Adrián Albaladejo Díaz (1993, Alicante) has been living in Basel since 2015 and he is particularly involved in the contemporary music life in Switzerland and regularly works around Europe as a versatile brass player.

Adrián has performed with Les Trombone de Balè (CH), Basel Sinfonietta (CH), Divertimento Ensemble (IT), IEMA Ensemble (DE), Ensemble Diagonal (CH), Ensemble Courage (DE), Crossing Lines Ensemble (ES), der gelbe klang (DE), Ensemble Morph (DE) and Latenz Ensemble (CH), among others, and has participated in chamber music productions at Theater Basel.

He is responsible for commissioning more than 80 compositions written for him as a soloist as well as for their premiere at renowned festivals, including Lucerne Festival (CH), Zeiträume Basel (CH), Warsaw Autumn (PL), Huddersfield Contemporary Music Festival (UK), Musik 21 Festival (DE), Ensems (ES), Sampler Sèries (ES), Gaudeamus Muziekweek (NL), Klangspuren Schwaz (AT), Impuls (AT), Ars Braemia Music Festival (CH), PHONOS (ES), Sirga Festival (ES), Rondò in Monferrato (IT), Rondò a Bobbio (IT), and Tuns Contemporans Biennale für Neue Musik Graubünden (CH).

A professional enrichment for him was the personal collaboration with the composers: Stefano Gervasoni, Salvatore Sciarrino, Sofia Gubaidulina, Franck Bedrossian, Peter Ablinger, Beat Furrer, Vinko Globokar and Nuño Fernández Ezquerra.

In 2020, he founded Duo Signal with the saxophonist Alejandro Oliván, dedicated to the exploration and diffussion of new repertoire. He is founding member of the ensemble KlangLab Basel, which focuses on the creation of new scenic musical works through close collaboration with composers and he is a guest member of the renowned Swiss ensemble Ö!, which is entirely dedicated to contemporary music. In the field of artistic direction and organization, he has been working for the Swiss Music Association Concerts at Ausserberg since 2021.

At the age of 11, he began his euphonium studies with Jose Antonio Mira Ñíguez at the conservatory in Almoradí and at the same time played in the brass band of his village Bigastro. In Barcelona, he completed with distinction a Bachelor's degree (2011-2015) in euphonium and tuba with Pablo Fernández at the Escuela Superior de Música de Cataluña, at the same time taking additional studies in historical trombone interpretation with Simeon Galduf and private lessons with euphonium soloist Pep Burguera. From 2015-2017 he studied in the master's programme Performance on Trombone and Euphonium at the Musik Akademie Basel with Mike Svoboda (trombone) and David LeClair (tuba and euphonium) and was supported in 2016 by the Lyra Foundation, the Doms Foundation and the Haiku Foundation, among others. After 2017, he continued his studies at the Musik Akademie Basel in chamber music (2020-2021) with Anton Kernjak and contemporary music as part of the Zone Experimentale Basel (2018-2019) led by Marcus Weiss, Jürg Henneberger and Mike Svoboda.

Adrián has been awarded several prizes in competitions, including 2nd prize at Juventudes Musicales Spain, the Anna Riera Foundation Prize and 1st prize at the 2014 AETYB International Competition at the Spanish Congress for Euphonium and Tuba.

RuaidhriMannion is an Irish composer and sonic artist living in London who specialises in combining electronic sounds with classical instruments and multimedia to create immersive and evocative live concert experiences. He is a Royal College of Music Scholar, who has recently completed his doctorate under the supervision of Dr. Jonathan Cole and Gilbert Nouno (IRCAM), and generously supported by the Soirée d'Or Award. He is Head of Music at Brunel University of London where he teaches Music Technology, Production and Composition.

In recent years his work he been an Associate Composer of the London Symphony Orchestra and commissioned to compose two works for new LSO Soundhub, premiered at LSO St Luke's. In 2024 he was commissioned by the award-winning FUKIO Saxophone Quartet in Cologne, Germany to compose 'Scaradh Anama le Corp' for sax quartet and live electronics. Other commissions include: the Nouvel Ensemble Contemporain in Switzerland to create 'Mise en Abyme', an immersive multimedia creation co-authored with the composer, Benoit Moreau; the Whitecube Gallery, London to compose music for the ‘Tribunal of the Dusk’ installation with artist, Eloise Hawser; a saxophone sextet commission for the Royal Academy of Art's 'Sensing Spaces: Architecture Reimagined' exhibition; and an interactive electroacoustic performance at the Tate Modern's critically acclaimed 'Matisse: The Cut-Outs' exhibition.

His music has been broadcast on BBC Radio 3, RINSE FM, Resonance FM, Radio Télévision Suisse, BBC Radio 1 NI, BBC Radio Foyle, RCA Radio and been performed in venues such as Kings Place, Whitechapel Gallery, Royal Academy of Arts, Cadogan Hall, Sonic Arts Research Centre, National Portrait Gallery and the Tate Modern.

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

Нi… dо yоu wаnt to watch my cam? chесk link below

"Ib opera electroacoustic"
Joan BAGES RUBI, composer
morphosis.ensemble

I'm a diverse and curious musician who shapes his musical path by conducting. I'm co-founder and conductor of Kommas Ensemble and Broken Frames Syndicate and was a member of the International Ensemble Modern Academy 2017/18

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upcoming:

ELOY (DVD). In 2025 will be released the audiovisual record of the instrumental monodrama «ELOY -music with images of isolation»; (work in progress 2013–2022, 100 min.) for 9 amplified instruments, video & voice based on the homonymous novel by the chilean writer Carlos Droguett.

«PALINGENESIS» (2024) -premiere: Cologne, 08.06.2024- for three amplified violas, electronics & sound installation (50 min.), commissioned by the City of Cologne and TRIO ESTATICO.

«cantos póstumos» –after Lola Kiepja
for amplified violin and video (7 min.)
world premiere: Alte Feuerwache Cologne, 27.04.2024
Johannes Haase, violin / Nicolás Rupcich, Video 

«K'an –fueron deshojados» (2023) -premiere 08.09.2023- for percusission solist, bass flute, clarinet, viola, cello and 15 instruments (21'), commissioned by the Ernst von Siemens Music Foundation and the MUSICAHORA Festival. Premiere by Kommas Ensemble & La Serena's OSULS Chamber Orchestra of Chile.

«new work» (2026) -premiere: november 2026- for female voice, 2 bass flutes, 2 cellos, 2 pianos & percussion (25'), commissioned by Kommas Ensemble and BRuCH.

chemabanuls is following