Exhaustion looks for a place to rest.

Accordion – Adam Balaš, Jakub Šidlák
Oboe – Amélie Linková
Clarinet – Antonie Jiru

03 Exhaustion

Things Remembered - I. Bittersweet

Things Remembered - II. Ominous

This is a short Allegro for a woodwind sextet. The musical style is both non-tonal and dissonant. The form is a standard binary AB with each section repeated. I've used my favorite devices of canon, inversion, retrograde, and retrograde inversion.

Sextet for Winds

Ethel Smyth - Two Interlinked Folk French Melodies for Flute, Oboe, and Piano

The third in this series, in phrygian mode. Picture credit: Stefan Berndtsson

#17 Yellowhammer Hornpipe

Luminary

Friday night funkin oboe bludddddd

(2015)
Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey.

Orchestra includes: Kinga Bacik & Larry Briner (cellos), Cecilia Cruz (concertmaster), Virginia Figueiredo (clarinet), Damion Frigillana (percussion); Lisa Grzanka, Juliana Hogan, & Daniel Hooper (violins), Elizabeth Huston (harp), Tina Huynh (flute/piccolo), Michael Jung (piano), Mark Malone (trombone), Charlotte Goode & Sharon A. Ray (violas), Jay Rubottom (bass), Xale Slusser (bassoon), and Chris Wilson (horn).

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INTREPID: A Fantasy for Oboe/English Horn Soloist & Chamber Ensemble

this is a version of my old track, i added more instruments and composed a piece in the middle, it turned out more intense, the main theme was given to the oboe, i like the mood it creates, the pizzicato strings imitate the ticking of a clock, at the climax you can use the organ

If I composed the Main Theme of Alice: Asylum (Orchestra version)

Professional pianist, I record piano covers and sheet music, sometimes I compose melodies

The Garden of Slow Time project is a fusion of electronic music and live instruments. The aim is to bring emotionally charged music to the listener and draw them into a world of slow, intimate atmosphere. The core of the project is based on sounds recorded in busy city streets, but also in quiet corners of nature. Each track is like a sound postcard from a different part of the world that tells its story through tones.

Sarah Wallin Huff has enjoyed her work as a composer for concert halls and soundtracks since 1993. Her original compositions have been performed throughout the States and abroad, including the Exeter Phoenix Auditorium in Devon, England; the Mosman Art Gallery in Sydney, Australia; the Zipper Hall in Los Angeles; and the National Opera Center in New York City. As a violinist, violist, and 6-string electric violinist, she has extensive experience playing with diverse ensembles, as well as performing on various recording projects, large and small.
- Multiple GMA medal award winner
- Second-place winner of the Charles Ives Award (The American Prize)
- "Her music positively buzzes with energy…There is no doubting that Sarah Wallin Huff has a distinctive voice that is well worth hearing..." (Fanfare Magazine)
- "Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here…" (Baby Sue)
- "Sarah’s music has a classy, understated sound, yet it is baroque and ornate" (Artist Rack)

Accordion, melodeon, concertina, ceilidhs, traditional and experimental

New tracks tagged #oboe