Gentle People - Journey (Aphex Twin Care Mix)

here's that electronic version, similar arrangement to the other one, just kind of has more blips

Yamantaka // Sonic Titan - Hoshi Neko Remix Electronic Version

AVAILABLE FOR DOWNLOAD: https://kellyleeowens.bandcamp.com/

AVAILABLE ON LIMITED VINYL :
http://www.roughtrade.com/albums/89897
http://www.piccadillyrecords.com/prod/KellyLeeOwens-LucidArthur-NotOnLabel-103232.html

OR instore at Rough Trade, Sister Ray & Sister Ray Ace & Piccadilly Records.

Taken from KLO's debut EP.

"The perfect amalgam of songwriting and soundscaping, releases like this are why vinyl exists." - Piccadilly Records.

Written & produced  by Kelly Lee Owens.
Mixed by Kelly Lee Owens
Engineered by: James Greenwood
Mastered by: David Oversby-Powell 

Arthur

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

Buy on iTunes

DADRAS – Yuppie Scum

🌊 Underwater Peruvian Coast
by Aton & the Resonants
(Official Album Presentation – English)

From the depths of the Pacific mists, a new sonic vessel emerges:
Underwater Peruvian Coast.

This is not a collection of songs.
It is a breathing ritual — a submerged memory woven in pulse, mist, and ancestral vibration.

Each track carries the breath of the sea meeting the Andes.
Each bass line exhales like the landó rhythms lost in the ocean fog.
Each percussion hit is not meant for dancing — but for remembering.

Born in the E minor resonance, infused with Afro-Peruvian ghosts, and textured by the underwater trip-hop spirit, this album invites the body not to move outwardly, but to move inward.
To breathe with hips.
To listen through the skin.
To awaken memory not as nostalgia — but as vibration.

You will hear no sharpness here.
Only warm bass, seeds of percussion, wind carrying forgotten songs, and a heartbeat submerged in the mist.

Grooves evolve like underwater currents — unseen but undeniable.
Textures whisper like ancient water spirits — real but ungraspable.

Each beat is a threshold.
Each silence, a tide.
Each bass pulse, a whisper from deep earth and deeper waters.

Underwater Peruvian Coast is not a soundtrack for the surface world.
It is a portal for those who still feel the tides inside their ribs.

It was designed for twilight listening.
For barefoot breathing.
For bodies who still remember that water and earth are not separate things — but phases of the same dreaming.

Let yourself drift without needing to swim.
Let yourself breathe without needing to rush.

This is an offering.
A ritual.
A slow remembering.

Created and channeled with reverence by:
Aton & the Resonants
under the pulse of Enano Bendito Records.

🌀 Activation Phrase:
"The body is dreaming water.
The mist sings to me.
I float in the rhythm of the submerged earth."

🌊 Underwater Peruvian Coast
por Aton & the Resonants
(Presentación Oficial del Álbum – Español)

Desde las profundidades de la niebla pacífica, emerge un nuevo navío sonoro:
Underwater Peruvian Coast.

Esto no es una colección de canciones.
Es un ritual que respira — una memoria sumergida entre pulso, bruma y vibración ancestral.

Cada track lleva el aliento del mar encontrándose con los Andes.
Cada línea de bajo exhala como ritmos de landó perdidos en la niebla oceánica.
Cada golpe de percusión no busca hacerte bailar — sino recordarte.

Nacido en la resonancia de Mi menor, impregnado de ecos afroperuanos y texturizado por el espíritu del underwater trip-hop, este álbum invita al cuerpo no a moverse hacia afuera, sino hacia adentro.
A respirar con las caderas.
A escuchar a través de la piel.
A despertar la memoria no como nostalgia — sino como vibración viva.

Aquí no encontrarás asperezas.
Sólo graves cálidos, semillas de percusión, vientos que cargan canciones olvidadas, y un latido sumergido en la bruma.

Los grooves evolucionan como corrientes submarinas — invisibles pero innegables.
Las texturas susurran como espíritus acuáticos ancestrales — reales aunque inatrapables.

Cada golpe es un umbral.
Cada silencio, una marea.
Cada pulso de bajo, un susurro de la tierra profunda y de aguas aún más profundas.

Underwater Peruvian Coast no es una banda sonora para el mundo superficial.
Es un portal para quienes aún sienten las mareas latiendo dentro de sus costillas.

Diseñado para escucharse al anochecer.
Para respirar descalzo.
Para cuerpos que recuerdan que el agua y la tierra no son cosas separadas, sino fases de un mismo sueño.

Déjate llevar sin necesidad de nadar.
Déjate respirar sin necesidad de apurarte.

Esto es una ofrenda.
Un ritual.
Un lento recordar.

Creado y canalizado con reverencia por:
Aton & the Resonants
bajo el pulso de Enano Bendito Records.

🌀 Frase de activación:
"El cuerpo es agua que sueña.
La niebla me canta.
Floto en el ritmo de la tierra sumergida."

Underwater Reverie (2)

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Brainwaltzera debuts on FILM. The anonymous producer, whose work has has already received online approval from legendary british IDM auteur aphex twin, offers up an extended EP for the berlin based imprint. In 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious Brainwaltzera upload quilat spring 1 [outtake]. The move prompted speculation as to who exactly is behind the music. Exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. Regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on FILM006 are of similarly high calibre. Varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba EP, marking it out as an excellent addition to the FILM label’s growing catalogue. OUT today ! Cop it here : https://clone.nl/item45727.html or there : https://bleep.com/release/83711-brainwaltzera-aescoba-ep

Aescoba EP

LISTEN ON YOUTUBE

PREMIERE : Brainwaltzera - 17 Acetonia [Au Pied de Cochon Aescoba]

Bendik Giske - Up

"Closed Space" is the first single from CFCF's forthcoming album Liquid Colours

Montreal’s earnest-kitsch-explorer CFCF (aka Mike Silver) has been honing gentle revisions and updates on the outmoded luxuries of pop and new age music for years now. Now he returns with a ‘spiritual sequel’ to his much-loved 2015 ambient opus ’The Colours of Life’, refitted with an eye towards the bygone future: oxygen lounges, chill- out rooms, luminescent spas, and breakbeats. Told in 15 movements, ‘Liquid Colours’ is a 42-minute new age jungle odyssey, perfect for a journey into a dreamworld of pure consumerism. Like all of CFCF’s work, it’s as sincerely and painstakingly composed as it is gently sardonic.

Liquid Colours

Closed Space (Single Edit)

Taken from 'It Should Be Us', Andy Stott’s first release since 2016 and first EP since 2011 - a doublepack of slow and raw productions for the club, recorded this year and following a series of releases that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. 

There’ll be a new Andy Stott album in 2020, but in the meantime... this one’s for dancing..

It Should Be Us

Andy Stott - Versi

Andy Stott LUXURY PROBLEMS

millennium new age deep thoughts producer/dj from Montreal, QC

Inquiries: cfcfmusic [at] gmail . com