space age lodge

Badatibira

Original song and lyrics by Linda Straub

Let Me Go 
(In memory of my little girl Daisy I just lost)

Lyrics

Mommy it's time to let me go,
I know you heart is breakin'.
You see me everywhere,
in my basket of toys, soft bed I slept in.


I had to rise above this earthly world
and leave all my suffering behind.
Although I hated leaving you,
please know, we'll meet again in time. 

Let me go where I can run free,
my  body healthy and anew.
Picture me the way I used to be,
the way I'll be when next I see you

You gave me such a wonderful life,
and I always felt loved and adored.
I know I made you happy too,
you were my person, and I was yours. 

I know you are crying now,
and don't want to give me up.
The years we spent together
were so precious to this pup.

But now, you need to dry your tears,
and find the strength to let me go.
We'll meet again one day you'll see.
We'll be together forever then.. you and me. 

We'll be together forever then..you and me.


Let Me Go (Original)

Snappy Fusion

Source sound is a very nice recording of a bathroom stall hinge: https://freesound.org/people/Valk17/sounds/706939/

The Love Of Three Hinges

Solo Piano - Chris Bright

a greater notion - 2:1:24, 6.30 AM

here's what you told me - 3:14:24, 8.12 PM

Tgwltfp1

Gallop

For An Angel (Piano-Improv) PM 7987 5:40 08-09-2025

shut out 9.13.25

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

a greater notion - 2:1:24, 6.30 AM

Chris Bright

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