"DOOME" is a research and development projects trilogy by Cheng Daoyuan that explores the digital domain from philosophical perspectives, conceived in 2020. The first piece, "DOOME: Null Gods" approaches the relationship between collective unconsciousness and the attachment and transformation of information, attempting to construct an apocalyptic scene that contradicts space-time through sound and video installations. 

In 2022, Cheng Daoyuan stayed in residence under the Sound-Off project of the Creators program at Taiwan Contemporary Culture Lab and produced this project at the Taiwan Sound Lab. This site-specific production of spatial audio field combines three-channel video and 49.4-channel sound, blending the characteristics of space and sound field with sound dynamics and texture changes. It also attempts to guide viewers to different listening points in space by utilizing the time difference between sound and video installations. 

The transformation between consciousness-carrying mediums, such as text, language, images, and sound is the key focus of this project, which are closely intertwined. Cheng uses his research records, text, and images creations during his residency as projections of his own consciousness, using his self-written content as the script for the overall narrative structure. He experiments with the effects of sound and video’s sequencing, overlapping and layering, with the constant transformation between formats as connections and materials for construction. Compared with the superficial affections, he focuses more on the complementarity and harmony of the underlying initial thoughts.

This release has been downmixed from 49.4 channels to binaural format, with the configuration and impulse response of the spatial audio field, best listened with headphones.

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Produced, Mixing and Mastering by Cheng Daoyuan
Visual and Layout Design by Cheng Daoyuan 
Original Photo by Taiwan Sound Lab

More info at: www.chengdaoyuan.com/DOOME-Null-Gods

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《DOOME》是鄭道元以哲學脈絡探尋數位疆域的研究發展系列計畫，發想於2020年。首部曲《DOOME: Null Gods》由集體無意識與資訊之依附與轉化關係切入，試圖以聲音與影像裝置建構悖於時空間的末日場景。

2022年鄭道元進駐於臺灣當代文化實驗場Creators計劃聲鬥陣單元，於臺灣聲響實驗室中進行並製作該計畫。本作結合三頻道錄像與49.4聲道聲音，於立體聲場限地製作，將其空間與音場特性揉合聲響動態與質地變化，並試圖利用影像裝置間的時間差引導觀者至空間中不同聆聽點。

文字、語言、影像與聲音等意識乘載物間的轉換是此計畫發展的製作重點，彼此有緊密的複合關係。他將進駐期間的研究記錄、文字與影像等創作視為自我意識的投射，並以自撰文本內容作為整體編排的依據，發展聲音與影像的敘事結構。他以格式間的不斷轉換作為媒材間之連結與編構素材，依此試驗聲音與影像行進搭配與疊合的效果，比起表層的牽動，他更著重於背後源想的互補與和諧。

此發行將49.4聲道依循該立體聲場之空間音訊與脈衝響應設定降轉為雙耳模式，以耳機聆聽效果最佳。

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Cheng Daoyuan is a multidisciplinary artist from Taiwan, engaging in various forms of creation including experimental sounds, visuals, and installations. His sonic expressions are based in dense, murky post-industrial textures, melding with diverse elements to sculpt a unique apocalyptic style, aiming to present the philosophical imagery of coexisting opposites, with the concept of the convergence of two distinct planes into a coherent form threading through his works. 


> www.chengdaoyuan.com
> c.chengdaoyuan@gmail.com

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