Name: J.S. Bach: Oboe concerto in g-Moll BWV 1056R - II. Adagio, III. Presto by chellist in Drawing Pencil lines
Duration: 6 min 11 s
Description: Ingo Goritzki, Bach-Collegium Stuttgart, Helmut Rilling

Drawing Pencil lines

David Loebel conducts the New England Conservatory Symphony in a performance of Rachmaninov's Symphonic Dances. Recorded live in Jordan Hall November 13, 2013 by Jeremy Sarna

Rachmaninov: Symphonic Dances-Non allegro

04 Bach  Violin Concerto In A Minor, BWV 1041 - 1.

Ingo Goritzki, Bach-Collegium Stuttgart, Helmut Rilling

J.S. Bach: Oboe concerto in g-Moll BWV 1056R - II. Adagio, III. Presto

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

Vivaldi: Concerto Op.3 No.9 In D Major, RV 230 (Violin, strings and continuo) - 3.Allegro

Vivaldi, Concerto in D Major for guitar and strings 1. Allegro 2. Largo

Bach Badinerie arranged for string quartet. Download the sheet music at www.musicforstrings.com

Bach Badinerie string quartet

The Atlanta Baroque Orchestra live in concert, Sunday, 13 February, 2011 at Roswell Presbyterian Church in Roswell, Georgia. Julie Andrijeski, Karen Clarke, violins, and Stephanie Vial, cello.

Grand Concerto in G, Op. 6 No. 1, G. F. Handel, Movement 2

Kaunas Chamber Orchestra, Silvano Frontalini - Benedetto Marcello 12 Concerti Grossi Op. 1
Upload By HC WSB

Benedetto Marcello -  Concerto No. 1 from 12 Concerti Grossi Op. 1

Johann Sebastian Bach
Concerto for Oboe & Violin in C minor, BWV 1060
III. Allegro

Eike Schäfer. Oboe
Pawel Zuzanski. Violin
All Chambers Orchestra

J.S. Bach - Concerto for Oboe & Violin in C minor, BWV 1060: Allegro

different thing

J.S.Bach  Harpsichord Concerto in F Minor, BWV 1056- II. Largo

Hiba Tawaji - La Bedayi Wala Nehayi  هبه طوجي - لا بداية و لا نهاية

バッハのマタイ受難曲より、高橋悠治編曲による「主よあわれみ給え」を弾いてみました。
http://www.youtube.com/watch?v=R8o4aaZHbxM
http://www.nicovideo.jp/watch/sm18036132

J.S.Bach = Yuji Takahashi "Erbarme dich, mein Gott (Matthäus-Passion BWV244)"

な (Na)

1. Allegro
2. Andante
3.Vivace non troppo

Maria Angelica Carlsen, violin, 
FFWW, cello, 

Ole Kristian Ruud, conductor, Norwegian Academy of Music Symphony Orchestra. 
30 january 2010

J.S. Bach: Oboe concerto in g-Moll BWV 1056R - II. Adagio, III. Presto

chellist

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