Your Mix 6

A dramatically rising track that slowly builds to a climax with a signature bass sequencer.

Spectrum.WAV

The Mirror Garden

It's quite mysterious why some things seem obvious to our understanding. I guess that worms and insects may have a totally different perception of what is obvious. And, as we learn to see, the set of what seems obvious to our minds may also evolve. And we may even be obviously wrong...

== LEARNING TO SEE ==

No, light does not lie.
Light is truth, by definition,
and photons never lie.
But lone photons say nothing at all.
When Hubble tapped the dark sky
it sensed photons one by one,
slowly generating the image
of a deep field immensity.
And some saw galaxies there,
because they had learned to see.
They saw galaxies in all those bright dots on that dark photograph.
That was obvious to them, yet not for me.
And I trust them. 
What else can I do?
I know how often I'm blind to what I'm looking at.

Right now,
I look at you in this quiet evening, 
wondering how much we learned to see.
Is it obvious to you how much I love you?
Is it obvious to you?

Learning To See (based on Anastasiya Ihnatovich piano piece)

2rnd

Very easy study
Interpret with taste and delicacy!

Studio molto facile 
Interpretare con gusto e con delicatezza!

FANTASIA in DO - new

FANTASIA In DO

Another World * Instrumental

Just as Chaos was reaching it's peak, a giant bubble appeared and engulfed everything_01

Dance Times

NIGHTS

Landscapes (2017) Anthology CD3 Track 12

2024-07-26

Night's Peace

Heart Lines

Nocturnes Op.17 No.9

Child in Time (A Cover, Revisited)

Ambient Piano M 7971 4:19 09-08-2025

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Heart Lines

Chris Bright

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