Soul Candi started out as a record shop in vinyl DJing’s heyday, and it was where like-minded DJs from across the country would converge to hear and buy the latest, tastiest house tracks. The store became a focal point for house proponents of the caliber of DJ Fresh, Oskido, Euphonik and many more. But despite the presence of these big personalities, everyone was welcome, and the beats were a treat. As house music became THE sound of South Africa, the business grew and Soul Candi started making the most popular tunes available to everybody via their range of cool compilation CDs. Now the nation could own what the best DJs were playing on the airwaves and in the clubs. Now Soul Candi has a new mission statement: it’s been re-coded as an all-encompassing media house – which ironically takes the company back to its roots: sharing the best house music the world has to offer.

Eisenwaren is a label based in Düsseldorf run by the German DJ and producer Vin Vega since 2013 that has a reputation for quality Tech-House Music. Releases on the label come from talented international producers in the house world.
contact@eisenwaren-music.com

You want to release your stuff on eisenwaren, read here! 

Demo Policy: Upload your tracks (all of them) on a single Soundcloud link (mp3 320kbps) and write two lines about you and where you have worked on the past (labels). 
We want new, exclusive and good stuff. We only accept Soundcloud links. One link with 1-3 tracks, not links with single tracks. 
Send your private link here: demo@eisenwaren-music.com 

Please be sure the quality of your stuff and the sound of your music fit with our label. We only need Deep House or Tech House stuff.
If you follow those easy instructions, we will listen your stuff and if we like it, we'll answer you. 

cheers!!
eisenwaren

The mixes will be delivered by successful djs & producers as well as regional local heroes.
We're looking forward shorting you the time between partys with first-class music for the soul, heart and feet.

Partnerchannel:
www.soundcloud.com/clubmoodvibes
@https://soundcloud.com/kk-remixe
@tieflands-bucht

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Booking - steffen@dusteddecks.de 
Management - nm@mec-early.com
Dates; gigs.gigatools.com/user/marcapasos

iamamiwhoami is a Facebook group where fans share iamamiwhoami rarities.
https://www.facebook.com/twimcmediashare

twimc.cc/shop

Four years have passed since Swedish producer, songwriter and musician Andreas Kleerup was named as one of the world’s hottest producers by NME. The reasons were obvious: his self-titled debut album was a Top 10 hit in his homeland, but its influence impacted upon a tidal wave of artists who desperately tried to recreate Kleerup’s ability to meld retro elements into a pop sound that was both futuristic and innately melancholic. It resulted in him winning big at the Grammis with the prestigious awards for Newcomer of the Year, Producer of the Year and Composer of the Year. Even Lady Gaga was enamoured by Kleerup, and subsequently commissioned him to remix her track “Alejandro”.

His collaboration with Robyn, ‘With Every Heartbeat’, kick-started the trend – a huge international hit (#1 in the UK and a Top 10 hit in numerous other territories) that also won the adoration of discerning music fans. Other guests on the album ranged from the then newcomer Lykke Li through to the legendary Neneh Cherry. Not only did Kleerup demonstrate a surfeit of talent in his own right, but he could expertly judge and apply it in others too – and his ability to combine those two traits is a rare and compelling strength.

A common trait amongst other like-minded musicians is a desire to explore every possible facet of their creativity. It’s something which Kleerup shares. He could’ve simply taken the easy route and watered down his approach for the masses, but as the kind of guy who can reference both King Crimson and Boards of Canada in the same sentence it can’t have been too appealing an idea. Instead, he scored a stage adaptation of former Nobel laureate Harry Martinson’s sci-fi poem “Aniara”, the accompanying album of which earned him a Grammis nomination, and also fronted his Fleetwood Mac and Thin Lizzy-inspired country-rock sextet My and My Army on their debut collection “Thank God For Sending Demons” which garnered yet another Grammis nomination. 

Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.

cemster is following