Man, I love this track! My man Zde (soundcloud.com/zdemusic) is putting out a new EP and u can check out the song I'm featured on! Feel free to download it and share it with your friends...help a brotha out, lol!

Find That Love (Remix)

Every one going out with someone becomes the target of their friends, so this is a song about when those friends take shots against you. Love should always trump crazy mayhem.

©2025 The Stereo Inspectors, All Rights Reserved

Don't Leave Me

[Verse 1 – Enfolding the Whole]

We are enfolded in the universe —
every moment holds the totality. 
Like Bohm said: man is a microcosm of the whole;
what you are is clue to reality. 

I come with infinite heat,
calm blue meeting me like a friend.
Where the matter wears me thin,
that’s where awareness begins.

An envelope that dreams us,
the implicate singing the overture.
Every fold is a pattern,
every pattern is the nature of what’s sure.

[Chorus – Rhythm of the Breath]

This is the implicate breath,
a funk in the folds of time.
We breathe the hidden pattern,
we move the unseen rhyme.

Consciousness swirls in flux,
matter and mind converge. 

This is the implicate breath,
the code beneath the door.
What unfolds from us becomes us—
and becomes us even more.

[Verse 2 – Holomovement Groove]

Bohm called it holomovement—
the whole flowing unseen. 
Undivided wholeness is the ground we’ve been.
Time and space just screens,
while the deeper stream hums between.

Consciousness more implicate than matter,
yet inseparable over the chatter. 
What hides in silence
speaks in fractal song.
Every memory is enfolded,
every moment’s breath prolongs.

[Bridge – Dialogue of Being]

Thought creates our world,
then says, “I didn’t do it.”
Dialogues suspend certainty
and let the truth renew it. 

Wholeness is real—even when fragmentation seems false.
The whole responds not to us
but to our fragmented pulse. 

So take a breath here—
knowledge as law,
difference as dance,
perception as awe.

[Chorus – Rhythm of the Breath]

This is the implicate breath,
a funk in the folds of time.
We breathe the hidden pattern,
we move the unseen rhyme.

Consciousness swirls in flux,
matter and mind converge.
This is the implicate breath,
the code beneath the door.

[Verse 3 – Identity as Pattern]

Our identity isn’t solid—
it’s a signature in movement.
A wave singing itself
through the dance of improvement.

Implicate folds into explicate,
the hidden births the seen. ￼
Every part is a portal,
every moment evergreen.

We can’t see past our sight
until we see from outside.
In the implicate breath,
stillness is the ride.

[Break – Urban Quantum Jam]

Feel the funk of wholeness,
hear the hum of the grid.
What you’re living breathes the song,
what you sing is what you become.

Consciousness and carbon,
matter and mind align.
Every inhale is a weave,
every exhale is divine.

[Final Chorus – Breath Expanded]

This is the implicate breath,
where energy meets identity.
We’re both creator and created,
in holo-synchronicity.

This is the implicate breath,
the map that dreams the frame.
We are the envelope
that dreams itself aflame.


[Outro – Whispered Return]

Undivided wholeness sings,
fragmentation only sings back.
Hold the breath in both ends,
and reality brings us back.

We are the hint,
we are the pattern,
we are the breath
that folds the matter.

— The Implicate Breath.

The Implicate Breath

Tell Me

Hot Potato F. StasTheeBoss (prod. 10.4 ROG)

The Light

11-11-11

Get Ready

"Get Ready" 11-11-11 Charlie Bereal

Virgo

The Loop

Between Us 2 (Instrumental)

iTunes pre-order: http://itunes.kud.li/fsr099d

"When I grow up, I wanna be like Omar" - Stevie Wonder

There are precious few, if any contemporary UK artists whose creative credentials and influence extend as far and so consistently wide as Freestyle Records' most recent signing Omar. Since first breaking through to worldwide renown all the way back in 1991 with his first releases on Gilles Peterson's seminal Talking Loud label, and going on to work with all manner of musical legends including a certain Stevie Wonder, Erykah Badu, Angie Stone, Syreeta Wright, Common, and Carleen Anderson.

Fast forward to 2013, and Omar's reputation for being a thoroughly original artist following his own individual path remains undiminished. After recently picking up an M.B.E. for his outstanding contribution to the UK music scene, even the British Establishment has now acknowledged what many already appreciated and understood for many years.

There cannot have been many times a bass clarinet b-line was destined to become one of the most memorable and catchiest moments in contemporary soul, but on the new single, The Man, that's precisely what happens. Add to that a stunning vocal performance, the slinkiest of beautiful key changes, and an uplifting vibe that simply emanates class and style, and you will understand why those who were privileged to hear The Man early on, all without exception, flipped, slipped and fell totally in love with its soul, its groove and irrepressible spirit.

This release sees three reworkings of the title track; US mainstay of conscious hip hop and electronica, Shafiq Husayn, literally leapt at the chance to remix The Man and gives it a minor mood feel, with spacey synthesiser lines added to emphasise this most memorable of melodies, Maddslinky (aka Zed Bias), came with a remix from a pumping, contemporary club direction including a driving beat coupled with spacy breakdowns and his trademark production skills, and Scratch Professer puts his unique stamp on his retwist of The Man like no one else could!

Completing the circle that began all the way back in the early 1990s, Omar has completely re-recorded his classic love song There's Nothing Like This, which this time features bass player to the Gods Pino Palladino. The touching sentiment remains undiminished, but with the addition of soaring strings, soulful, jazzy horns, an all round live and acoustic feel, plus an extended and new arrangement, Omar has done the impossible; improved upon the un-improvable, that is likely to become the definitive version of an already much adored classic.

02 Omar - The Man (Shafiq Husayn Remix)

Trusting the Process

Here I Am

Charlie Bereal is a soulful musician, artist, composer, Platinum and Grammy Award winning producer, singer, songwriter, guitar player, and multi-instrumentalist from Pasadena, CA. He is a highly honored and respected guitar player in the music arena. He has worked with the likes of Jay-Z, Mya, Jamie Foxx, Tweet, Whitney Houston, Aaliyah, Raphael Saadiq, Snoop Dogg, Usher, Missy Elliot, Mary Mary, Chris Brown, Luke James, Tank, and the list goes on. He is currently a solo artist and his latest single is "I Need My Money". All of Charlie's music is available on all major streaming platforms: Youtube, Spotify, Itunes, Amazon Music, Soundcloud, Tidal, Deezer, and Shazam; but we recommend you to purchase his music and support by subscribing to our Patreon.

"Get Ready" 11-11-11 Charlie Bereal

Charlie Bereal Music

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