DJ, music maker
Deep, melodic techno & progressive house
contact@hyperbolicfunction.com

A lifelong fan of electronic music, Hyperbolic Function began playing  instruments at the age of 13 and started DJing at 16. After moving to London in 2009, he immersed himself in the underground scene, which deeply influenced his sound and his dedication to the genre led him to found and manage the successful techno blog, The Techno Kittens.

Based in London, Hyperbolic Function has performed at iconic venues such as Electric Brixton and The Shelter. He also hosted Melodic Electronic on Music Box Radio, where his dynamic DJ sets and finely tuned productions found a dedicated audience.

His music is known for its progressive and melodic sound, characterised by a euphoric yet melancholic rave edge, enriched with intricate melodic layers. His debut EP, Ascending, released through Reckoning Records, soared the progressive house charts taking the #1 releases spot and peaking at #7 & #11 in the Hype and Top 100 charts.  

Currently, he is working on new music including a new EP, remixes, and preparing for upcoming DJ gigs.

Explore Hyperbolic Function's sonic universe and connect with him on social media.

d00mscrvll out now 
https://hypeddit.com/diplo/d00mscrvll

Electronic producer based in Central Scotland. More remixes and an EP of original material coming in 2015.

Contact: info@killiemusic.com
Booking: booking@killiemusic.com

RECORD LABEL BY @ShibaSan
How to send demos : 
1 - On souncloud :
Soundcloud link + Download + Email Address.
2 - By email :
 music@basementleak.fr

Musician from Scotland using various synthesizers and techniques to record this work.

also working with http://soundcloud.com/orkid-1 in http://soundcloud.com/low-frequency-broadcast

Scottish music maker | ½ of Hi & Saberhägen 
Resident DJ wherever |

SATOSHI IMANO is not only well known in the West, but has also become the focus of much attention in his native Japan as one of today's most popular artists. Ever since the Polish label "6p-records" released his hit "Take it back" on 12 inch vinyl, his sensitive but bold track-making style has continued to rock the charts. At present he has released 2 full-length albums of original material, and ever since his debut he has continued to stoically advance a career which has set him aside from all mere DJs and track-makers. After producing numerous original works and remixes he released the "Marvelous EP" on the Portuguese hard techno label "Envenom" in 2011. With this he continued to take the lead at the top of Amazon's dance and electronica charts. Furthermore, one of the preeminent Japanese techno labels, "PLUS Records", released his "Explorer EP", and he showcased it with a live performance at the "PLUS TOKYO" event, hosted by the label at the Daikanyama Air venue. That same year he also released the "Nano Metal EP" which received high praise from overseas, and this lead to a Shanghai Tour which proved to be a great success, an event which is still fresh in people's memories. Thanks to the growing attention he was receiving from abroad, in 2014 he started the first radio program in UK's Liverpool station Framed.FM to be entirely specialized in Japanese techno DJs, and named it "Tokyo Techno Liner". He is currently in charge of several aspects of the show, such as planning, producing and artwork duties, and listener numbers are skyrocketing. As a key promoter of Japanese techno to international audiences, his reputation in that world also stands high. He has also been awarded the No.1 grand prize amongst many submissions to the "Remix Contest for the track 'thirst' by the HIATUS", hosted by Sound & Recording Magazine. This remix has breathed new life into the club scene, causing many more people to take notice of his skills. This is evidenced by the fact that many movies and stage plays have sponsored his music, and offers from all quarters have not ceased coming. It is rare to find someone with such a bottom-up approach to management and to his craft as SATOSHI IMANO, an artist whose constant exploration of next-gen music is always spelled out in the "present continuous tense".

Chintzi is following