More on this 525th weekly Disquiet Junto project – Magic Number (1 of 3) (The Assignment: Record the first third of a trio) – at: https://disquiet.com/0525/

More on the Disquiet Junto at: https://disquiet.com/junto/

Magic Number (sash) (disquiet0525)

Submission for Disquiet Junto Project 0526: Magic Number (2 of 3)
The Assignment: Record the second third of an asynchronous trio.

I added voices and mallet sounds to Shark with Lasers L Chord Pulse (https://soundcloud.com/user-107535632/l-chord-pulse-disquiet0525)

Voice samples are from the Citizen DJ project. Mallets were recorded by playing e-drums, then randomized.

More on this 526th weekly Disquiet Junto project — Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) — at: https://disquiet.com/0526/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

ChordPulseStreetMallets-with-SharkswithLasers-[disquiet0526]-MagicNumber2

This is the third part of a collaboration project with:
https://soundcloud.com/morgulbee
https://soundcloud.com/paul-beaudoin

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Junto Drone (disquiet0527 with morgulbee and paul-beaudoin)

naviarhaiku426 – the long night

the long night
made longer –
a dog barking

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Night made longer ( naviarhaiku426 )

Uploaded with AudioShare app - http://kymatica.com/audioshare

blossom

Dreanlyn - Good Morning (TPC242)

threnody for the avant garde

DUBIOUS ABBREVIATIONS

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

This track was created for the Naviar Haiku group.
489
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

Magic Number (sash) (disquiet0525)

chaonaut