Your Mix 6

https://open.spotify.com/track/6KRgdvm6mfPZvIn8Zh8fNr?si=98cda85feaf146e1

Cosmic Trip

Terra Sapiens - Cosmic Trip

A dramatically rising track that slowly builds to a climax with a signature bass sequencer.

Spectrum.WAV

Maniacs

Bitter Subconscious

This song appears on an album called Synthastic alongside those some other amazing musicians with whom my Swiss friend, the very talented and gracious Karin-Maria Brunner collaborated. It's an album centered around the synthesizer, whatever sounds one can get from it, based on her ideas. I cannot properly express my depth of honor and gratitude to her for including me with musicians I admire, like Frans Beelaard, and for sharing her creative seeds with me. Karin-Maria is a truly exquisite musician, with a very disciplined style and mind for musical precision, as well as beautiful melody. You can find her on here under her name. She actually shared two songs with me for this project, and this is the first of those. I tried to come up with an interesting, modal melody for both, in hopes of impressing her. I hope it has the same effect on you. I also provided the beat and bass line for this song. You can find the entire album on your favorite streaming service. We appreciate your listens! 

Magic Hour (with Karin-Maria Brunner from her album Synthastic)

The Mirror Garden

2rnd

Snake-like Moves

'Xotic Impulse

Just as Chaos was reaching it's peak, a giant bubble appeared and engulfed everything_01

Dance Times

Written and performed live on Elektron Analog Rytm Mk 2, Analog Heat + FX and Korg Wavestate Mk2.

#techno #bassline #elektron #korg #dawlessjam

Wave

Sunrise (2018) Anthology CD3 Track 02

Heart Lines

The Hounds Are Out Tonight * Instrumental

Nocturnes Op.17 No.9

Track 11 - Outro

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Heart Lines

Chris Bright

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