Gotta let the cow out of the barn once in a while ;) Sometimes we just need to take ourselves less seriously, and laugh at ourselves and life's predicaments.
Start the summer with a tongue-in-cheek tune to lift our spirits.

Lyrics:
                                Sell My Cow
    I’d sell my cow if I needed a drink
    I needed a drink…I needed a drink
    A nice drink of milk…ah-ha…oh yeah
    I’m so thirsty and you know what they think
    I’d sell my cow if I needed a drink
    If I needed a drink…I needed a drink
    A nice drink of milk
    My cow she’s a good old girl
    A very fine udder, with her tail a twirl…oh yeah
    And a very fat ass that drives me insane
    With the taint of methane
    I’d sell my cow if I needed a drink
    If I needed a drink…For the price of a drink
    A nice drink of milk…that’s me!    
    (INST)
    As I made my way to market
    She followed on behind
    For all that bovine intelligence
    She didn’t read perfidy in my mind…oh no
    I’d sell my cow if I needed a drink
    If I needed a drink…For the price of a drink
    A nice drink of milk…Oh Id’ sell my cow…I’d sell that cow
    I sold me cow, because I needed a drink
    I needed a drink…for the price of a drink
    A nice drink of milk…I sold my cow…I sold my cow!
    I sold my cow ‘cos I needed a drink.

Wigmore: music, production
Allen: Lyrics, vocals, guitar and bass
2024

Free download
Track 10 of the album - Shyling
https://www.terrywigmore.com/wigmore-allen-gibbons

Shyling

We conclude our Summer Series on a hopeful note and a glimpse into the future.  Mankind has finally found that it can accept the differences that divide us, share the bounty between us, and become a vast community governed by faith, hope, and love. How did such a thing come about?  We collectively took a step back from the brink of self-annihilation by realizing "we solve most things if we talk".  
Ironically, this was the most complex song of the five to put together,  We all had an idea of how we wanted it to turn out, and thanks to Seagull and a lot of talking between us behind the scenes, we came to consensus and a final version.  Our little band is proof "we can solve most things if we talk":)  It has been an honor to work with each of you: 
Music composition, 1st guitar (center), bass, synths, mix and production; Seagull, @farout-music-studio
Right & Left Guitar; Our wonderful guitarist; David, @david-dunhamuser589535203
Lyrics & Vocals; Our dear poet Peter, soundcloud.com/user-264930040/tracks
Vocals and harmonies; Soundcloud's most wonderful voice; Oddrun, @oddrun-eikli
And the key phrase at the end; The lovely little Finley, 7 years old.

We Solve Most Things If We Talk

Summer rain finds my face, splashing through my smile
Thunder rumbles fall away, storm is phasing through
Peace of mind is on the case, misery is in denial,
Yesterday’s squally day, tomorrow’s skies are azure blue.

Dreams of history’s tension gladly start to ease
Gripping claws of lunacy finally shun the past
Seems things turned out badly for hunger and disease
Slipping towards unity, laying down the guns at last.

Call my neighbour as my friend, our meanings line as one
Colour, gods and politics accepted as they are
Mutualities to defend no conflict clouds our shining sun
Consideration and respect, a communal repertoire

Mother Mary called today
Handed me a flower stalk
Kissed my worries clean away
We solve most things if we talk.

Need as might we understand equality’s a bed of lies
Celebrate uniqueness as a cast of human thread
Day and night, hand in hand, no polity compromise
Learning from our weakness past, focused on the light ahead.

Mother Mary spoke today
Led me on a learning walk
Eased my troubles on the way
We solve most things if we talk.

Mother Mary sang today
Left me with a simple thought
The wisest heads will simply say
We solve most things if we talk.
"We Solve Most Things If We Talk"

Contented Man (Seagull, Oddrun, Peter, David)

This is the original instrumental version of the Hip-Hop track I did before I decided to add lyrics and collaborated with the talented Ian Greaves (aka @IPG1). After composing this instrumental track, Ian was kind enough to let me use his lyrics/vocals from his song ‘Modern Times’.

Here is the version with lyrics:
https://soundcloud.com/user-432503709/modern-times-the-digital-age-collab-with-ipg1

And here's the link back to IPG1's original vocal track; please give him a listen!:
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm

Most of the music is performed by me, with the exception of the sampled vocalization in the middle bridge and ending, and a few sound effects here & there. The beginning starts off normal enough, but the middle section takes a bit of a left turn before I 'go off' on the synth in the second half. I kind of enjoyed working the sliders on the live synth performance.   ;)

AI image designed & created using ChatPGT 4o
This is the same image I used in the vocals version, just inverted. 

Thanks for listening!

Modern Times - the digital age (instrumental)

Lady of Fire Poetry original poem by yours truly, Tanisha Jackland aka Lady of Fire Poetry

"You are comprised of 84 minerals, 23 Elements, and 8 gallons of water spread across 38 trillion cells.
You have been built up from nothing but the spare parts of the Earth you have consumed according to a set of instructions hidden in a double helix, and small enough to be carried by a sperm.
You are recycled butterflies, plants, rocks, streams, firewood, wolf fur, and shark teeth, broken down to their smallest parts and rebuilt into our planet’s most complex living thing.
You are not living on Earth. You are Earth."

~ Words by Aubrey Marcus

vocals, 808, kaoscillator- Tanisha

All That Is

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and foundational rhythm guitar
TexMex Shaman– @texmex-shaman –Stephen–guitar, sitar, mix, mastering, and production
J.J. Terrell– @j-j-terrell – organ, electric piano, and synth
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums and percussion
Llanpsych– @llanpsych –Tez–Guitar 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass 

This song is the brainchild of Artur, who composed it on his guitar perfectly for collaboration, and presented it to us with his vision for the entire sound. Ken went first, of course, adding his signature rocking beat to the song. Josh went next, as soon as Ken had laid down the drums, adding his four string fretless bass sound to fill out the rhythm section. 
  Tez came along soon after, adding some foundational ornamentation with his guitar. JJ jumped in right after Tez, and laid in the majestic organ, riffing electric piano, and subtle synth you hear throughout. Finally, Stephen laid his guitar in there, too, which can be heard as a fiery melodic line running throughout. At Artur's suggestion, he also added some amazing, trippy sitar in a couple of spots, too.
  Once all the tracks were laid down, Stephen came through with his always skillful mix. This makes almost an album worth of material that The Eclectic Collective has created from Artur's ideas. We're always excited when he drops a new one in our laps. He wrote this on a sweet rainy day in the Polish summer. 
  We hope you enjoy listening to this as much as we enjoyed creating it. 
 
  We all appreciate your support, and encourage you to share this song if you've read the whole way down to the bottom here.

Sweet Rainy Day (Eclectic Collective)

Orchestral stealth w/ tense pauses & worrying moments
Flowing and dismal, featuring floating oboe and strings that create a mysterious, elusive mood.

Night Creatures

LearnToFlyHigh

Gotta Give It To Keep It

CRAZYKATS - INDIE POP INSTRUMENTAL BEATS PACK 

CRAZYKATS - INDIE POP INSTRUMENTAL BEATS PACK (7)

Das Märchen der geheimen Liebe

Glory

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Gotta Give It To Keep It

Chris Bright

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