- Fitn Personal Records
http://fingersinthenoise.bandcamp.com
- Facebook:
https://www.facebook.com/pages/Fingers-in-the-Noise/119838881416469

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I am a musician composer of electronic music, oriented ambient, dubtechno, deephouse and sometimes experimental.
Music is my peace of mind, hoping to give you much pleasure and sensation, you can listen, comment and share.
Also, I create some podcasts and tutorials, you will find more information on my blog.

Thank you for your visit.

Peace, Love & Dub

Laurent

My discography:
http://www.discogs.com/artist/Fingers+In+The+Noise

n5MD is a record label based in Oakland CA that releases emotive styles of contemporary music.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Hello! I’m Frank Tornoe, and I am thrilled to share my journey as a musician and composer with you.

Ever since I can remember, music has been the heartbeat of my existence. Music is my passion, my creative outlet, and my way of connecting with the world around me.
From a young age, I was captivated by the power of melodies and harmonies. I grew up surrounded by a diverse range of musical influences, from Latin American music from Mexican mariachis and Guatemalan marimba to American pop and rock. This eclectic mix sparked my desire to explore various genres and push the boundaries of traditional music. It was in my teenage years that I picked up my first bass, and I found myself completely immersed in the art of creating sound.

Throughout my career, I have had the incredible opportunity to collaborate with talented musicians and artists across different genres. Whether it’s playing in rock and blues bands in New Jersey, North Carolina and Arizona or discovering synthesizers and computer software that allowed me to compose and record original music. I thrive on the energy of collaboration. Each project I undertake allows me to learn and grow, pushing my creative limits while crafting something truly unique.

My passion for composition has led me on an exciting journey through various styles eventually landing on the ambient form. I draw inspiration from everyday life—my experiences, emotions, and the melodies I encounter. The thrill of translating feelings into sound is what drives me every day. I find joy in experimenting with different instruments and innovative techniques, always striving to create captivating auditory experiences that resonate with listeners.

In addition to my work as a composer, I am equally passionate about performing live. There’s nothing quite like the exhilaration of being on stage, sharing my music with an audience. I believe in the transformative power of live performance—it’s a space where connection and emotion thrive. Whether it’s an intimate setting or a large concert, I pour my heart into every note, and I cherish the interactions I have with those who come to listen.

As I continue to evolve as an artist, I remain committed to pushing my creative boundaries and exploring new avenues in music. I am constantly on the lookout for opportunities to learn from fellow artists, embrace technological advancements, and incorporate fresh ideas into my work. My ultimate goal is to create music that not only entertains but also inspires and uplifts. I also recognize life is short and have discovered a saying that I keep in the forefront of my consciousness: “I cannot build a reputation and legacy for myself based on what I am going to (maybe) do someday.”

Thank you for taking the time to get to know me! I invite you to join me on this exhilarating musical journey—let’s explore the infinite possibilities of sound together. Whether you’re a fellow musician, a passionate listener, or someone who is curious about the world of composition, I’m excited to share my experiences and insights with you. Here’s to the magic of music and the endless adventures that await!

Frank Tornoe - Musician and Composer is following