This is the original Composer’s Archive demo of Echoes without Thunder—a song born as myth, ritual, and legacy. What you hear here is the foundation: melody, structure, and emotional architecture shimmer‑tagged into place. It is not the final collaborative version, but the composer’s vision—the scroll before the voices are inscribed.

Traveller and his wife (The Traveller and the sorrow) have been invited to carry this piece forward with their own interpretation. This demo exists as a record of the crossing, preserving the original rune before it evolves. Part of the Platinum in Portugal prophecy arc, it remains sealed until collaboration awakens it.

Echoes without Thunder is about recognition—the echo versus the voice that made it. 

This demo is the echo’s first breath.

Made in Dorico — no DAW used.


Echoes Without Thunder (Composer's Archive Demo)

Music for everyone, music for others. A life against the current. No genre in music! It is too simplistic to give a genre to everything!! Music is an expression of human emotions and it is necessary to learn to understand humanity in its complexity.

A solitary voice adrift between despair and divinity, The Traveler and The Sorrow creates hymns for the forgotten and requiems for the living. Each song is a fragment of memory unearthed from the ruins of faith and flesh, echoing through cold cathedrals of sound. In this world of fading light and endless night, the music does not seek salvation, it bears witness.

Charagma is a late‑life composer who began with re‑arrangements and grew into original works, weaving rustic realism and humor into every track. His archive is a living cycle of runes—each song carrying its own backstory, whether comic relief (Billy Bob and His Truck), adaptation under pressure (How Soon Is Now), or ballads of absence (Not Home for Christmas).
Raised on rhythm guitar and shaped by family influences, Charagma’s music blends classical roots, folk storytelling, and experimental twists. Genres are never fixed—they’re playful, paradoxical, and often tagged with “…ish,” because only Charagma knows where the lines truly fall.
From contrabass spikes at 20Hz to choir adaptations and rustic ballads, his work is less about perfection and more about memory, humor, and ritual. Each track is a mark left behind—a charagma—echoing both the thunder of transformation and the quiet of echoes without thunder.

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Industrial dance and cinematic fuel.
Find me on Bandcamp: https://planetyes.bandcamp.com/

• Artist | Producer 
• Original tracks 
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[IG- @DVilln13
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Ashami My’kel Collins who goes professionally by the stage name DVilln13 is a melodic hip-hop artist born in San Diego, California, and raised in Osceola, Arkansas. He started to display his insatiable passion for music as early as 7 and 8 years of age where he would burst out a track randomly, re-enact his favorite music videos or even write songs 3 hours past bedtime. He always knew his place was in music and it is what provided him his safe sanctum to immerse himself fully offer an escape route from the distractions of the world. At the age of 13 he immersed himself into the music blue ocean with only his iPhone 5, a pair of earphones, a pencil and a pad, and today, he is making major moves with his emo-rap unique style which is garnering mainstream attention in this modern age and era where experimental styles have come to be appreciated by a wide variety of listeners.

Ultra_eko has been lost to the Underside of late, a subtle astral realm created by a rockhopper penguin. His continual process of death and rebirth has led him far from any semblance of original self. Recent spontaneous OBE’s mean he spends far less time embodied than he used to, mostly for tax reasons. He refers to himself in third person as a fractal iteration of source consciousness, cofounder of Underside Entertainment, and lama admirer.

Elizabeth is the living embodiment of rock ‘n’ roll and Blues attitude—raw, unapologetic, and drenched in authenticity. As the front Woman of Elizabeth & SinCrawler, she commands every stage she steps onto with a voice that growls, aches, and soars, channeling the gritty essence of grunge and hard rock legends.

In any photo, Elizabeth is instantly recognizable: eyeliner like war paint, tousled dark hair falling like a curtain of rebellion, and her signature black wardrobe—boots, leather, lace, and attitude. There’s a fire in her gaze that speaks of both pain and power, of stories sung and scars worn proudly.
Artist and Independent Label since 2004
by Elizabeth and Frankie (SinCrawler)