#Trippy #dnb #beats #psyc #deepbass #headphones  21st Nov 21 Enjoy friends  #Headphones please #Like #Share repeat Psychedelic Teance

Transcend

Effendi Red is a character in the BBC Radio 4 drama Tumanbay 


https://en.wikipedia.org/wiki/Tumanbay_(radio_drama)


Off-beat jazz vibe for off-beat jazz moments.

Published on SC 8 November 2023

Work in progress

Effendi Red

⁂Dreaming While Awake/DWA/Espen Skaar
See track: https://soundcloud.com/dreamingwhileawakemusic/tik-tok

Tock Shock

Ticked Tock

Ticked Tock (Collab Lady ElectroTrek W/ DWA: Espen Skaar)

Heart Beat

Solo Piano - Chris Bright

what it costs to be there - 12:9:23, 10.07 PM

„Die Tasten die ich liebe” Teil IV. (11.12.2023 )

Die Kraft der Musik.
Ich habe es bewusst Pianomeditationen genannt. Zart und mitfühlend.
Wenn auch andere Instrumente begleitend mitwirken.
Hier also die Fortsetzung meiner Klangresonanzreise mit diesem vierten Teil der Pianomeditationen.

„Die Tasten die ich liebe“ Teil III. könnt Ihr unter diesem Link anhören:
https://soundcloud.com/cloppenburg-music/the-keys-i-love-part-iii

Klaviermusik einmal anders arrangiert mit zarten umwobenen Klangformen. 
Das Klavier bleibt immer noch Vordergrund der Komposition.
Jedes Klavier hat seine eigene Mystik und Klang. 
Sich auf den Klang einlassen und intensiv hineinhören ist gleichermaßen auch eine meditative Fokussierung auf die Musik.
Den Klängen folgen, nicht mehr denken. Nur auf sich selbst zu konzentrieren und entspannen. 
Musik ist heilsam für Menschen. 

Ich habe frei von allen Mustern der Klanggestaltung mich von den Klängen inspiriert leiten lassen. 
Improvisiert, mich dem Gefühl jeder Taste die einen Ton erzeugt hingegeben.
Ohne auf einen richtigen oder falschen Ton zu achten.
Denn eigentlich gibt es keinen falschen Ton. Alles ist Klang.
Ich komponiere nicht, ich werde komponiert.
Das Leben ist eine Komposition.

Jeder Körper ist anders und hat unterschiedliche Schwingungen.

So mit starte ich eine musikalische Reise mit den Tasten die ich liebe.
Eine Klaviermeditation zur Entspannung, zur Erholung, zur Heilung unserer Klangkörper.

Ich wünsche Euch liebevolle, beruhigende und entspannte Klangmomente.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:  Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://native-instrument.com   NOIRE FELT
https://fracturesounds.com  ZEN
https://westwoodinstruments.com  NOVELLA  ORIGIN “The Foils Choir” 


“The keys I love” Part IV. (December 11, 2023)

The power of music.
I deliberately called it piano meditations. Tender and compassionate.
If other instruments also contribute.
So here is the continuation of my sound resonance journey with this fourth part of the piano meditations.

“The Keys I Love” Part III. you can listen at this link:
https://soundcloud.com/cloppenburg-music/the-keys-i-love-part-iii

Piano music arranged in a different way with delicate, interwoven sound forms.
The piano still remains at the forefront of the composition.
Every piano has its own mystique and sound.
Getting involved with the sound and listening intensively is also a meditative focus on the music.
Follow the sounds, stop thinking. Just concentrate on yourself and relax.
Music is healing for people.

Free from all patterns of sound design, I let myself be inspired by the sounds.
Improvised, surrendering to the feeling of every key producing a sound.
Without paying attention to a right or wrong tone.
Because there is actually no wrong tone. Everything is sound.
I don't compose, I am composed.
Life is a composition.

Every body is different and has different vibrations.

So I'm starting a musical journey with the keys I love.
A piano meditation for relaxation, recovery, and healing of our sound bodies.

I wish you loving, calming and relaxed sound moments.

Thank you for your valued attention.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://native-instrument.com NOIRE FELT
https://fracturesounds.com ZEN
https://westwoodinstruments.com NOVELLA ORIGIN “The Foils Choir”

The Keys i Love IV.

The Keys I Love Part IV.

Shakuhachi Flute.
Backtrack Lazy hands quartet " by Darockart".
Image "Natalie25".

Smiling Cat.

Wired Girl

🎹 Gentle Echoes – Soothing Piano & Dreamy Instrumentals (Jaded Sounds Records)

Gentle Echoes is a tranquil journey through the art of piano music, blending the intimacy of solo piano, the warmth of lo-fi piano textures, and the ethereal beauty of dreamy, whimsical string arrangements. 🌙🎶 Released under Jaded Sounds Records, this collection captures emotion in its purest form — soft, reflective, and timeless.

Each composition drifts effortlessly between tenderness and imagination — the sound of quiet mornings, starry evenings, and moments of calm between thoughts. With gentle melodies and cinematic grace, Gentle Echoes invites listeners into a world where every note feels like a breath of peace. ☁️🕯️

Between Us

considering other things 12.2.25

Buy / Stream

Mountains of Zion (No Greater Love)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

what it costs to be there - 12:9:23, 10.07 PM

Chris Bright

Related tracks