very interesting love the way it develops

As it Unfolds

Cast of Characters:
cgmaness-- @user-419254289-15129531 – Chris – acoustic guitar, bass, acoustic slide guitar, drums, vocals, subtle harmonies  during intro verses, lyrics, mix, production, and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –-mandolin, vocal harmony

This is a song that I wrote and shared with Josh last spring. We worked on it for several months. Originally, it was just acoustic guitar and some vocals. To that, Josh added some mandolin, thinking it would stay that way. However, I ruminated on the initial raw version, surprising Josh by adding the rhythm section and better recordings of my parts after the fact. Josh came up with the high harmony towards the end, which blew me away and was the catalyst for a vision to flesh this idea out as best we could. We always have a lot of fun playing together as our tastes and references are very much aligned. We have been making music together almost since we both joined SoundCloud and found each other there about two years ago. We hope you enjoy listening to this song as much as we enjoyed making it.
As a side personal note, I only wish we had extended the song, which maybe I can get Josh in on that idea. I do like the short and sweet version that leaves you wanting to hear more, but I digress.
~Josh IS the hub and catalyst of this and any great track we collab on! The force is surely strong with this great virtuoso and aficionado! Those that know, know. ❤️
Much Love!
Big respect and gratitude to you Josh! Love making these tunes with you buddy!

"In Time"
Lyrics:
In Time don't you think it might be time for you to rise?
In Time lost and found sleeping soundly by her side.
I know you by now, and it's not too late to come around.
In Time thinking, missing, drinking, wishing you were here.
In Time aging, watching, turning pages yester-year.
Well, I know you by now and it's not too late to come on out.
In Time don't you think it might be time for you to fly?
In Time don't you think it might be time for you to try?
In Time lost and found sleeping soundly by her side.

In Time w/ (Entheogenic Psychonaught *Josh Clary*)

Missed the sound of my beautiful harpsichord and wanted to get back to my  symphonic meets  beats  phase  lately. As I put this together I am just reminiscent of the winter wonderland outside...

Electric Winter Sonnet

In this track I used pedal steel guitar, acoustic guitar, water drums, synth pad, electric bass and bell tree.
Thank you for listening !

Composition: Julien Apelian
Recording studio: Audio Colors
February, 23th, 2024

Wild Colorado

Every Day Is A Little Bit Easier

on the wind

SmokingTaps

Presenting my original classical composition
"Crimson Horizon"

I have creatively used the following instruments to create an atmosphere of corrupted people in the otherworld, there are some that choose to stay till nearly the end of the composition, leaving the harp to enter into the crimson horizon, night sky alone.

I have played each of the following instruments:
Piano
Cello Legato
Cello Staccato
Cello Tremolo
Violin Section 2 Legato
Violin Tremolo
Harp playing madly as it enters the crimson horizon which appears at the end of the composition
Alchemy pads & structures

Composed & Produced
in the
ARAPA Music Studio
Sydney - Australia

11.4.2024

Crimson Horizon

In the Highlands

Solo Piano - Chris Bright

the inevitability of time - 4:14:24, 8.12 PM

Music, much like dialogue, becomes the canvas where the depths of our soul paint their silent struggles. Expressing ourselves feels like navigating a stormy sea; words falter, leaving the heart's wounds unhealed, seeking solace in melodies that resonate with our pain.

Father

I play the piano because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

the inevitability of time - 4:14:24, 8.12 PM

Chris Bright

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