RUSSELL E.L. BUTLER B2B KIERNAN LAVEAUX (T4T LUV NRG)
RECORDED LIVE AT WHOLE
SAT, JULY 30, 2023
22:00 - 
ANTENNA STAGE
@russellelbutler @kiernan-laveaux @t4tluvnrg

RUSSELL E.L. BUTLER B2B KIERNAN LAVEAUX

Significant Other live from Dripping 2024 at the Open Air stage
@significant0ther

Significant Other at Dripping 2024

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

For the newest instalment, i'm really happy to welcome the incredible Brussels-based AliA (@aliamusicc). The local mainstay is a regular on Kiosk radio and runs her own label - @artisjokrecords. Alyah, better known as AliA,  has an exciting & unique approach to dj'ing. She is known for her blend of contemporary club music with jazz, classical and experimental sounds. 

I find AliA's musical outputs incredibly refreshing - the kind of artist who reminds you what a really good DJ can do - they can present genres & sounds to you that you'd otherwise maybe not typically explore, in a new and exciting way. For her Animix, Alyah has gone for an intensely chill blend of ambient & immersive music, with minimal, glitchy, dub techno, jazz, classical sounds and more.

Thank you so much for the mix Alyah <3 

Downloads enabled

Animix One Hundred & Seventy Seven: AliA

@Adab live from The Barn at Dripping 2025

ADAB at Dripping 2025

pi/live: Radart (Live) @ Büro Siebzig, Globus 08-14-2025

Next in our mix/archive series is Mike Midnight taken from our label night at Tresor/Globus late August 2025 for Globus Būro Siebzig: Paper-Cuts featuring Radart (Live) & deep creep. Bleep, bloop, blop..!  (https://soundcloud.com/mikemidnight) <3

Welcome to our mix/archive series, our home for live sets from label events, guest shows and radio broadcasts soundcloud.com/papercutslimited/sets/mix-archive

www.papercutslimited.com

mix/archive: Mike Midnight @ Globus Büro Siebzig, Globus

De Doler en de Dood

Dream to Nightmare

jungle of cables

An excerpt from my sunset ambient set at The Lodge, around 8:00pm in Mount Rainer National forest. An ode to intimate moments with platonic friends <3

CCL Ambient Set at The Lodge (8.12.17)

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com