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rANDOM vs. 3.0 - Heavy random

morphic flux - gaian xaos i

kaminanda, mr. bill, kalya scintilla, desert dwellers, gibson, soteg, griz, bassnectar, stephan jacobs, david starfire, dub kirtan allstars, 2nutz, ill gates, kll smth, sixis, vibesquad, freddy todd, watcha clan, temple step project, pentaphobe, beats antique, noisia, wu-tang clan, dj sol rising, opiuo, love and light, birds of paradise, sunmonx, skeetaz, kaya project

download available

www.gaianxaos.com/music.htm
www.facebook.com/bsteensma

oh land - wolf & i (kaminanda rmx)
mr. bill, mus sck & eelko - one big loop
kalya scintilla - zulu
desert dwellers - locks n herbs
gibson - regal beetle
soteg - bring the sun down
griz - too young for tragedy
amp live & eligh - ego killer (bassnectar & timeline rmx)
stephan jacobs - megahertz (feat sarah ricci)
david starfire - knight riddum
dub kirtan allstars - radhe govinda feat. chaytanya
2nutz - bi-tetral inadvertancies
ill gates - follow me
kaminanda - gaudians
kll smth - recapitulate
aboud abdel al saiedeh - happiest
atman construct - parallax view (sixis rmx)
stephan jacobs - anywhere (feat a rose jackson henry strange)
vibesquad and projectaspect - little dab
freddy todd - cranktout
kll smth - mellowtonin
watcha clan - im nin'alu
sixis - cyclic time 
temple step project - distant temple (kalya scintilla rmx)
pentaphobe - oh bog boh comintogether 
bassnectar - raw charles
beats antique - shrine
noisia - square feet
freddy todd - just taking my blastoise for a walk
wu-tang clan - as high as wu-tang gets
dj sol rising - light of wisdom feat. zumbi, wisdom, seasunz, zahira soul
danger doom - benzie box (opiuo rmx)
freddy todd - holla at
mr. bill & viscer - a beast left unfed
love and light - what is this
birds of paradise - tunnel visions
sunmonx - rokkit snot
skeetaz - elephunk
kaya project - dark tabla (indidginus champion sound rmx)
soteg - crowd react
beats antique - pandora's box


Morphic Flux - Gaian Xaos I

The Scratch.

I saw what I want.
I want what I see.
I see what I fancy.

I smell what I touch.
I touch what I fear.
I fear what I hear.

I hear what I want, 
but don’t want to catch
the sound of a scratch.

I scratch what I see.
When it doesn’t come to me,
but I’m always ready.

To make it always. 
To make it all worthy.
To make it all.
Make it all worthy.

- - - - - - 

The Scratch - credits.

Django Hendrickson: 
vocals and choral backing vox, piano, French horn keyboards, box and chair percussion. 
Marc Plastic Olivier: 
electric guitar, Moog oscillator, analog delay spin, backing vox and vacuum bass, programming.

Café D’Or lyrics: Django and Marc.
Holloway music: Marc and Django.

Production and recording: 
Marc Olivier at Plastic Sound Studios, London, 2013. 

From the forthcoming album “Unknown Sounds”.

Love: 
Uncle Marc, Mummy, Daddy, Elephant, The Black Sheep.

The Scratch -a cappella mix-  (Django and Marc Plastic)

morphic flux - gaian xaos ii

kalya scintilla, desert dwellers, si begg, bassnectar, david starfire, kaminanda, atomic reactor, beats antique, bird of prey, freddy todd, dub kirtan all stars, drumspyder, mr. bill, tipper, dj sol rising, rising appalachia, stephan jacobs, zeb & nickodemus, love and light, dj disse, mr squatch

download available

www.gaianxaos.com/music.htm
www.facebook.com/bsteensma

galactic mantra
buddha bass - cosmic (kalya scintilla rmx)
desert dwellers - seeing things
buddha bass - enigmatica (desert dwellers rmx)
si begg - runnings
bassnectar - feeling good
david starfire - electrify me
kaminanda - time travellers
ti.ra - storms (addict mix)
atomic reactor - dream frequencies
kalya scintilla - eloquent expansion
emad sayyah - li jamal cleopatra
daft punk - get lucky feat. charles butler (beats antique cover)
bird of prey & random - science friction
kalya scintilla - the hathors
freddy todd - delic licious (bonus saved from dead hdd)
freddy todd - triple entendre
david starfire - habibi
atomic reactor - arc engineer
dub kirtan all stars - kunja bihari feat. chaytanya
drumspyder - serket
mr. bill & gruff - pretty sick, but
tipper - ton of bricks (k+lab bootleg)
amr diab - nour el ain
alabina & gipsy kings - ya habibi yalla (fiesta mora)
ruben van rompaey - sun dance
natacha atlas - batkallim (david starfire rmx)
dj sol rising - all night long feat. aima the dreamer
tipper - bubble control (vip mix)
dj sol rising - around the clock ft. rasco (mochipet rmx)
rising appalachia - sunu
mr. bill & stephan jacobs - penguin farts
dj sol rising - love
tipper - chrome splat
zeb & nickodemus - bellies & brass
love and light - all that's left (atomic reactor rmx)
dj disse - eqyptian disco (buddha bar edit)
mr squatch - hip squatch (kalya scintilla's purr & pounce rmx)

Morphic Flux - Gaian Xaos II

"I am Zenji... and welcome to my sonic laboratory, please come in and try some of my potions and remedies, I'm sure you'll find them quite interesting..."

Fellow music people, let me introduce you to Zenji. This incredible artist deserve some support, you simply can't deny the quality and talent behind his work. Ethereal has been inspired by "fun times and mystical scenarios", inspirations that translated quite nicely into a mesmerizing, trippy 4 tracks EP.

You know you motto, right? Sharing is caring! Tons of people on this planet are waiting to discover the magic sounds Zenji delivers, so get the groove going!

Zenji is also open to taking requests for games music, so if that sounds like something you might need we invite you to get in touch with him.

"The EP is up for name your price so if you want to grab it for free there ya go! If you want to donate, you'd be helping me in my endeavours and all donations will be put into furthering this career and getting new equipment for live musical performances (not DJ sets)."

Zenji received influences from artists like Opeth, Nobuo Uematsu, Culprate, BT, Vexare, Trifonic, Death, Black Mold, Yeasayer, Liquid Stranger, LeBelgeElectrod, Machinarium, Pentaphobe, Bach, Daft Punk, Ratatat, Wu-Tang & others.

Show some love and follow Zenji
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Facebook : www.facebook.com/zenjidubstep
SC : @zenji-1
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Music Ethic - Together We Will Make A Difference
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Buy/Download EP

Zenji - Ethereal E.P. - 03 Tesla Squid

Sin Wheel track powered by Glitch Mode Recordings

ELEMENTAL SONG [JUNE MASTER]

Sounds from Wednesday morning

Download "Koi No Yokan" here: http://smarturl.it/deftemp

Lyrics - "Beauty School"

I like you when,
When you take off your face
You put away all your teeth
And take us way underneath
'Cause you could die if you take it alone

I watch you taste it
I see your face
And I know I'm alive
You're shooting stars
From the barrel of your eyes
And it drives me crazy
Just drives me wild

I kind of like you when
When you make up the reel
Take the phone in your room
Stop the tape or resume
Well you could try if you think it will load

I watch you taste it
I see your face
And I know I'm alive
You're shooting stars
From the barrel of your eyes
And it drives me crazy
It drives me wild

Everytime
Everytime you try
Ride
It's a beautiful ride
Why
It's a beautiful ride

I watch you taste it
I see your face
And I know I'm alive
You're shooting stars
From the barrel of your eyes
And it drives me crazy
It drives me wild

Diamond Eyes

Beauty School

Cyanotic - Hibernol [Featuring Hulverhead]

Exctract from "Phenomedia" album (2010) - trauma19

-www.cd1d.com (CD1D/FRANCE)
-www.ant-zen.com (ANT-ZEN/GERMANY)
-www.ruff-tang.com/ (RUFF-TANG/SWITZERLAND)
-www.electr-ohm.com (ELECTR-OHM/JAPON)
-www.muckrackers.org (LES FORCES ALLIEES/FRANCE)
-www.season-of-mist.com (SEASON OF MIST/FRANCE)

Remember about the old “United we stand, divided we fall” slogan ? Punish Yourself (“Cult Movie”, “Pink Panther Party”…) and Sonic Area (“Insensé”, “Explore”) probably had this in mind when they decided to join forces on a common record. “Phenomedia” is not a classic split-album, or a collection of mutual remixes, but a full fusion of both musical universes - resulting in completely exclusive tracks, going far ahead of anything you would expect. Influenced by Hint, Download, Pentaphobe, Foetus, Coil or The Downward Spiral, but mostly by the hypnotic power of mass media, Arco (Sonic Area’s mastermind) and vx “cheerleader” (PY singer and programmer) tried to break all stylistic boundaries and restrictions, in a merciless attempt to decipher the “Real World” or at least give some aural image of his morbid complexity. Dense, nervous, sometimes hard to describe, “Phenomedia” mixes cinematic orchestral atmospheres, dirty hip-hop, tribal industrial techno-punk, brutal wall of sounds, hard-glitch breaks and lush ambient soundscapes – and if you think it’s too much, you’re probably right ! This is a shamelessly noisy freaks parade announcing the “Nightmare Before Apocalypse” : acid bass lines, explicit TV sampling, screaming saxophones, broken drum machines collapsing into moody organic percussions, melancholic piano arpeggios and cello, distorted blues guitar, suicide lullabies, whispers, incantations, rants… This is hard cut-up music for chaos lovers, topped with broken bits of post-industrial mythology – the Roswell Alien, Kurt Cobain, Elvis Presley, Hakim Bey, Nikola Tesla, Jim Jones, Timothy Leary, JF Kennedy and many more unwilling guests. Do you feel like you’re part of a media-traumatized generation ? Do you feel addicted to the continuous stroboscopic flow of information, entertainment, spiritual promises and advertisement delivered by TV, the internet, movies, radio ? Is channel/net-surfing/scanning/hopping your favourite killing-time drug ? Do you feel like nothing is good enough, real enough, awesome enough for you ? How can you spend more than twenty seconds of your precious attention span if this record is just another product of the music industry ? Who’s the next scapegoat ? Who’s the next star ? Who’s the next Guru ? Who’s the next Prophet ? What’s the next distraction ? What’s the next thrill ? What’s the next reason to believe in something ? Should you buy a new laptop ? What should you fight for? Money ? Power ? Disorder ?
Put the remote down and try Phenomedia. Welcome to one of the most innovative, esoteric, poetic and pessimistic cyberpunk album ever recorded !!!

NOTE : Booklet’s childlike unpretentious artwork was inspired by Naïve and psychiatric art, German Expressionism, surrealism, Droste effect, Tim Burton, grotesque eye-catching TV shows visuals and all phantasmagoric theme park ride.


PUNISH YOURSELF vs SONIC AREA ici bas

Slaughter Brute - 'Cyanotic Purulence'

This version of ‘Neurozone’ is an early cassette demo of tracks that emerged as we were writing Burn Out At The Hydrogen Bar. It’s from a collection of random cassette demos of varying quality I’ve unearthed and finally transferred to CD. I’m loosely calling it “Burnt Out (talkin’ shit and shootin’ smack)” ‘cause I’m such a fuckin’ intellectual and that’s really much more of what we ever did than actually write enough music to fill an album. 

Dylan was living in a ground floor apartment on 4th street sometime in the summer of ‘92 when we wrote this jagged little shard. The place was owned by a motorcycle freak whose real name I can’t remember for the life of me, but I used to call him Gear, so Gear he remains. Hidden behind a dented and grumpily resistant steel door that complained when opened, the joint was shockingly miniscule. Its size wasn’t helped by the fact that it was jacked full of strange heaps of machine parts, stacks of tires in corners and drums of oil against the back wall. Its two windows were perpetually curtained leaving the place cast in murky dark. We called it Dog Solitude in tribute. (We had an insane fabricated two-deck card game hybrid of poker, cheating and drinking we played in those days for which we applied the same sobriquet). Husks of motorcycles in different stages of either collapse or reanimation stood on blocks next to the hacked-short insult of a cigarette-burn halo’d couch in what was the main room, skeletal shapes casting skyline shadows across the greasy wooden floor boards. Dylan’s studio was his room, and his room was sweeping enough to accommodate bed and gear but nothing more. I spent a lot of time scrunched up beside the desk knotted in pensweatnotebookinkfever while D scribbled threads of 1’s and 0’s, the two of us passing headphones back and forth as the threads began to knit into something coherent. I dropped rough vocals standing on his bed and trying not to bounce....hehehe. The feel and sound of ‘Neurozone’ was very much infected and inflected by 4th street’s furiously active life. Originally a bay windowed room, the construction of Detox’s space meant that bed and studio essentially elbowed themselves out into the sidewalk, the world outside bleeding into it in a constant stream of street sounds, conversation shards excerpted through the window, sirens keening, radios blaring ballgames and gunshots barking in warm nights, an indecipherable omniverse pouring in in mangled, neon-sputtering spliced configurations. “There’s something moving on the other side, but what it is is not too clear”.

There will be more, but this is for now. This is for fallen friends and those who simply couldn’t go on any more, friends from then and friends from now, the ghosts who haunt my days, your days, our days. 
This is for Jamie Duffy and Craig Albertson and Bobby Ross and for Critter, just to start the list rolling.

Yes, you can download it.




Neurozone - demo

Cyanotic - Fashion Viktums (Moneysack Remix)

This is another cassette demo that I recently unearthed, saving it from decay. It's a ragged little shard of a track called 'Derailer' that's stripped down to bare bones. It was written down on the Lower East Side in mid-1991 in a dank basement apartment Detox lived in for a few months before he accidentally set it on fire almost burning the building down. The people that owned the apartment not-so-politely asked him to leave. Lucky he made it out without getting kneecapped. Seems like fire and collapse followed us all across the city during the writing of Burn Out, always flickering darkly at the frayed edges, often running up out of control behind the control panel when we weren't paying attention.

The track will form a part of the compilation of demos and out-takes called "Burnt Out (talkin' shit and shootin' smack)" that will hopefully appear in the not-too-distant future.
It features Detox on loop-hack and me on vox-hack. Although Steve "fly" Watson and Mark "fiendish" Kermanj were working with us at the time, these demos are almost all pre-guitar and drums. Yes, the sample at the start is for real and is excerpted from a phone message left on Detox's machine from a guy he knew. The whole message ran for over five minutes. I'll tell you the story some day if you don't already know it.

This track is another one that's available for download though the next few won't be. Yes, there are more to come while I decide what to do with the whole mess. Enjoy the drugged and drunken stumble down Memory Lane!

Derailer - demo

“Electronically Yours” by Too Much Information.
T.M.I. was/is an on-again off-again project. The music’s written by Mike Bazini of Dystopia 1 and Howard Wulkan of Croc Shop. The track was recorded by Baz at Martin Bisi’s BC Studios, Brooklyn, NY in 2010. I recorded my vocals under the divine oversight of Marc Plastic at Plastic Studios in the Old Smoke and they were further fried by Baz chez BC. It’s a little shred of tube-yellow fiber-o light cast thru the smoky dim of ruined radio halls. Renegade virtuals with identi-skin faces dance a slow tattoo across the dusty floor, soot and grit mixing gently with graphene in the servo-housings of their naked, linking bodies. Hopefully there will be more, more or less.


Electronically Yours

Pulse (finger off) is what eventually became ‘White Room Black Eye’, one of my favorite tracks off of the 2004 Chemlab album “Oxidizer”. 

I’m posting this version naked, with all its imperfections because there’s something glorious about its frayed figure. 

The other reason that I’m posting it is because, as autumnal shadows start to elongate and nights close in I’ve been thinking about Jamie a lot. This isn’t the album version, it’s pre-, it’s demo, early, fractured and slewed off course. I adore it because it’s raw and unvarnished for mass unpopular consumption. Jason’s programming snarls rabidly, its sexual propulsion unfiltered. My vocals are ugly, burred at the edges (my natural two-packs-of-smokes-and-a-bottle-of-whiskey-a-day distortion shining through in all its fucked unglory). In the outro “down”s you can actually hear shreds of F.J.s backing vocals beckoning down the hole. 

But, the thing that really blows me away, that utterly knocks my lights right out is Slo-Hand's’s unhinged guitar. Like some static drenched cyclone of sonic white light it hustles and torques underneath the song until about 2:19. From that point onwards it breaks its cage, howling straight through the mix to rocket launch a fist into the frontal lobe. It’s scorched earth, it’s canisters of napalm tumbling out of the sky, it’s urban center dirty bomb detonation. 

Funny thing (or not): when I posted this link I was trying to remember exactly who had played this riff. For a long time I was sure that it was Greg Slo-Hand Lucas, but in the folds of time I got must have got lost (as Peter Wolf said) and this guitar madness became Jamie's horns and gown instead somehow. I posted it with the credit going to Jamie and, sensibly, Lucas wrote to me and said that although he loved Jamie's guitar playing as much as the next guy, that slice of searing genius was his, thank you very much while you're up. 

So, kids, as much as the drug-addicted life style of the purported "rock star" may have its shiny attraction and dissolute appeal, the reality is standing right before you. I went stumbling headlong into total addiction not by mistake or chance intervention, but by clear and definite choice. I saw Iggy crash and Keith burn out and I thought that was the most fascinating part of the package: the hampered, damaged, limping lifestyle of waste behind mirrorshades. I learned all the wrong lessons from the right guys and blindly, laughingly drove a truck loaded with pills and powders and syringes and bottles and smoking reefers straight through the heart of my career, my band, my record label, many of my friendships and my first marriage and into sheer wipe out, and it wasn't pretty. No, not at all. Though I've been clean of everything for over a decade, my memory has suffered countless direct hits and the long-term damage is immeasurable...except in clearcut cases like this. 

Greg Lucas, I apologize. This riff's for you. It's a fucking standard of destruction I return to again and again and again.

Sadly, the final version didn’t retain all of that slingshot madness, that nasty and unholy magic. Maybe that's because Greg was just too spicy to remain in the mix unvarnished, unfiltered, unafraid.
Or maybe I just can't remember the reason why...

Pulse (finger off) - White Room Black Eye demo

One of my favorite remixes of Binary Nation from OXO. 
It was done by a cat named Latin Saint whose sounds you can still find hustling his scene on myspace. He was the runner-up in an acidplanet remix competition. The acidplanet guys thought that this was an excellent remix but that acidplanet would be better represented by the other group that finally won. Over the years I've come to regret letting the decision be made by others instead of imposing my opinion on them. This is the remix that should have won out hands down, in all its digitally ragged punk rock glory. 
So, I toss it out here for your delectation.

Binary - LatinSaint Style -

This song is about me leaving Lewes New School (my old school).
I loved my old school, I had fun at my old school and had lots of friends there but my brain needed more feeding, so I went to a new school named Southover. I wrote this song because it was so hard to leave all of my friends and a familiar, comfortable place that I had known for years.  
-Django


Goodbye Lewes New School - Django

melt

music by Marc Plastic and Django Hendrickson.
lyrics by Django Hendrickson and Maja Hendrickson.
main vocals, acoustic guitar, box drums: Django
electric guitar, keys, whisper vocals and soothing chick vox: Plastic
percussion: Elephant
arrangement, engineering, production and stealth: Plastic
recorded and conceived at plastic sound studios, london, 2013, baby.
from the forthcoming album "Unknown Sound".

Mind The Gap (Django and Marc Plastic)

this track was originally by Cyanotic and remixed by drokore and remixed by yours truly cyanotic-transhum-mixbydrokore-remixbyEyedominate

<a href="https://theartistunion.com/tracks/528fc3?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>