Surreal and psychedelic ambient music for a deep listening experience. 

New tracks every week. 

https://www.chitrarecords.com

Surreal Ambient

Ambient Cat

Winter Webs

Participation mystique refers to the innate human connection to symbolic and imaginative experiences. This symbolic realm exists before or alongside our ability to think analytically or rationally. The idea is strongly linked to projection, as these symbolic or mythic elements naturally extend themselves into the world around us—into people, places, and things, just like how we unconsciously assign color to what we see.

Participation mystique is not just a psychological concept, but an aesthetic principle – a lens through which we perceive art as more than just something we observe; it becomes something inhabited.

In artistic terms, participation mystique can be thought of as a dissolving boundary between the self and the image. In this perspective, any manifestation of art can be perceived not just as an external object, but as an extension of the viewer’s unconscious. Colors, shapes, and atmosphere resonate with inner archetypes – mythical, primordial, emotional – before the mind can name them. This is why abstract compositions can seem hauntingly familiar, or why certain symbols – like a spiral, a doorway, or a shady forest – draw out something ancient, deep, and unconscious from us.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev
Cover picture and design by Dionis Afonichev

Participation Mystique

Moment of Clarity (KapTep Remix)

Will-O'-The-Wisp

A meditative journey through death and the afterlife. “Ashes” drifts between silence and sound, existence and disappearance — ambient reflections on mortality, memory, and what lingers beyond.

Tobias Lorsbach, professionally known as Logic Moon, is an artist based in Mainz, Germany. His musical trajectory encompasses a broad spectrum, beginning with his role as a guitarist in a death metal band, followed by endeavors as a DJ, and ultimately establishing himself within the ambient music sphere. This diverse background informs the conceptual depth of his recent works, which seamlessly incorporate experimental and neoclassical elements.

Produced and mixed by Tobias Lorsbach (Logic Moon)
Mastered by Tobias Lorsbach
Cover picture by Tobias Lorsbach
Cover design by Dionis Afonichev (Dionisaf)

Ashes

Transient Light

"Abstract Is Real" explores the paradox of abstraction as a pathway to emotional clarity. Through sparse textures, evolving drones, and subtle tonal shifts, it transforms fragmented sonic elements into a cohesive, meditative whole. The album doesn’t impose structure — it invites it to emerge organically, like patterns forming in fog.

Produced and mixed by Lewis Broad-Ashman (Winter Silhouette)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Cover design by Dionis Afonichev (Dionisaf)

Abstract Is Real

Withdraw

Freedom Is

Into The Woods_Part2

Gentle textural soundscapes trace the quiet shift in season, evoking warmth, stillness, and the beauty of impermanence. A sonic reflection on the passage of time, memory, and the subtle charm of change.

Christoph Vogel (Ghostloop) about his album: “It’s a collection of nine ambient pieces — soundscapes shaped by personal moments and quiet shifts I experienced over the past year, many of them spent in nature.

I worked with field recordings I captured during that time, letting them carry traces of place and memory. While writing, I also began building my Eurorack modular system, slowly integrating its sounds into the tracks as they took shape.

'Almost Autumn' reflects a quiet cycle of the year — the slow transitions, inner stillness, and changing atmosphere that come with time passing”.

Christoph Vogel, known as Ghostloop (Germany), weaves immersive soundscapes shaped by the serene rhythms of nature. Drawing from the ambient textures of field recordings and grounding them with deep, fluid basslines, his compositions echo the quiet moods of Northern Germany and the Baltic Sea coast. Rooted in a deep sense of place, Ghostloop’s music invites listeners to pause, drift, and sink into gentle, emotive layers of sound.

Produced and mixed by Christoph Vogel (Ghostloop)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

Almost Autumn

Drift, aka Alessandro Ferrario, defines his style as “Slow-motion electroacoustic sound paintings”, this definition comes from the tempo he uses, 40 BPM with 4/4 time signature, the main instrument he uses, an upright piano, and the layers crafted using the instruments you can find in orchestra, cello, viola, violin and double bass most of the times. He then elaborates all the patterns, adding modern era VSTs to create layers, like a painter does with paint.

In “Fragments of a Distant Now”, the artist explored time and memories, unfolding slow rhythms and digital manipulation to create textured atmospheres, which, like memories, can convey either relaxation or tension. Using delays, echoes, reverbs, and distortions, he crafts a sense of glitch in sound that mirrors the imperfections of fading memories.

Produced, mixed and mastered by Alessandro Ferrario (Drift)
Cover artwork by Alessandro Ferrario
Cover design by Dionis Afonichev (Dionisaf)

Fragments of a Distant Now

Echoes of Silence

Derek Carter (KapTep) about this release:

Ambient music seems to be fascinated by nature, oceans and the sky. For this KapTep release I wanted to explore the sky and more importantly all we can’t see, the millions of signals and mysteries that it hides.

I wanted to leave room for the songs to breathe and allow plenty of open spaces within them. At times these compositions may seem empty, that is by design. Although the current environment is to pick a track or two add them to your playlist.

I hope you will spend 49 minutes and listen to this as a body of work, as it was recorded to be listened to in one continuous sitting. In addition to the 6 original tracks there are two wonderful remixes added by Arrival In Eden, and Sacred Seeds.

Numbers Station – I’ve always been fascinated with them. The mystery and intrigue.

Naming the Sky – Melancholy drifting and not a care in the world.

LA Scanner – I simply love the voyeur nature of a cheap scanner.

Cold Luck Moon – Blurred images, sounds and emotions. Plus, three words that don’t mean anything together as a title.

I Need Light – In a world of conflict, doom scrolling and fear… I need light. In fact, I think we all do.

One Hundred Miles Until Sunrise – Have you ever driven somewhere and not remembered a second of it? Totally sober, auto-pilot. This is your soundtrack.

Produced and mixed by Derek Carter (KapTep)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Derek Carter
Cover design by Dionis Afonichev

Naming the Sky

Numbers Station

Ambient minimalism is gaining momentum. Some would argue that evoking atmosphere is harder than sequencing beats, and Fragments of Silence is proof. Laden with lush textures and ambient leanings, the album invites deep listening.

This 8-track LP marks the debut collaboration between Synthbiont, Anassimandrus, and Sacred Seeds: three artists with distinct sensibilities, united by a shared affinity for ambient, experimental, and dub techno sounds. Their convergence sets the tone for a singular, immersive experience.

Fragments of Silence is not background music. It’s a serious body of work that commands attention. It’s an hour-long descent into a vacuum chamber. An environment that evolves, coils, shifts, and builds toward dissonance and stillness.

Each track is grounded in a strong atmospheric character, unfolding with deliberate progression. The album leans heavily into experimental minimalism, imagine dark tunnels, ominous energy fields, and brooding landscapes.

Fragments of Silence is one of those albums that explores the intersection of distinct creative temperaments, marked by structure, mood, and experimentation. The result is an album that flows with intention and feeling, creating a space that listeners can fully sink into.

Description by SreeLakshmy 

Sacred Seeds is an ambient electronic music project by Wasim, founded in 2014 in Calicut, Kerala (India). Blending synthesis, field recordings, and experimental sound design, Sacred Seeds’ music explores the interplay between organic and electronic textures.

Sacred Seeds has performed at renowned festivals such as Magnetic Fields, Hilltop Festival, and Bloom in Green, sharing the stage with influential artists like Gaudi, OTT, Suduaya, and Symbolico, and many more.

Synthbiont & Anassimandrus is the ambient/experimental/dub techno project born at the end of 2018 by the collaboration between Nicolò Faggiani and Tommaso Gobbo. Their musical background comes from different musical experiences as DJs, vinyl collectors, and founders of EMC series. Their performances and music are composed through the elaboration of different digital and analog sources, processed field recordings, and sampling to create unique soundscapes.

Produced and mixed by Nicolò Faggiani and Tommaso Gobbo (Synthbiont & Anassimandrus) (1,2,5,6) and Wasim Raja (Sacred Seeds) (3,4,7,8)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Krishnan (Kiss in Silence, Shot on Kodak Tri-X 400, Nikon F100 / 2019, Karnataka)
Cover design by Dionis Afonichev

Fragments of Silence

Nel Silenzio

Warmth in Silence

Form is an exploration about how things take shape and slowly change. It paints a quiet, emotional journey — starting with the feeling of something coming to life, then slowly drifting into memory and fading away, time to let go.

Produced, mixed and mastered by Antony Gibson (Zen Lemon)
Cover picture by Antony Gibson
Cover design by Dionis Afonichev

Form

Fade Away

A sonic portrait of a city suspended in twilight, it traces the quiet pulse of urban dusk — moody and gently immersive. As the day exhales and the skyline softens, textures emerge — quiet synths, distant echoes, and the hush of passing lives.

Le Code is a French ambient artist known for creating soft atmospheric soundscapes with subtle synthesizer or piano sounds inspired by nature (especially water and the ocean). He also co-founded Mare Nostrum Label, largely continuing the ocean theme.

Produced, mixed and mastered by Alexandre De Charrin (Le Code)
Cover picture by Alexandre De Charrin
Cover design by Dionis Afonichev (Dionisaf)

Something in the Air

Skazka means fairy tale in Russian. Fairytales are more real than modern life, filled with illusory values. A man truly exists only in myth, in a supernatural, mystical reality, and everything else is just an external pursuit of illusory success, which prevents us from being present in the moment, understanding ourselves, and being truly happy.

Skazka

Faun's Grove

Experimental ambient music label.

Surreal music for a deep listening experience.

Transient Light

Chitra Records