Disquiet Junto Project 0564: Octave Lept
The Assignment: Work an octave leap — or more than one — into a piece of music.

I used a track on which I was already working on and added automatic tools to randomly add or substract up to two octaves to all tracks. The probability was chosen so that the octave jumps should go unnoticed.

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Track cover based on image from Dall-E2 prompting "Sudden jumps, not too hefty, edward hopper". This tool is so much fun!

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More on this 564th weekly Disquiet Junto project — Octave Lept (The Assignment: Work an octave leap — or more than one — into a piece of music) — at: https://disquiet.com/0564/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0564-octave-lept/

Krakenkraft-Disquiet

Sudden Jumps, Not Too Hefty [disquiet0564]

naviarhaiku459:
without a voice
the heron would disappear –
morning snow

haiku: Fukuda Chiyo-ni http://haikukan.city.hakusan.ishikawa.jp/english/about/index.html
image: Chandler Cruttenden https://unsplash.com/@chanphoto
heron field recording: Ed Pandolfino, XC578132. Accessible at www.xeno-canto.org/578132
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

A Voice, the Heron [NaviarHaiku459]

Midori: processed bass
Nekbhet: pianos
Syntania: vocals
Crampdread: tom-toms, agogo bells
Cramphand: upright bass
Crampmail: clavinet
Crampmeet: synth horns
Crampmeat: feedback
Sinny: vibraslap, sticks, bulb horn, slide whistle, synth knocks
Tooth: electric guitar

More on this 564th weekly Disquiet Junto project — Octave Lept (The Assignment: Work an octave leap — or more than one — into a piece of music) — at: https://disquiet.com/0564/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0564-octave-lept/

King Tut Strut (disquiet0564)

From the Mist

From The Mist (naviarhaiku464)

Submission for the Naviar Haiku music challenge
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from the mist
a boat for cutting reeds in the morning
has begun to emerge
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Mizuhara Shuoshi was a 20th century Japanese poet. Shuoshi rebelled against the principles of emotional detachment in haiku, which he thought limited his ability to emotionally express himself through poetry: he started a magazine called Staggerbush which focused on a more romantic, lyrical type of haiku.

Cutting Reeds

Cutting Reeds (naviarhaiku464 – from the mist)

A Boat for Cutting Reeds ( morning mist) NaviarHaiku464

More on this 570th weekly Disquiet Junto project – Key Change (The Assignment: Make music that changes keys) – at: https://disquiet.com/0570/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0570-key-change/

The cover image for this project is from DALL·E 2, where “key change into another key” was the prompt.

Flora & Jam (disquiet0570)

Anthem for the Wilderchild in all of us.

Music - Stu King
Jazzmaster Electric
Orangewood Acoustic
Digital Delay
Analog Delay
Reverb

Field Recording - Domar1979

Wilderchild

Wilderchild (naviarhaiku467)

AMBIENT ELECTRONIC - CREATIVE COMMONS - FREE TO USE

The Quiet Between Stars - Ambient Electronic Music

Part of the Liminal Spaces series - a collection of pulsing, harmonic, atmospheric ambient works exploring thresholds, transitions, and evolving soundscapes. Each track exists in a state of flux, blurring the line between movement and stillness, structure and abstraction.

Produced and mastered by Zsolt Zsigmond (ambiMatter).

Listen in full for an immersive, evolving experience.

#ambient #drone #liminalspaces #atmospheric #harmonic #experimental #soundscape

From The Mist (naviarhaiku464)

C H I L D

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