From the album "Fields of the unexpected"
https://dimitrafakarou.bandcamp.com/album/fields-of-the-unexpected
© 2019, Dimitra Fakarou, All rights reserved

Fields of the unexpected

Strange dreams

There is an UFO landing in my backyard almoust every evening.
So I am quite an expert.

Ion Engine

brkn promise

Brkn Promise

Please consider following/supporting my music over at https://blindcrake.rewardmusic.com/

Thanks for listening!

Kayenta

Im so glad to release my first EP containing ambient compositions, when i started this project in 2018 i was trying to reach an ambient sound, but i couldnt at the beginning, So, i tried and i had been practicing to reach that sound... Finally i would say that i found it and is exposed in this EP... Thank you very much to hear and i hope you enjoy it!!!
Follow me on:
Follow me:
Instagram: "www.instagram.com/cassettes_have_become_extinct/"
Facebook: "www.facebook.com/franz.p.antezana"
Youtube: "www.youtube.com/channel/UCTJQYTNHE1cWfnlHcXVf7SQ"
The art design was created by creepend, thank you very much!! "www.instagram.com/creepend_art/"

Machine feelings

The pronotum is a prominent plate-like structure that covers all or part of the thorax of some insects.

Pronotum

Marco Lucchi : piano

18 settembre 2020

***

A morte é a curva da estrada,
Morrer é só não ser visto.
Se escuto, eu te oiço a passada
Existir como eu existo.
A terra é feita de céu.
A mentira não tem ninho.
Nunca ninguém se perdeu.
Tudo é verdade e caminho.

Fernando Pessoa

piano patterns no 4

This is version 1 of 'Untrodden Lead New Pristine', an overlapping of intimate words and funky jazz sounds. Somehow, the emotional status of a world moving and rushing while the inner space is struggling within itself.

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Reading and sonopoetry by https://soundcloud.com/ilaria_boffa 
Bandcamp https://peninsolar.bandcamp.com/album/p-e-n-i-n-s-o-l-a-r-ilaria-boffa-untrodden-lead-new-pristine
Vimeo https://vimeo.com/461581122

Excerpt from 'Im Westen Nichts Neues/All Quiet on the Western Front' (Chapter 12) by Erich Maria Remarque

‘Had we returned home in 1916, out of the suffering and the strength of our experiences we might have unleashed a storm. Now if we go back we will be weary, broken, burnt out, rootless, and without hope. We will not be able to find our way anymore.
And men will not understand us – for the generation that grew up before us, though it has passed these years with us already had a home and a calling; now it will return to its old occupations, and the war will be forgotten – and the generation that has grown up after us will be strange to us and push us aside. We will be superfluous even to ourselves, we will grow older, a few will adapt themselves, some others will merely submit, and most will be bewildered; – the years will pass by and in the end we shall fall into ruin.
But perhaps all this that I think is mere melancholy and dismay, which will fly away as the dust, when I stand once again beneath the poplars and listen to the rustling of their leaves. It cannot be that it has gone, the yearning that made our blood unquiet, the unknown, the perplexing, the oncoming things, the thousand faces of the future, the melodies from dreams and from books, the whispers and divinations of women; it cannot be that this has vanished in bombardment, in despair, in brothels.
Here the trees show gay and golden, the berries of the rowan stand red among the leaves, country roads run white out to the skyline, and the canteens hum like beehives with rumours of peace.
I stand up.
I am very quiet. Let the months and years come, they can take nothing from me, they can take nothing more. I am so alone, and so without hope that I can confront them without fear. The life that has borne me through these years is still in my hands and my eyes. Whether I have subdued it, I know not. But so long as it is there it will seek its own way out, heedless of the will that is within me.’

Sonopoem ‘Im Westen Nichts Neues’

All quiet. Niente di nuovo.
Where is the storm, the awe
that yelling at the top 
of our lungs, the desperate flight?
Im Westen Nichts Neues, Europa.
Before and after, hidden and heedless.
Consciously superfluous to yourself.

We walk your geology Europa
And nothing is pristine.
What is missing, what thought
what sorrow?
It cannot be that we forgot our intents.
You keep withdrawing. 
And I keep talking to myself.

P È N I N Ș O L A R Ilaria Boffa Untrodden Lead New Pristine (v1)

ghost town

The writer

The Writer - feel free to re-writer or rework , its a free download

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

Machine feelings

Cassettes have become extinct