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Releases

Exploited Body, the brainchild of multidisciplinary artist Noah Kin, is an exploration of relentless, club-ready experiments that push the limits of the physicality of sound.

@exploitedbody

Exploited Body

Releases and radio shows by my label Changeless.

@changelessrecords

Changeless

Exploited Body - When My Darkness Came To Light

Following releases on Posh Isolation and Northern Electronics, Exploited Body returns to his label Changeless to present his ambitious debut album 'When My Darkness Came To Light'.  
  
'When My Darkness Came To Light' is a subdued yet unrelentingly volatile record that examines the inescapable parallels of his depression and life as a black person. On his first solo release since 2019's 'Touching Without Feeling', his signature blistering distortion is contrasted with delicate melodies and heart-wrenching compositions that are at once deceivingly captivating and staggeringly harsh.  
  
’When My Darkness Came To Light’ will be released 9th April via Changeless.  
  
The album is written, produced, mixed and mastered by Noah Kin and features artwork by the visionary LA-based mixed-media artist Jesse Draxler and photography by Changeless affiliated Helsinki-based photographer Helen Korpak.

@exploitedbody

When My Darkness Came To Light

Exploited Body - Still Life

Written, produced, mixed and mastered by Noah Kin (Exploited Body).

@exploitedbody

Exploited Body - You Say My Heart's In The Right Place Even Though I'm Not In My Body

Exploited Body - Relinquish

Exploited Body - Can't Wear My Skin

Exploited Body - Atrocity (Grievance As A Substitute For Existence)

@gregorionash @n_i_u_n_i_u
BACHE - BACHE [ff25]
Premiere: la casa que se caen las cosas

BACHE - la casa que se caen las cosas

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon will be released November 1st via Changeless.

@exploitedbody

Exploited Body - Only Your Eyes Could See My Wings

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

Exploited Body -  Unravel

111X ‘Urge’

111X, the elusive prince of noise, returns to Changeless with his latest offering ‘Urge’.

Picking up where ’Shame’ left off, ‘Urge’ depicts the shift from collapse to confrontation, driven by the restless push-and-pull of one’s inner fire and crushing powerlessness. Compulsive resistance in the face of our inevitable fallibility. An ouroboros corporeal battle between necessity and yielding, vigour and weakness, progress and decay.

‘Urge’ is a reinvention of 111X’s signature harsh sonics, meshing it with brooding apocalyptic guitars and ephemeral fragile tranquility, with a familiar relentless weaving pulse at it’s core that’s all the more brutal with each return. The EP opens with ‘Avenge’, where the veil of monumental thrashing of fragmented rhythms slips for a brief moment that’s just long enough to catch a glimpse of the hurt behind it all. ‘Fragments Held Together By Pressure (Forgive)’ slows everything down to a halt, while soft melodies bleed through the noise like a memory echoing as it fades away, becoming more indistinct with every moment.

The EP’s turning point ‘Serrated Edge’ presents us with a completely new side of 111X; a meditative lullaby with bursts of noise that emerge throughout the track, meticulously designed to remain uneasy even in the softest moments. ‘Hunger / Wilt’ closes the record with it’s pounding drums and piercing feedback, before melting into a stunningly beautiful coda leaving us with more hope than when we had diving into ‘Urge’.

'Urge' will be released May 23rd via Changeless. 

Written, produced and mixed by 111X.
Mastered by Nori Kin.

Artwork by Helen Korpak.

@111x

111X - Avenge

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

I turned my obsession with Danny L Harle & pinkpantheress's 'Starlight' into this remix.

@dannylharle
@pinkpantheress
@xl-recordings

This version is pitched down 0.72 semitones for SoundCloud reasons. :')

Starlight (Exploited Body Remix)

Safety Model - Hymnal

We’re very excited to unveil our latest signing Safety Model and their debut EP Hymnal!

“The red pours from the blue, as we remain luminous, forever scorching under the light.”

‘Hymnal’ is a series of hymns, simultaneously heavy but weightless, empty yet filled with light, each carrying its distinct sensory color. Dedicated to friends and the self, and guided by four meditative but disconcerting pieces, Safety Model takes us on a journey through the kaleidoscopic gauge of existence as life’s forces press, lift, and shake the body and mind.

The EP opens with ‘Point Blank’, closest in proximity to one’s truest essence. Enveloping sounds lull you into their embrace as brittle mechanical textures weave in and out, provoking the senses into fight or flight. Capturing the moment of waking to the self, magnifying the friction between shock and surrender, between fight and acquiescence, the body registers that which cannot be registered. Loss of memories, of love, of life, of self. Point Blank is represented by the color yellow.

‘Feathers (City)’ is the sonic incarnate of colossal yet fragile brutalist spaces; dusty basements that collapse into expansive cityscapes, perpetually decomposing and reassembling through the hymn’s aural extremes. Grounded, heavy textures are interwoven with waves of gauzy synths like wings; harshness and violence meet subtle femininity, reflecting the tension of the inescapable sensory burden of urban life. ‘Feathers (City)’ is represented by the color red.

‘Where The Lights Don’t Fall, They Press Down Instead’ is the moment of light intruding on the inner self, when even closed eyelids cannot shield the soul. A forced reflection, abstraction as touch, emulating the sense of brightness pressing down. An intimate ballad with operatic falsetto vocals accompanied by levitating resonances of rusted tone, offering a glimpse into the future of Safety Model. Where The Lights Don’t Fall, They Press Down Instead is represented by the color green.

‘Fall Of Self’ is the final acceptance: the scattered memories don’t and won’t matter. With its stretched strings ringing for an indiscernible duration, suspending time through a seemingly endless crescendo, ‘Fall Of Self’ serves as the temporal counterpart to ‘Point Blank’. A hymn to safety, endurance, and reflection. ‘Fall Of Self ‘is represented by the color blue.

‘Hymnal’ will be released October 3rd via Changeless.

Written, produced, and mixed by Safety Model.
Mastered by Nori Kin.
Artwork by Safety Model.

@safetymodel

Safety Model - Where Lights Don't Fall, They Press Down Instead

“The red pours from the blue, as we remain luminous, forever scorching under the light.”

‘Hymnal’ is a series of hymns, simultaneously heavy but weightless, empty yet filled with light, each carrying its distinct sensory color. Dedicated to friends and the self, and guided by four meditative but disconcerting pieces, Safety Model takes us on a journey through the kaleidoscopic gauge of existence as life’s forces press, lift, and shake the body and mind.

The EP opens with ‘Point Blank’, closest in proximity to one’s truest essence. Enveloping sounds lull you into their embrace as brittle mechanical textures weave in and out, provoking the senses into fight or flight. Capturing the moment of waking to the self, magnifying the friction between shock and surrender, between fight and acquiescence, the body registers that which cannot be registered. Loss of memories, of love, of life, of self. Point Blank is represented by the color yellow.

‘Feathers (City)’ is the sonic incarnate of colossal yet fragile brutalist spaces; dusty basements that collapse into expansive cityscapes, perpetually decomposing and reassembling through the hymn’s aural extremes. Grounded, heavy textures are interwoven with waves of gauzy synths like wings; harshness and violence meet subtle femininity, reflecting the tension of the inescapable sensory burden of urban life. ‘Feathers (City)’ is represented by the color red.

‘Where The Lights Don’t Fall, They Press Down Instead’ is the moment of light intruding on the inner self, when even closed eyelids cannot shield the soul. A forced reflection, abstraction as touch, emulating the sense of brightness pressing down. An intimate ballad with operatic falsetto vocals accompanied by levitating resonances of rusted tone, offering a glimpse into the future of Safety Model. 'Where The Lights Don’t Fall, They Press Down Instead' is represented by the color green.

‘Fall Of Self’ is the final acceptance: the scattered memories don’t and won’t matter. With its stretched strings ringing for an indiscernible duration, suspending time through a seemingly endless crescendo, ‘Fall Of Self’ serves as the temporal counterpart to ‘Point Blank’. A hymn to safety, endurance, and reflection. ‘Fall Of Self ‘is represented by the color blue.

‘Hymnal’ will be released October 3rd via Changeless, alongside a limited edition photobook and cassettes. 

@safetymodel

Safety Model - Point Blank

Safety Model -  Fall Of Self

Safety Model - Feathers (City)

'Stretch Out Flexi Material' is a prime example of the cryptic @ziyiz world Lawrence Nash has created. Forthcoming on @failed-units.

More: https://ins-rt.net/audio/ziyiz-stretch-out-flexi-material

Rescue & Research Pt. 3

Article

Premiere: Ziyiz - Stretch Out Flexi Material

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looped sexting zone

mementos

Nothing Remains

Helsinki • Est. 2019

info@changeless.net