Releases and radio shows by my label Changeless.

@changelessrecords

Changeless

Hollowland - 'And Now You Stand Before The Sun'

"You ascend the walls you made, oh time it takes to make amends."

‘And Now You Stand Before The Sun’ is a culmination, a closing chapter of the journey that began with 2022’s ‘Like The Reformed’ and succeeded by last year’s ‘Oath (Soon The Storm Will Pass, And We Will Fly Again)’. The record sees Paavo Piekkari and Jonathan Engeldahl fleshing out the microcosm they call Hollowland, resulting in their most mature and fully realised work to date. Beyond the rapturous sonics, there is a deep melancholy woven into the very essence of Hollowland that is present through it all.

At its core the record is about the hope that anguish and sorrow will lead to something beautiful and pure, persistance shed of the often glorified scaly skin of martyrdom. Notions of departing from oneself, to be reborn and catch a glimpse of the coveted silver lining, are explored on tracks such as ‘Nothing Remains Ov Your Own Image’, ‘Falls’ and ‘As You Stand Beneath It, The Light Burns Brighter Than Before’. On ‘In Open Arms’ and Purest Form’ the endless cycle reaches its inevitable conclusion of incarnation, chronicling the very moments of becoming. Consider it a sign of stillness, at least for now.

The passing storm won’t be the last, yet we embrace the fleeting moment of light beyond the clouds, using it to release all within.

@hollowland-music

Hollowland - Ov Your Own Image

"You ascend the walls you made, oh time it takes to make amends."

‘And Now You Stand Before The Sun’ is a culmination, a closing chapter of the journey that began with 2022’s ‘Like The Reformed’ and succeeded by last year’s ‘Oath (Soon The Storm Will Pass, And We Will Fly Again)’. The record sees Paavo Piekkari and Jonathan Engeldahl fleshing out the microcosm they call Hollowland, resulting in their most mature and fully realised work to date. Beyond the rapturous sonics, there is a deep melancholy woven into the very essence of Hollowland that is present through it all.

At its core the record is about the hope that anguish and sorrow will lead to something beautiful and pure, persistance shed of the often glorified scaly skin of martyrdom. Notions of departing from oneself, to be reborn and catch a glimpse of the coveted silver lining, are explored on tracks such as ‘Ov Your Own Image’, ‘Falls’ and ‘As You Stand Beneath It, The Light Burns Brighter Than Before’. On ‘In Open Arms’ and Purest Form’ the endless cycle reaches its inevitable conclusion of incarnation, chronicling the very moments of becoming. Consider it a sign of stillness, at least for now.

The passing storm won’t be the last, yet we embrace the fleeting moment of light beyond the clouds, using it to release all within.

Written by Jonathan Engeldahl.
Produced by Paavo Piekkari & Jonathan Engeldahl.
Additional production by Allison Laine & Nori Kin.

Mixed & Mastered by Nori Kin.

Artwork by Jonathan Engeldahl & Markus Watkins.

@hollowland-music

And Now You Stand Before The Sun

Hollowland - Arc

Hollowland - Born Without

Hollowland - The Oceans Wait

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon will be released November 1st via Changeless.

@exploitedbody

Exploited Body - Only Your Eyes Could See My Wings

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

@exploitedbody

Here, I Abandon

Exploited Body - After All (In The Ruins Of Limerence)

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Exploited Body - Tear Me Apart Until All That's Left Is Love

Exploited Body - Self-Surrender

Exploited Body - Replacing A Scar With Another

Exploited Body - Demon Of Hatred

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

Exploited Body -  Unravel

111X ‘Urge’

111X, the elusive prince of noise, returns to Changeless with his latest offering ‘Urge’.

Picking up where ’Shame’ left off, ‘Urge’ depicts the shift from collapse to confrontation, driven by the restless push-and-pull of one’s inner fire and crushing powerlessness. Compulsive resistance in the face of our inevitable fallibility. An ouroboros corporeal battle between necessity and yielding, vigour and weakness, progress and decay.

‘Urge’ is a reinvention of 111X’s signature harsh sonics, meshing it with brooding apocalyptic guitars and ephemeral fragile tranquility, with a familiar relentless weaving pulse at it’s core that’s all the more brutal with each return. The EP opens with ‘Avenge’, where the veil of monumental thrashing of fragmented rhythms slips for a brief moment that’s just long enough to catch a glimpse of the hurt behind it all. ‘Fragments Held Together By Pressure (Forgive)’ slows everything down to a halt, while soft melodies bleed through the noise like a memory echoing as it fades away, becoming more indistinct with every moment.

The EP’s turning point ‘Serrated Edge’ presents us with a completely new side of 111X; a meditative lullaby with bursts of noise that emerge throughout the track, meticulously designed to remain uneasy even in the softest moments. ‘Hunger / Wilt’ closes the record with it’s pounding drums and piercing feedback, before melting into a stunningly beautiful coda leaving us with more hope than when we had diving into ‘Urge’.

'Urge' will be released May 23rd via Changeless. 

Written, produced and mixed by 111X.
Mastered by Nori Kin.

Artwork by Helen Korpak.

@111x

111X - Avenge

111X ‘Urge’

111X, the elusive prince of noise, returns to Changeless with his latest offering ‘Urge’.

Picking up where ’Shame’ left off, ‘Urge’ depicts the shift from collapse to confrontation, driven by the restless push-and-pull of one’s inner fire and crushing powerlessness. Compulsive resistance in the face of our inevitable fallibility. An ouroboros corporeal battle between necessity and yielding, vigour and weakness, progress and decay.

‘Urge’ is a reinvention of 111X’s signature harsh sonics, meshing it with brooding apocalyptic guitars and ephemeral fragile tranquility, with a familiar relentless weaving pulse at it’s core that’s all the more brutal with each return. The EP opens with ‘Avenge’, where the veil of monumental thrashing of fragmented rhythms slips for a brief moment that’s just long enough to catch a glimpse of the hurt behind it all. ‘Fragments Held Together By Pressure (Forgive)’ slows everything down to a halt, while soft melodies bleed through the noise like a memory echoing as it fades away, becoming more indistinct with every moment.

The EP’s turning point ‘Serrated Edge’ presents us with a completely new side of 111X; a meditative lullaby with bursts of noise that emerge throughout the track, meticulously designed to remain uneasy even in the softest moments. ‘Hunger / Wilt’ closes the record with it’s pounding drums and piercing feedback, before melting into a stunningly beautiful coda leaving us with more hope than when we had diving into ‘Urge’.

Written, produced and mixed by 111X.
Mastered by Nori Kin.

Artwork by Helen Korpak.

@111x

111X - Hunger / Wilt

111X - Fragments Held Together By Pressure (Forgive)

111X - Serrated Edge

Safety Model - Hymnal

We’re very excited to unveil our latest signing Safety Model and their debut EP Hymnal!

“The red pours from the blue, as we remain luminous, forever scorching under the light.”

‘Hymnal’ is a series of hymns, simultaneously heavy but weightless, empty yet filled with light, each carrying its distinct sensory color. Dedicated to friends and the self, and guided by four meditative but disconcerting pieces, Safety Model takes us on a journey through the kaleidoscopic gauge of existence as life’s forces press, lift, and shake the body and mind.

The EP opens with ‘Point Blank’, closest in proximity to one’s truest essence. Enveloping sounds lull you into their embrace as brittle mechanical textures weave in and out, provoking the senses into fight or flight. Capturing the moment of waking to the self, magnifying the friction between shock and surrender, between fight and acquiescence, the body registers that which cannot be registered. Loss of memories, of love, of life, of self. Point Blank is represented by the color yellow.

‘Feathers (City)’ is the sonic incarnate of colossal yet fragile brutalist spaces; dusty basements that collapse into expansive cityscapes, perpetually decomposing and reassembling through the hymn’s aural extremes. Grounded, heavy textures are interwoven with waves of gauzy synths like wings; harshness and violence meet subtle femininity, reflecting the tension of the inescapable sensory burden of urban life. ‘Feathers (City)’ is represented by the color red.

‘Where The Lights Don’t Fall, They Press Down Instead’ is the moment of light intruding on the inner self, when even closed eyelids cannot shield the soul. A forced reflection, abstraction as touch, emulating the sense of brightness pressing down. An intimate ballad with operatic falsetto vocals accompanied by levitating resonances of rusted tone, offering a glimpse into the future of Safety Model. Where The Lights Don’t Fall, They Press Down Instead is represented by the color green.

‘Fall Of Self’ is the final acceptance: the scattered memories don’t and won’t matter. With its stretched strings ringing for an indiscernible duration, suspending time through a seemingly endless crescendo, ‘Fall Of Self’ serves as the temporal counterpart to ‘Point Blank’. A hymn to safety, endurance, and reflection. ‘Fall Of Self ‘is represented by the color blue.

‘Hymnal’ will be released October 3rd via Changeless.

Written, produced, and mixed by Safety Model.
Mastered by Nori Kin.
Artwork by Safety Model.

@safetymodel

Safety Model - Where Lights Don't Fall, They Press Down Instead

“The red pours from the blue, as we remain luminous, forever scorching under the light.”

‘Hymnal’ is a series of hymns, simultaneously heavy but weightless, empty yet filled with light, each carrying its distinct sensory color. Dedicated to friends and the self, and guided by four meditative but disconcerting pieces, Safety Model takes us on a journey through the kaleidoscopic gauge of existence as life’s forces press, lift, and shake the body and mind.

The EP opens with ‘Point Blank’, closest in proximity to one’s truest essence. Enveloping sounds lull you into their embrace as brittle mechanical textures weave in and out, provoking the senses into fight or flight. Capturing the moment of waking to the self, magnifying the friction between shock and surrender, between fight and acquiescence, the body registers that which cannot be registered. Loss of memories, of love, of life, of self. Point Blank is represented by the color yellow.

‘Feathers (City)’ is the sonic incarnate of colossal yet fragile brutalist spaces; dusty basements that collapse into expansive cityscapes, perpetually decomposing and reassembling through the hymn’s aural extremes. Grounded, heavy textures are interwoven with waves of gauzy synths like wings; harshness and violence meet subtle femininity, reflecting the tension of the inescapable sensory burden of urban life. ‘Feathers (City)’ is represented by the color red.

‘Where The Lights Don’t Fall, They Press Down Instead’ is the moment of light intruding on the inner self, when even closed eyelids cannot shield the soul. A forced reflection, abstraction as touch, emulating the sense of brightness pressing down. An intimate ballad with operatic falsetto vocals accompanied by levitating resonances of rusted tone, offering a glimpse into the future of Safety Model. 'Where The Lights Don’t Fall, They Press Down Instead' is represented by the color green.

‘Fall Of Self’ is the final acceptance: the scattered memories don’t and won’t matter. With its stretched strings ringing for an indiscernible duration, suspending time through a seemingly endless crescendo, ‘Fall Of Self’ serves as the temporal counterpart to ‘Point Blank’. A hymn to safety, endurance, and reflection. ‘Fall Of Self ‘is represented by the color blue.

‘Hymnal’ will be released October 3rd via Changeless, alongside a limited edition photobook and cassettes. 

@safetymodel

Safety Model - Point Blank

Safety Model -  Fall Of Self

Safety Model - Feathers (City)

The brainchild of Helsinki-based experimentalist Nori Kin, Exploited Body is an audial paradox – where blistering distortion collides with delicate melody, and ethereal vocals oscillate between angelic lament and demonic invocation. Their music is a visceral experience, at once hypnotic and harrowing, luring listeners into a world of staggering emotional weight and sonic extremity.  

With releases on PAN, Posh Isolation, Northern Electronics, and their own imprint Changeless, Kin has steadily carved out a distinct presence in the contemporary experimental landscape. Their compositions stretch the boundaries of electronic music, fusing industrial abrasion, haunting atmospherics, and deeply personal narratives into something both intimate and overwhelming.