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Bastian Baker was singing for friends at a birthday party when he was first approached about recording his songs. Next thing he knew, he was in a studio, and before he could even wrap his head around it, he had a massive hit in his native Switzerland. At just 18 years old, Baker made his first appearance at the prestigious Montreux Jazz Festival, and soon after, he was selling out enormous headline concerts, topping the album charts, and racking up a slew of major awards. Now 26, Baker is wrapping up work on his most ambitious album yet, one that pushes his unique blend of upbeat indie rock, infectious pop, and breezy folk into bold new territory as he solidifies his status as a genuine international star. Not too shabby for a kid who was supposed to spend his life on the ice.

 “Everyone thought I was going to be a hockey player,” says Baker. “My dad and his dad were both professionals, and I was on the Swiss national team, but I had this thing inside me that just kept saying, “Music, music, music.’”

Baker’s debut album, ‘Tomorrow May Not Be Better,’ peaked at #3 (behind only David Guetta and the Red Hot Chili Peppers) and was certified platinum in Switzerland, where Baker took home the influential Prix Walo award for Best Breaking Act. He followed it up with a pair of albums that hit #1 and #2 on the charts, shared bills around the world with everyone from Elton John to Bryan Adams, and garnered millions of views on YouTube. Baker became such a household name that he even appeared as a coach on the third season of ‘The Voice’ in Belgium.

Considering his remarkable success, it would have been simple for Baker to rest on his laurels and stay the course for his upcoming fourth album, but the ambitious songwriter has never been one to take the easy road. He relocated from Lausanne to Nashville, where he collaborated with a variety of songwriters and producers, on crafting more than 60 tracks in a year. Bigger and more powerful than anything he’s written before, the new music is grand and anthemic while still retaining that singular, intimate sparkle that’s always defined his style.

Baker just completed a World Tour with Shania Twain.

Louisa. Scouse junkyardtrip-pop, outsider music from the Wirral

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2021 saw Gaspar Narby broadening his off-kilter electronica into a broader artistic style as an introspective singer-songwriter. The first two products of that evolution - ‘Death & Other Things’ and ‘So Bored’ - resulted in fresh critical acclaim as he was praised by The Line of Best Fit (On The Rise) and Wonderland (New Noise). Now the 25-year-old Swiss artist shares his brand new EP ‘Magnet Letters’, released on Everybody’s Records.

Gaspar took a fresh approach when working on the ‘Magnet Letters’ EP. For the first time, he wrote most of the material on guitar before then applying his production ideas to the songs. It was a method that made him feel as if he was a producer working on songs by another artist. Just as importantly, he decided to push himself out of his comfort zone by singing everything on the EP rather than collaborating with other artists. The entire project was written, recorded, produced and mixed by Gaspar in his home studio in south London.

Gaspar adds, “I think the process was about making myself uncomfortable: the lyrics are about the parts of myself that I’m scared of, from my need to feel seen (Attention), and my fear of growing old and dying (‘Death & Other Things’), to the occasional absurdity of existence (‘So Bored’) and how bad I can be at communicating my feelings (‘Magnet Letters’).” Singing in itself took me out of my comfort zone. A few years ago, I had a bad experience with a singing teacher who said that my voice wasn’t good enough. With this EP, I guess I’m hoping to prove them wrong.”

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