Contributor: Blaine Thompson

103.5 KOST/Los Angeles, CA reelworld

There's a tree house in my backyard, through the floor of which pass two massive Douglas Fir trees.  When the wind blows, the construction sings.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0516-outside-in-co-exist-1-of-3/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Outside In (crankloop) (disquiet0516)

Audiovisual processing, composition, and Field Recoding by Leslie Rollins (337is).
 
Obscure & Relevant 2021, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/

Source sound material gathered from field recordings shared by:

[disquiet0516] outside in #1
https://soundcloud.com/howthenightcame/disquiet0516-outside-in-1/comment-1554004735 
Courtesy of howthenightcame

Radio Info (disquiet0517)
https://soundcloud.com/user-130801280/radio-info-disquiet0517 
Courtesy of user-130801280 (Noodle Twister)

More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

This is the third and final stage of a three-part project sequence. You needn’t have participated in either of the two preceding stages to do this one. Thanks to Alan Bland and Mark Lentczner for having proposed the project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0518-out-and-in-co-exist-3-of-3/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

NishiaRA[D]I[O] Temple (Naturalised Civilisation)[disquiet0518]

In Sylvia Plath’s “Stillborn,” metaphor operates almost as a counterfactual. The poem is a satirical critique of her creative process, conveyed in a self-mocking tone to imply an uncomfortable concept: if these poems/children had a better creator/mother, they would be alive today. Plath delivers a harrowing, ironic message loaded with self-deprecating gallows humor:

These poems do not live: it's a sad diagnosis.
They grew their toes and fingers well enough,
Their little foreheads bulged with concentration.
If they missed out on walking about like people
It wasn't for any lack of mother-love.

O I cannot explain what happened to them!
They are proper in shape and number and every part.
They sit so nicely in the pickling fluid!
They smile and smile and smile at me.
And still the lungs won't fill and the heart won't start.

They are not pigs, they are not even fish,
Though they have a piggy and a fishy air --
It would be better if they were alive, and that's what they were.
But they are dead, and their mother near dead with distraction,
And they stupidly stare and do not speak of her.

For this creative brief, Suss Müsik envisioned something beautiful and pristine contained in dusty glass jars of formaldehyde. A simple melody for fake woodwinds was slowly distressed using glitch technologies to accompany a VCVRack patch playing a Lydian chord progression. (The Schillinger System was used to define harmonic variations, for composition geeks out there, nearly undetectable under all the fuzz).

Although the final output doesn’t necessarily evoke images of rotten, grimy bodies left to decay, there remains a sense of something having “missed out on walking about” like a fully realized piece. To paraphrase Plath, Suss Müsik cannot explain what happened to it.

The piece is titled Plath and was recorded quickly to 8-track in three takes.

**Postscript:** admittedly, Suss Müsik's contribution this week skews more towards the concept of "metaphor." than working with a commonly known figure of speech. Apologies. The only example that came to mind was "raining cats and dogs," recalling a piece titled "Dog Puppet Born Out of a Sock" that Fred Frith and Henry Kaiser did in the 1980's using a rudimentary sampler. (It shows up on the *Friends & Enemies* compilation, if you're interested).

More on this 536th weekly Disquiet Junto project — Metaphor Play (The Assignment: Take a favorite figure of speech as a creative prompt) — at: https://disquiet.com/0536/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0536-metaphor-play/

Plath [Disquiet0536]

if you can't be kind, be careful

2022-05-28

Tuesday Night

More on this 544th weekly Disquiet Junto project – Feedback Loop (The Assignment: Share music-in-progress for input from others) – at: https://disquiet.com/0544/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/

No Hook ? (disquiet0544)

A Lua Já Vai Alta

Im Nachtzug durch Europa - Distance

3 hour flip.
Original Track - https://youtu.be/0nGuWDVM73k
MOSNAR DET - Remixing, Bass Guitar, Drum Programming

Outside In (crankloop) (disquiet0516)

chaonaut