Emanate

I hope they get the opportunity.

(This tune is downloadable.)

I compose in MIDI, using Logic Pro and sound libraries from EastWest.

© 2024 Rebecca Williams All rights reserved.

After The Battle (Recovery)

“Keel”
Brand new Lofi/ambient track from our Eastern Lofi Lab.
Cover pic: Arpad Kajel www.facebook.com/arpikirandul

Keel

"don't ask why
i won't tell you anyway
i'm a star
i am the rainfall
i'm the word
break your heart
crawl from your hiding place
you will be betrayed
you will fear
don't leave
don't run
don't hide
don't leave
don't fear the son"

Lyrics by Wildsilences

omen [Open Collab]

ÇøffëęÅtŇïgħt<ŴițħÅ>BıpøļårMıňð

Many thanks to Vincent @event49 for offering a stunning electronic track to collaborate on.
[Wind ensemble: soprano saxes / flute drones / tenor sax, flute, oboe interludes.]

Standing Light (Blue Mix) - Event 49 + WBE

part of the Skeletons album out now on Bandcamp.

this is the original version. this song is also in my Minimix:

https://soundcloud.com/indiiwildmoon/memories-of-ghosts-minimix-wildsilences

"i don't wanna be lonely
i don't wanna be
i don't wanna be lonely
anymore
there's magic in the heartbeat
no i don't wanna be lonely
lonely anymore
i don't wanna feel like
i'm slipping and i don't
i don't wanna fall
so much more to me
so much more to see
something in here can be loved
i don't wanna be lonely
lonely anymore
i don't wanna feel fragile
vulnerable
i just wanna be
complete"

Lyrics by Wildsilences

Skeletons

Complete (Original Version)

Becoming

I woke up too early again, I'm gonna be tired for work. So here's a random recording from this morning. These are basically my practices lol

The glow of a light bulb before the sunrise

Kurzweil.  Created in Real-Time in my Monterey home studio.

Year of Music XIII

Year of Music: November 11, 2024

now and then

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Becoming

Chris Bright

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