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Solo Piano - Chris Bright

nightfire

Dedicated to lunatics. Let them remember that even on the darkest nights the moon is up there to guide their steps.

ABOVE THE CLOUDS

Streets

„Fluss von Schlüsseln“ oder Klaviertasten im spielerischen Flow

Manchmal sind alle Sinne auf diesen einen Moment fokussiert.
Ich betrachte die Klaviertasten. Schwarze und weiße Tasten. 
Es ist viel mehr.  
KLAVIER : C L A V I S  ( von lateinisch clavis “SCHLÜSSEL“ mittellateinisch clavis „Taste“

Die Schlüssel zu einem magischen Reich der Klänge.
Es besteht aus so vielen Materialien. Holz von alten Bäumen, vermutlich Wäldern die gar nicht mehr existieren. Was vermag dieses alte Holz zu erzählen. Im Feuer entstand der Gussrahmen mit Kreuzbesaitung. Ein großer Resonanzboden verstärkt die Schwingungen, während mit den Tasten die Hämmer mit gebogenen Filzboden die Saiten schlugen und so alles zu Klang wird.
Viele Menschen haben dieses Instrument mit viel harter Arbeit und Inspiration entstehen lassen. 
Cristofori-Schüler Domenico del Melal. Matthias Müller in Wien und John Isaac Hawkins in Philadelphia. Pleyel und Pape, Heinrich Steinweg und sein Sohn Henry Steinway.
Alles hat eine Geschichte und dies möchte das Klavier mir und uns erzählen.

Ich setzte mich an das Klavier und berühre die Tasten. 
Nein, ich spiele nicht. Das Klavier spielt mit mir, denn es möchte jetzt durch mich eine von vielen Geschichten erzählen.
Mal zart, dann fordernd, zuweilen mal ekstatisch mit einem starken Hang zum dramatischen, ganz leise fast flüsternd und dann wieder liebevoll.
Es ist ein Rausch der Sinne. 
Somit haben die Tasten mich berührt und dieses Stück entstehen lassen.

Vielen Dank für Eure geschätzte Aufmerksamkeit.

Photo:		Björn Cloppenburg
Musik :	Björn Cloppenburg
Alle Rechte vorbehalten

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
Soniccouture  http://soniccouture.com :  Piano The Hammersmith



"Flow of keys" or piano keys in a playful flow ?

Sometimes all senses are focused on this one moment.
I look at the piano keys. Black and white buttons.
It is much more.
PIANO : C L A V I S ( from Latin clavis "KEY" Middle Latin clavis "key"

The keys to a magical realm of sounds.
It's made of so many materials. Wood from old trees, probably forests that no longer exist. What can this old wood tell. The sprue with cross stringing was created in the fire. A large soundboard amplifies the vibrations, while the keys are used to hit the strings with curved felt-backed hammers, making everything sound.
Many people have created this instrument with a lot of hard work and inspiration.
Cristofori student Domenico del Melal. Matthias Müller in Vienna and John Isaac Hawkins in Philadelphia. Pleyel and Pape, Heinrich Steinweg and his son Henry Steinway.
Everything has a story and this is what the piano wants to tell me and us.

I sit down at the piano and touch the keys.
No, I don't play. The piano plays with me because it wants to tell one of many stories through me.
Sometimes tender, then demanding, sometimes ecstatic with a strong tendency to be dramatic, very quietly almost whispering and then loving again.
It is an intoxication of the senses.
So the keys touched me and created this piece.

Thank you for your valued attention.

Photo: 		Björn Cloppenburg
Music : 	Björn Cloppenburg
All rights reserved

SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Virtual instruments from the following companies were used for this project:
Soniccouture http://soniccouture.com : Piano The Hammersmith

Flow of Keys

Flow Of Keys In C Minor

"Dagverk" is our work song, from our upcoming album "En plats på solen". Remixes by Tangent Flow and Leonard Hummer.

Tangent Flow
https://open.spotify.com/artist/7vu6vMgUpimOpfNDd2NqxG

Leonard Hummer
https://open.spotify.com/artist/3Nwzm0DJ87vOj2pLrLQKIc

01 - Dagsverk

A Garden of Lemons and Tigers

you will be Heard

Sixty - Ricomincio da 60

Another collection of peaceful piano plays for peace of mind and work productivity.

Harmony in Respose

Thinking Of You

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

nightfire

Chris Bright

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