Nicole Moudaber is a rockstar. One of the industry’s true trailblazers, few artists can lay claim to having had such an instrumental impact on the global electronic music scene. Her unparalleled production talent and intuitive ability to work a crowd has seen her captivate audiences worldwide, becoming one of the most sought-after DJs on the planet, yet to simply call Moudaber a DJ is to do a disservice to a woman that has dedicated her life to advancing underground culture and championing women worldwide.
Hailing from Nigeria and currently based in London, Nicole’s journey to becoming one of the most revered names in the dance music scene is as dynamic and boundary-defying as her music. From her beginnings as a promoter in Beirut’s underground club scene to becoming a globally adored DJ, Producer and label boss, Moudaber’s inimitable career is a testament to her relentless passion and uncompromising vision.
Whilst her rise to fame was anything but conventional, throughout every step of her career Nicole has been fearless in her desire to offer people the same chance of self-expression, freedom and solace that she was able to find through music. Today, the techno temptress is currently celebrating a decade of her InTheMood empire- which encompasses her label, award-winning weekly radio show, monthly Apple Music show and famed party concept. Her imprint, MOOD Records, has become synonymous with cutting-edge techno, showcasing superstar DJs whilst also providing a home for emerging talent to flourish, championing the next generation of artists and pushing the genre forward.
Drawing on the rich tapestry of cultural influences that shaped her early life, a deep-rooted passion for rhythm and melody, and an innate musicality Nicole's fearless approach to music production is reflected in her diverse discography, which boasts a myriad of chart-topping releases and genre-defying collaborations including Carl Cox, Chris Liebing, Jamie Jones, Ida Engberg, Skin, Moby and the London Community Gospel Choir. From dark and brooding anthems to euphoric dancefloor fillers, Moudaber’s sonic repertoire knows no bounds and her catalogue of tracks have become anthems for the techno faithful.
Nicole’s influence extends far beyond that of the DJ booth. A fervent advocate for gender equality and diversity within the electronic music community, she is not afraid of using her voice to amplify those that need it. Through her charity work, she continues to champion inclusivity and empowerment, inspiring aspiring artists from all walks of life, whilst also offering her support for crucial aid work and benefits for women around the world.
A true pioneer whose influence reverberates across continents, with every beat, Nicole reminds us of the power of music to unite, to inspire and to transcend. Welcome to the world of Nicole Moudaber – where the rhythm never stops, and the journey never ends.

// MOONBOOTIQUE // RHYTHMETIC // WHATIPLAY // MOTHERBOT // CRIMINAL BASSLINE //  JANNOWITZ Rec. //

I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.

Jim Morrison




here you find some stuff  I made...

The mixes will be added / updated every now and then.
For your promo tracks please send it to this account <a href="http://soundcloud.com/dac" rel="nofollow" target="_blank">DaC</a>

If you have some requests or mixes that you think are rare please message me. Thanks

https://www.instagram.com/officialprunk

DJ & Producer, House 

- Bookings: nick@meanwhile.nl
- Management: jeroen@spektre.nl
- Released on: PIV, Defected, EWax, King Street Sounds, Nervous, Electronique, Midnight Love Club, Soweso, Nitegrooves, Toolroom, Moulton, Inner City, DHA, Soweso, Double Tree Records.

Prunk is a Dutch DJ/ producer and owner of PIV Records. PIV club nights are organised in venues as Chicago Social Club, Marktkantine and Claire. Prunk is a STRAF_WERK and DGTL regular.

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DJ/producer Prunk is working at his own pace, but this doesn’t mean he’s taking things slow. His label PIV, which he started in 2015, has been steadily releasing EP’s, like his own production ‘Sexy Brasil’ that was released on the imprint in the spring of 2016. Together with his sparring partner Chris Stussy, Prunk released the ‘Material’ EP on EWax in the winter of 2016 and the two also released ‘The Machine’ EP that came out on the notorious Nervous Records and EP’s on Moulton and Innercity Records. These EP’s caught the attention of vocalist Alex Mills, who you can hear on Miguel Campbell’s hit Something Special. Prunk and Mills hooked up in the studio with No Cure as a result. Other labels Prunk has released records on are: Electronique, City Soul and King Street.
Next to producing Prunk is a resident STRAF_WERK and he is a regular at DGTL and Jenja (Bali), has played in Monaco, Barcelona, Zürich, Lille, São Paulo, Ibiza and at Awakenings Festival. His warm and sexy, but always dancefloor orientated and uplifting sound that finds its influences in artists like Kerri Chandler, Djebali, Mark Farina and Mr Ks is definitely attracting attention from promoters.
After editions at Chicago Social Club and De Marktkantine Prunk’s PIV Label night has moved to Amsterdam’s freshest club Claire and already had an impressive first edition in April. Prunk will also host a PIV stage at The Ark, a cruise that will take-off from Barcelona sets sail to Ibiza. In 2018 you can see Prunk play at the following festivals: The Hole Festival Brazil,  Awakenings Festival, Welcome to the Future, Straf_werk Festival, , Amsterdam Open Air and Extrema Festival.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

All tracks written, mixed & recorded at .... 'The Zoo'.
DM for tuition/mixing/recording enquiries.

Bookings - Jmac@paramountartists.com

https://nonplusrecords.bandcamp.com

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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