched flames.

I love this dancing and singing music! Thanks for uploading.

gorgeous! do you have downloads of these anywhere?

Really pretty, just so ethereal here. Also, thanks for the video link!

A five minute excerpt of each of the six pieces on the "Late Monoliths, 2011-2013" boxed set.

https://broken-music.com/products/keith-fullerton-whitman-late-monoliths

Late Monoliths, 2011-2013

I Watch You When You Sleep (you Watch Me As I Fall)

further experiments with the error instruments sonic lullaby and make noise morphagene, this time with a 4ms Dual Looping Delay providing the backwards bits... and, overall, a longer loop in the morphagene for a more sparse sound. i like this one!

july 20, 2017 (music box 20)

Wanna become smiling ??
Take this!  No external FX nor any post processing like compressor and others - just use headphones for the best result.

Macbeth Elements Example I

Sexbeat (radio-edit)

Joe Berry & Anthony Gonzalez of M83 explore the new Moog Synthesizer IIIp during their recent visit at the Moog House of Electronicus.

Moog IIIP Patch Exploration With M83

No editing or post-processing. Video performance of the patch:
https://youtu.be/f0MDt3vyaYo
Overall patch notes:

-René sequences DPO Osc A and B with the unquantized (tuned manually) and quantized pitch cv.
Some X gates 

-DPO has the gate out on Pressure Points 1 going to Exp FM on Osc B to create momentary, clangy, high-pitched notes. Osc A has a slight Lin FM from the Wogglebug Smooth Audio, and slight Exp FM from a few occasional Gates fired by René.  Osc B is modulated by the Woggle audio out from Wogglebug. Both the Final and the Sine outputs on Osc B are used. 


-Pressure Points 2-4 control Slide on Moprhagene, creating different presets for the sample.
   
-Maths OR and Sum outs go to Optomix, inverted output goes to Fold on DPO B.
Ch. 1 Fall is modulated by the cv out from Erbe Verb (going through Wogglebug S&H, making it a stepped voltage).

-ErbeVerb is set in reverse mode, clocked by Clock out from Echophon, and is modulated heavily 
by its own CV out (going back into decay and depth) and Smoothed cv out from Wogglebug into Size.

-Tempi clocks René X and Y axes, occasionally sending a reset pulse to the X Mod input.

-Everything goes through a subtle delay on the Echophon before hitting the ErbeVerb.

'BALANCE' Make Noise B&G Shared System

0008

Audio transcription of the first two hours of a loose workshop discussing approaches for delineating algorithmic & systematic control to structural & formal elements within Electronic Music Performance given at Casa Rolão on the morning of October 27th, 2018 as part of the Semibreve Festival in Braga.

http://festivalsemibreve.com/en/workshop

"Keith Fullerton Whitman, one of the most brilliant artists in the electronic music domain on the last decades, will conduct a modular synthesizer workshop during Semibreve. Whitman will discuss the choices made with regards to his idiosyncratic setup, and will focus on musical forms & ideas that have only recently been possible with dedicated hardware & a software control layer. The tworkshop will touch on implementing computationally cheap generative & algorithmic concepts with modular synthesizers, as well as spatialization and automation."

Modular Synthesizer Workshop

Modular Synthesizer Workshop; Semibreve 2018

This is the full recording of my set at the Sonica festival in Ljubljana on 27 September 2019.

The piece "The Purpose Of Peace" included in this set is available on Bandcamp as free download or "name your price" here:
https://abulmogard.bandcamp.com/track/the-purpose-of-peace-live

Live at Sonica 2019

FM Filter Drips

Danish composer, producer, songwriter, pianist and synthesizer addict. Production, engineering, mixing and mastering for a wealth of Danish artists.

'BALANCE' Make Noise B&G Shared System

Caspar Hesselager

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