Gustavo Valdivia, Tomás Tello, Daniel Llermaly, Donato Bermúdez
"...The crunches of massive ice blocks, minute ice crystals breaking, the splashes of water running from the glacier’s base –which vary from a few drops to several cubic meters- winding their way through gaps between rocks and frozen soil, and their reverberations within different sections of the Quelccaya; contest the images of a passive, fluid and malleable nature. They remark, instead, its excess, indifference, and destructive power. By forcing us to experience sound as a continuum of history -instead of an ephemeral and recent event that may only perdure in our memory or any other recording device-, these adjacent and overlapping sonic forms, without a doubt, are narrating the histories of climate change."

For booking: andrewcosentinosmusic@gmail.com

Upcoming Shows: September 9 - Bowery Electric
September 25 - The Windjammer

Past out of town shows:
March 31, 2019 - Revolver (Taipei)
September 6, 2018 - Asagaya Ten (Tokyo)
September 8, 2018 - Cafe Cheshmeh (Tokyo)
April 20, 2018 - Paul's Boutique (Oslo)
January 13, 2017 - DMC (Qingdao)
December 16, 2016 -Middle East Corner (Cambridge)
June 24, 2016 -Psychic City (Montreal)
February 18, 2016 - FINDARS (Kuala Lumpur)

made the music for https://lauramichet.itch.io/planetfriend

recorded train sounds for https://plusultra.itch.io/slaughtertrain

As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

We're not the best, but we're pretty good.

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