St. Louis bands, musicians, venues & media outlets networking together to enhance & promote the St. Louis music scene. Help support & revitalize our music scene!! You can also email your tracks to saintlouismusiciansunite (AT) gmail.com *Replace w/ the @ symbol. 


Started in 2001 by then-Manchester-based DJ Chubby Grooves aka Pro Celebrity Golf. Only 1 release a year for the first 3 years of the label's existence culminated in 2004 with the epic cut-n-paste mix Three Sinister Syllables. Since then label owner and artist Pro Celebrity Golf has been acting in more of an A&R capacity excavating lost 90's Hip Hop material [as well as brand new DOPENESS] and releasing it for the first time on vinyl in limited quantities. 

Their website keeps you fully up to date with all Herring news and projects, go peep it to cop the latest pre-order release.

www.choppedherringrecords.com

✌

Head taco eater at @wonderstories - demos ---> wonder(at)wonderstories(dot)net

Say Hello: aimesmusic(at)gmail(dot)com

New album 'Let's Melt' here: https://linktr.ee/a1mes

Support from: 
- John Digweed
- Andrew Weatherall 
- DJ Harvey
- Juan Maclean
- Bicep
Few others...

As dedicated record collectors, we at Jazzman Records love nothing more than discovering good and obscure soul, jazz and funk records.

We started out by selling rare and obscure vinyl from a market stall in Camden in the early ‘90s, and we have now branched out into reissuing those very records so sought after by collectors.

The result so far is 6 record labels and over 200 high quality releases on LP, CD, 7” and as downloads.

We continue to scour the world to find interesting and rare records to re-release... We Dig Deeper!

Anthony Rogers is an artist, nomad, and entrepreneur.

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

Vinyl and Digital record label for House, Techno, Disco, and in-between. Run by @aimes

Licensing and demos: wonder@wonderstories.net

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