Tracklisting:

1. Brian Sanhaji, FORMS, Monoloc - Emphaze (SENSOR)
2. Gina Demarchi - Warning (Concreto)
3. Kristian & CDTRAX - Karate (Forthcoming on SWAY)
4. TimeKube, S:V:S - Expressiv (Jeton)
5. Ferhat Albayrak - Exit Strategy (Jeton)
6. Lidvall - Monster (Default Series)
7. CDTRAX - Boomerang (Unreleased)
8. Lakej - Hidden Symmetry (Default Series)
9. Orion - Stroke Mechanism (H-Productions)
10. Wisna - Voltage (Nested Label)
11. Michael Klein - 333 (BLK DRP)
12. Kristian & CDTRAX - Phoenix (Forthcoming on SWAY)
13. Drucal - Manila (Fonio Records)
14. Michael Klein - Triple Knee Tap (BLK DRP)
15. Riddika - Hawkish (Combine Audio)
16. Jason Patrick, Kobe Dupree - Scanner Transmission (Default Series)
17. KØLPØS - Mistic (Dissolved Mind)
18. Sera J - Dronix (Renegade Methodz)
19 Kristian & CDTRAX - Ascend (Forthcoming on SWAY)
20. Joanna Dark, Oscar Escapa - Rolling (Tronic)
21. Riddika - Sensor (Combine Audio)
22. Lidvall - No es tuyo! (Dissolved Mind)
23. Wisna - Praguar (Nested Label

CDTRAX – Studio Summer Session

<< For event or podcast bookings please send me a DM. I mix Techno because I love the sound, and I certainly would share that with anyone interested. I've been doing this for 33 years now simply so that I could always be as hands-on with the Techno I love, experiment with it, and enjoy it in as many ways as possible. >>


♫ ♫ ♫ ♫


Techno, Art, and Technology. 


I've been involved in Techno since early 1993, and spent a lot of time between 92' and 01' driving from Boston to NYC (and back) chasing a specific sound, and as it turned out was able to be a part of some pretty memorable Techno events. Many warehouse parties hosted by Sonic Groove, Mental Unity / Electronik Underground, and others throughout those decades. 


After 2001 the Techno scene pretty much collapsed for a few years in NYC, due to issues related to the Sept 11th attacks, such as artists having issues obtaining a US visas, the world economy, pointless wars, and a collectively paranoid government. Boston (my home) never really had a well established Techno scene before 2012 or so. 


My first, honest introduction to underground Techno began in 1993, Manchester N.H. Thanks to N.E.A.U. ("New England Acid Underground", circa 1993-95) which then became N.E.W. ("New England Works", circa 1995-2001) which focused on pure, underground Techno sound & experience by hosting many epic, outlaw warehouse parties, and formed a solid base for a diverse group of people, from various backgrounds, many of which I had grown close to in those years. 


This collectively represented what I felt was my "home base" at the time, fulfilling my strict preferences within electronic music, and of course the quality of the people, & the Techno experience. A good link with the Sonic Groove crew down in NYC between 1993 and 2000 had been forged through great events rooted in a "music & human experience first" approach and purpose. I learned a lot about music, DJing & the beauty of pure Techno's hands-on approach, adaptability, & re-usablity. 


Pure Techno is a powerful, "language agnostic" form of communication and connection via a shared emotional journey that's tethered to the art of sound. Without any single person needing to say a word, a true collective experience is often realized. 


I'll never forget that early Manchester, NH scene, or all of the people involved that helped to establish it each in their own way, nor will I forget all of the amazing people in New York City who welcomed us, shared with us some unbelievable sounds, hosted some of the most memorable events, and hosted such a dizzying array of talented artists from around the globe. 


I'm still plugged into Techno today, of course, & it's health is better than ever. But established collectives are harder to come by in Boston, & many from NYC have moved on to Europe where they can make a living and thrive in it's long-established Techno scenes. 


Thankfully one of the most active and Techno focused groups has been doing great things in the Boston area over the last six or seven years or so (INFRA Boston), and doing more than I can recall being done in the last 30 years for sure. It is good to know that after so many decades, Techno is still breaking new ground in places like Boston.


I've been quite active in releasing recorded sets of my own, of online live-streams, home mixes, mixes inspired by friends, by shared experiences over three-plus decades. 


I started DJing thirty two years ago because I feel in love with pure Techno. That motivation is as strong toda. y

Phoenix-based techno brand, born in Chicago.  Committed to highlighting new music, emerging artists, and celebrating underground culture.

A music platform that hosts intimate live music sessions catering mainly to the underground House and Techno genres

Ich sags mal einfach so raus: Freut mich außerordentlich das es Euch freut wenn es uns freut das es Euch freut usw... Echt faire Unternehmung das Soundcloud :)) Da lacht das Musik-interessierte Herz :) HINWEIS FÜR DIE NETTEN MENSCHEN/DJs/PRODUCER etc.: In Gottes Namen benennt Eure freigestellten Tracks bzw. Sets doch auch bitte mit Namen wie DJsoundsoundso-After Party irgendwann im nirgendwo usw...!!!! Da Ihr ja alle werben wollt mit Euren Stücken wäre es echt angebracht daran zu denken das Ihr diese Geschenke auch ordentlich tituliert, ist mein Gedanke bei vielen downloadablen Stücken und dann kann ich, wenn mal auf der Platte gespeichert, leider oft nicht mehr sagen wer welch geilen Mix von Euch Meistern/innen all over the world gestiftet hat und teilweise wäre es aber angebracht, als Sammler aller edlen Sessions like yours are for example, auch sogleich möglichst noch viel mehr an Stücken von dem/derjenigen runtersaugen zu können was aber bei null Info (oft nicht einmal der DJ-Name!!)echt schwer möglich ist... lol Da fängt Werbung erst an... oder hört sogleich wieder auf... ;))  Und nachschauen nachträglich wird sich nie wer für eine Benennung eines Sets antun das der Namensträger nicht der Mühe wert fand zu signieren, auch klar. Na dann... ;)) Und mit der Bitte im Voraus auch weiterhin so verdammt dufte Muke zu produzieren/aufzulegen und dann zumindest teilweise frei zu geben! Ich höre mir nämlich mit Sicherheit jedes meiner 100 - 200.000 Sets zumindest einmal an und ehre jede gute DJ-Arbeit mit Freude am Hören und Mundpropaganda im engsten Freundeskreis bzw. wird fleissig mit meinen followern auf SC gechanged... Somit schließt sich der einzigartig gut dastehende Kreis der Soundcloud-User und jeder hat seine Freude dabei liebe Freunde der volkstümlichen Techno-Folklore und ähnlichem "Soundcloudsheaven"! So long! Rock on! Just use your brain (just try at least ;)!) and dont go scary or insane! RESPECT TO ALL DJs who make me often much happier than without the sets!! THX A LOT YOU DJ-FRIENDS ALL OVER THE WORLD! May the ryhthm be always with you ;) ... bless the rhythm and hope together people, that we let always the rhythm move us forward to enjoy also hot music on rockin partys with cool dancin people and funfunfun!... Harry
AND NEVER FORGET __Carpe Diem__
cause the dices have to be rolled and we are here to rock and especially TO ROLL them. and share the good sites in this absolutely perfekt moment in this age we are the "Lucky-Ones" or something like this .. ;) thats fair or not no matter cause no ways goal was ever written before main part walks on the steps of that... Love as much as you can in each situations you can get senses  you can use in any private best way for you...

"One good thing about music, 
when it hits you, you feel no pain."
Bob Marley

Bookings/Promos/Remixes: cdtraxiam@gmail.com

CDTRAX is a techno producer and DJ from England, United Kingdom, with a journey that began in the iconic 1990s — the era that first connected him to electronic music.

His standout release is “Work”, a collaboration with Kristian Heikkilä on the legendary SWAY label. The track earned significant international support from key techno figures including Dave Clarke, Truncate, and Richie Hawtin. “Work” was also performed live by Richie Hawtin for Beatport during ADE 2025, marking a major milestone in CDTRAX’s career.

CDTRAX has released on several respected techno imprints, including SWAY, Kneaded Pains, Jeton, trau-ma, Naked Lunch, On Edge Society, Say What?, and [R]3volution Records. His catalogue continues to gain traction across clubs, radio, and DJ sets worldwide.

Rooted in his early influences but focused firmly on progression, CDTRAX is steadily building momentum as both a producer and performer on the international techno circuit.