The chance to make music with Debra is always so rewarding, and this wonderful tune composed by @debra_buesking was no exception!  For some reason this music made me remember laying in a field as a kid, and staring up at a lark high above me, singing its song in a big blue sky.

Piano: Debra Buesking
Low Whistle: Philleann

Produced and Mixed by Philip Dale

The Lark above the Meadow

The Lark Above The Meadow (Debra Buesking & Philleann)

This piece I wrote last Summer holiday. "Souvenir de France"

Summertime adventure

“Bruno Sanfilippo presents his latest EP, an introspective piano work, recorded at his Onix II Studio in the mountains surrounding Barcelona. 'Only Five Petals' was conceived during nocturnal sessions in the spring and summer of 2024, where Bruno explored the potential of his grand piano Kawai RX-3, allowing the stillness and mystery of the night to seep between each note. This mini album consists of 5 pieces based on structured improvisations, a characteristic facet of Sanfilippo's work that blends technique with intuition. Some tracks intertwine with subtle electronic soundscapes, creating a harmony between the acoustic and the electronic, the human and the ethereal. The cover art image created by Ximena Contreras seems to have emanated from the music itself.
Released by ad21, focused on reflective Neoclassical Piano,
the production has been meticulously cared for, reflecting the quality and dedication that Sanfilippo imprints on each of his projects.
Choose your favorite moment for art, and enjoy a unique and immersive musical experience." ad21

Only Five Petals

A Single Petal

Spotify/AppleMusic

Fühlt die Auswirkungen der Sonne auf das Magnetfeld der Erde und tanzt!
Feel the effects of the sun on the Earth's magnetic field and dance!
Ressentez les effets du soleil sur le champ magnétique terrestre et dansez !
¡Siente los efectos del sol sobre el campo magnético terrestre y baila!
पृथिव्याः चुम्बकीयक्षेत्रे सूर्यस्य प्रभावं अनुभवन्तु नृत्यं च कुर्वन्तु!

Aurora

Dancing With Aurora .2019.

Dancing With Aurora .2019. (original)

„Herbstschatten“ (03.11.2024)

Bei einem Spaziergang vielen mir die imposanten Schattenspiele des Herbstlichtes auf.
Die Blätter der Bäume liegen am Boden und erblühen goldfarben im Sonnenlicht der Herbstzeit. Die Schatten der Bäume weisen den Betrachter auf den kommenden Winter hin. 
Die Schatten zeigen auch die längst vergangenen Wege die wir gegangen sind.
Es bleiben nur Erinnerungen. Auch unsere Herbstschatten kommen von Jahr zu Jahr näher.

Diese Stimmung von Melancholie habe ich versucht in einem kleinem Pianostück zum Ausdruck zu bringen.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music
visuals-O48KF6yvtkFkpi7w-ncxKKg-original.png

Musik :   Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:   Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://www.spitfireaudio.com   SOLAR – Orchestral Swarm Strings – British Drama Toolkit
https://fracturesounds.com          Midnight Grand Piano

"Autumn Shadows" (November 3rd, 2024)

While taking a walk, I noticed the impressive shadow play of the autumn light.
The leaves of the trees lie on the ground and bloom gold in the autumn sunlight. The shadows of the trees point the viewer to the coming winter.

The shadows also show the long-gone paths we have taken.
All that remains are memories. Our autumn shadows also come closer from year to year.

I tried to express this mood of melancholy in a short piano piece.

Thank you for your valued attention.

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://www.spitfireaudio.com SOLAR - Orchestral Swarm Strings - British Drama Toolkit
https://fracturesounds.com Midnight Grand Piano

Autumn Shadows

沈んでいくときのテーマ

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Photo by Richard Carr.

Year of Music XIV

Year of Music: October 31, 2025

Peaceful and relaxing contemplative piano music

Confession

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

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