Podcast

Avec mes remerciements à la famille Marion.

”What Good Shall I Do This Day?” Every morning Benjamin Franklin asked himself this simple question, as a virtuous routine. I found this quote while reading on the daily habits of great men and after I had started to compose the piece already. I instantly felt that this sentence would make a perfect title. The vision I had first was a joyous piece, full of benevolent energy and the kind of mood you feel when you wake up well rested, have a nice breakfast and begin your day with enthusiasm, deciding what you aim to achieve by the end of the day. 

Everyone can make this question one’s own. I believe it is fundamentally universal. Not only was Benjamin Franklin one of the Founding Fathers of the U.S.A. but also a man who constantly wanted and worked to improve himself. In other words, he can be an inspiration for us all to try to become better individuals and to accomplish great things. One step after another, making a difference thanks to constant effort, with courage and patience.

The music of the piece isn’t programmatic in nature. There are three united movements, almost permanently driven by a vigorous rhythmic pulse. The piece begins with a dynamic, lively mood, and then moves to a shining theme both fanfare-like and swinging. The music ends with a joyful dancing pace before it concludes triumphantly.

What Good Shall I Do This Day? (Midi rendering)

A bunch of sounds I have been bustling around these last months. Now they are digital available from my bandcamp.

Artwork by Iñigo Villafranca Apesteguia
Mastered by Shy

The Non - Now

Building Something Beautiful For Me

Building Something Beautiful For Me (Holy Presence of Joan d'Arc)

Right To The City

Right To The CIty II

Sections 17-30

Westside (Prod. Mirelle Cabangbang)

Charles van Hemelryck (b. 1981) began his superior musical studies in Paris while studying philosophy at the same time at the Sorbonne. Then he graduated in composition from the National Superior Conservatory of Music and Dance of Lyon (CNSMDL), and obtained a Master’s degree in Music Pedagogy. During his curriculum he benefitted from an Erasmus scholarship to study at the Sibelius Academy in Helsinki. Charles van Hemelryck’s work focuses on the genres of orchestral, chamber, choral, vocal and solo instrumental music. His music has been performed in France, Finland, Canada, Poland, Iceland and the Netherlands. In 2015 he received a grant from the Société Générale Musical Sponsorship. His piece Présence for mixed choir, written on a poem by Georges-Emmanuel Clancier, was awarded a 3rd prize in 2018 at the VocalEspoo Festival (Finland) Composition Competition. The same year he received a grant from the Beaumarchais Society (S.A.C.D.) for the lyrical project Mer de tous les maux. In 2019 his piece A Cradle Song reached the final at the Composition Competition for mixed choir from Hendrix College (U.S.), and his piece Présence was awarded an honorable mention at the RED NOTE New Music Festival Composition Competition (U.S.).

Charles van Hemelryck draws his inspiration from poetry, philosophical ideas, and nature. The goals of his music are to meditate on the world, to make a thought perceptible and to move people so as to initiate reflection. His first works are mainly inspired by the conflicts of the human soul. More specifically, his string quartet Citizen of the Universe raises the question of the spiritual quest for freedom and happiness in spite of the obstacles of fear and violence.

In 2019 he successfully passed the examination of Artistic Teaching Territorial Professor. He has taught harmony, counterpoint, orchestration, composition and analysis at the Valence Romans Agglo Conservatory until 2023 and has taught orchestration and anthropology of music at the University of Burgundy-Europe in 2022-2023. He currently teaches at the Pays de Montbéliard's Conservatory and at the Ecole Supérieure de Musique de Bourgogne Franche-Comté.

Photo : Émilie Mauger.