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We Are Stardust

No more running

2021

This is a song we tried to write about dementia without ever mentioning the word. The young voice makes that difficult. Would love to hear what people think this song is about.

Sometimes I just sit and stare

ROCK SOUNDS SO GOOD

dreams + islands = favorites themes ever ✩‧₊˚

ct8-ever dream island

There Are No Wonders

thanks for tuning in! 🫡

Also, listen to my 1st mixtape The Chosen One on:

Soundcloud:
https://on.soundcloud.com/L1Bjji0b3dgk7olSek


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Insane

This is the original Composer’s Archive demo of Echoes without Thunder—a song born as myth, ritual, and legacy. What you hear here is the foundation: melody, structure, and emotional architecture shimmer‑tagged into place. It is not the final collaborative version, but the composer’s vision—the scroll before the voices are inscribed.

Traveller and his wife (The Traveller and the sorrow) have been invited to carry this piece forward with their own interpretation. This demo exists as a record of the crossing, preserving the original rune before it evolves. Part of the Platinum in Portugal prophecy arc, it remains sealed until collaboration awakens it.

Echoes without Thunder is about recognition—the echo versus the voice that made it. 

This demo is the echo’s first breath.

Made in Dorico — no DAW used.


Echoes Without Thunder (Composer's Archive Demo)

i'll take it

Beat By  Young Fam (official)

https://www.youtube.com/watch?v=F7VjAvuJREI&list=RDF7VjAvuJREI&index=1

Undead

Charagma is a late‑life composer who began with re‑arrangements and grew into original works, weaving rustic realism and humor into every track. His archive is a living cycle of runes—each song carrying its own backstory, whether comic relief (Billy Bob and His Truck), adaptation under pressure (How Soon Is Now), or ballads of absence (Not Home for Christmas).
Raised on rhythm guitar and shaped by family influences, Charagma’s music blends classical roots, folk storytelling, and experimental twists. Genres are never fixed—they’re playful, paradoxical, and often tagged with “…ish,” because only Charagma knows where the lines truly fall.
From contrabass spikes at 20Hz to choir adaptations and rustic ballads, his work is less about perfection and more about memory, humor, and ritual. Each track is a mark left behind—a charagma—echoing both the thunder of transformation and the quiet of echoes without thunder.