Wonderful improvisation‼️ It's a great tune❣️

Wonderful composition great piano playing.

Nice to meet you Chris My name is Brian. 🔥🔥🔥Beautiful melody on this track.

It's of great value o achieve good results in improvisation, many factors are needed and you do it, thanks a lot! I'm pleased to hear you👌

Time flies and its important to seize the day. My second son has a tattoo .It says  CARPE DIEM!

Tempus Fugit.WAV remix 2023

collab with the brilliant @sarahlettes
@robbartholemew sax

Sarah Lettes & William Snide - What did I do?

Hi,

I'm really happy to propose you Matziz's new single, titled "Barraque Beat with Rax label.
For the style it's a sort of Electronica, IDM, Impressionist, Rock, Weird Dance...
And it speaks about a toad, trying to enter a very weird house...

Hope you'll like it
^^

https://go.release.ink/MFTB
https://matzizrecords.bandcamp.com/track/barraque-beat 
https://soundcloud.com/theophile2latour/barraque-beat

Barraque Beat

Fall (Intro)

Solo Piano - Chris Bright

outcrops

look video song

Budapest - George Ezra "Acoustic Version" By Soli Ko

Endless Night Of Dreams

WITH SAX by ERIC 57
Percussion by ERIC 57
BASS by Midnight Pies .  
 .. head fucker !! .. another  remix #2 .. Jan 2023

transcend from the TRASH !!

painting by R.J.Walker 2021

TRANSCEND FROM THE TRASH .. SITAR

From my album "Fû": https://ariad.bandcamp.com/album/f
This track is based on a bird song. I slow down a recording of a bird and did transcript its melody in a chromatic scale with my keyboard with a flute preset. Around this, more elements came, especially my recorder and clarinet + some electronic fun. The acoustic elements are recorded with my zoom h2.
To learn more about this project: https://ariad-music.com/textes/musique/fu-en/

Download & Support

Bird Language

Amazing how fast the years fly by ! it's all good.......

Music composed and performed by J.B.F.

4 / 28 / 24  9 AM

30 Years With You !

'OUT OF THE BLUE'
Written, Performed & Produced 
by Andrew Borderick, Copyright 2017/2020
Mastered by Andrew Borderick 24/08/2020

YOU CAN TAKE THE WORLD WITH YOU,
PLEASE DON'T LEAVE ME ON THE MOON,

THERE'S NO TIME FOR LOVE IT TURNS TO DUST,
THERE'S NO STREETS TO FIND YOUR WAY,
WHEN YOUR OUT OF THE BLUE,

IT'S UNEASY WITHOUT YOU,
ALL THE COLORS TURN TO BLUE,

SHOW ME A WAY TO FALL IN YOUR WICKED WORLD,
CAN YOU HERE MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

I GUESS I'LL HAVE TO LOOK AWAY,
IT'S NOT THE SAME WHEN YOU DON'T CARE,

THERE'S NO TIME FOR LOVE, IT TURNS TO DUST,
CAN YOU HEAR MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

(BREAK)

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

Timeline

OUT OF THE BLUE

I play the piano because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

outcrops

Chris Bright

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