The temperature is minus 55 and you feel alive. 

Wandering around the Arctic, zerrissen era finds his home on the remote and isolated Baffin Island.  As an indie multi-instrumentalist, zerrissen era crafts eclectic songs in the harsh Arctic environment.  Inspiration abounds in this outback where temperatures seldom rise above zero degrees.  There are no trees; just wide open spaces of tundra, sky and sea.  It is either day or night with nothing in between.  Northern Lights or Midnight Sun.

It is no wonder that zerrissen era’s music is gaining recognition globally as exotic, untamed and unique.  With compelling lyrics, pointed melodies and pensive arrangements, listeners have referred to his music as ‘genius music’.  Lyrical matter delves into the human experience from a reclusive and removed perspective that can only be found in the wild.  Clarity is found in this isolated context; as is purity of position.  

Production resources are scarce in the Arctic and the air is thin; all of which contribute to the elemental and charming tone of zerrissen era music.  

Take a trip to the Arctic through zerrissen era’s music.  

Experience Northern Comfort.  


Hello, I'm Chandramoon a singer songwriter from Bristol UK. I've recorded two albums of my own songs in collaboration with wonderful musicians.

You can find out where I'm playing and buy my music through my website www.chandramoon.co.uk

....."Intelligent, beautifully crafted songs"- Bristol Venue

....."It's good stuff and should go down really well in the acoustic music scene happening in Bristol currently........A fine album" Gary Smith - Bristol Uncovered BBC Radio Bristol.

....."Soulful, melodic and chilled, Chandra Moon's album 'Full Circle' rests on slick, uncluttered production boasting some enchanting vocals backed by dreamy strings, classical guitar, double bass and woodwind....

...."If you like KD Lang, Ryan Adams or Morcheeba, this may well be an album for you" - Bristol Rocks.


Jack Pout is a BBC Folk award nominated singer/songwriter from Norwich, based in Brighton. Inspired by the revivalist musicians of the 60's and 70's, Jack's music carries nuances of numerous influences such as John Martyn, Duster Bennett, Bob Dylan and Chris Smither but with an individuality that makes his music inimitably his. 
His honest, and often deeply personal, style of writing is married with a love for humour; live shows are known for their friendly and conversational style with audiences and feared for his love of puns.
2016 sees Jack playing shows across the U,K and Europe, playing and hosting stages at numerous festivals, and recording an album with a full band line up.

<a href="https://marcceccotti.bandcamp.com/marc-vip-membership" rel="nofollow" target="_blank">Marc on Bandcamp </a>

<a href="http://www.reverbnation.com/marcceccotti" rel="nofollow" target="_blank">Marc on Reverbnation </a>

<a href="https://www.facebook.com/marc.ceccotti/" rel="nofollow" target="_blank">Marc on FaceBook I Like </a>

<a href="https://store.cdbaby.com/artist/marcceccotti/" rel="nofollow" target="_blank">Marc on CD Baby </a>

<a href="https://www.facebook.com/marc.ceccotti.profile" rel="nofollow" target="_blank">Marc on FaceBook </a>

<a href="http://twitter.com/#!/marc_ceccotti" rel="nofollow" target="_blank">Marc on Twitter </a>

Folk singer-songwriter from Bristol. Beautifully crafted songs of hope, despair, love and desire. Debut album Dragonfly Clouds to be released 8 June.

Here be private, obscure, unreleased, and tasty examples from my never ending musical project "War Against Sleep"... !VERY LOUD IT PLAY!

“Sexy psychedelia” NME
“Gloriously ridiculous stuff” The Wire
“Classic songwriting” Record Collector
“He performs complete wonders” The Big Issue
“War Against Sleep are the audio version of the programmes that used to scare me witless as a child” Rough Trade

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

From the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the ever-changing soundscapes of imagination. His music evolves in style and texture with each project, guided by a self-contained ethos that allows sound, tone, and method to develop freely.

His track In Parks Of Tall Trees was a first ripple from an avalanche of ideas, finding its way to Tom Robinson’s BBC 6 Music Introducing Mixtape. From first picking up a guitar in the late 90s and stumbling through formative songs in the early 2000s, flakebelly’s path has been one of constant diversion and reinvention. Early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Next came The Boy In The Diving Bell, a 17-track reckoning with past ghosts, unfinished business, and fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

A new project, reaching its final stages and due for release next year, moves further into abstraction, focusing on tone, atmosphere, and structure. Each track is built from rhythm outwards - drums laid down before anything else is written - then opened out through layered drones, modal washes, and experimental harmonies. Sounds are pushed through tape machines, battered mixers and vintage outboard gear with vinyl fragments, warped loops, and degraded textures folded into the arrangements. The compositions are shaped largely free from conventional chord structures, allowing tonal colour, texture, and physical sound to guide the music. Some tracks are instrumental, while others feature vocals that form a subtle, cohesive thread across the album, hinting at a psychologically connected narrative.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio, Flaming Jangle Studios. The result is music that feels lived-in and handmade - always evolving, never fixed, and forever searching for new shapes in the sound. Each project is a self-contained exploration, a long-form investigation into method, tone, and emotion, allowing flakebelly to continually reinvent his approach and maintain a music practice that is as exploratory as it is personal.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

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