Neoclassical and something like that... <3

2021/22 Release

All Songs

PIANO - RE

Music Compositions featuring the Piano: Felt, Pure, Experimental.

Listen on Spotify: https://open.spotify.com/playlist/7GQRsosblHViG1cww60TWI

Piano Fragments

Reposts the Third

Classical Piano Music Songs

Mellow Moments Playlist

2nd Coffee of the Morning

Play on Spotify

Sea Breeze

Mellow Out Suite

Once More Morning Sun

Chris Drabble

2nd coffee of the Morning

1st Coffee of the Morning

Always Twilight

This track was entered into a remix contest for the track "Acrobatic" by SIDEPIECE! 🤸‍♀️*The competition rules allow/do not prevent contestants from posting their works after the contest: a.pgtb.me/J3h74n

Check out the promo vid! youtu.be/_Vw_sPfpiE0
FREE DL: toneden.io/tatesedarmusic/post/acrobatic-tate-sedar-remix

Check out SIDEPIECE:
Soundcloud: @youasidepiece
Spotify: https://spoti.fi/39qk3Se
Facebook: facebook.com/youasidepiece
Instagram: instagram.com/youasidepiece/
Twitter: twitter.com/youasidepiece/

| Connect w/ TATE SEDAR on: 
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 Visit website: www.tatesedarmusic.com

FREE DL

Acrobatic (TATE SEDAR Remix)

كنت أظنها أياماً وتمضي، فإذا بها كانت كل حياتي .

Bluebird “Alexis Ffrench”

The Passion of your Demons

The Passion Of Your Demons

The Tense Flame

A Soft Gentle Breeze

House Of Glass Hearts

"Dinner Chats: Together" 
Music composed by Dika Chartoff. 
Performed by Clare Longendyke and Amir Farid. 
Mostly Modern Festival in Saratoga Springs at the Arthur Zankel Hall, Summer 2022
Video of Dinner Chats https://www.youtube.com/watch?v=Ol1xFzLd-3I
Copyright 2022 ASCAP

Together

Think About The Waves

https://open.spotify.com/track/7pmdEZiswZaD1T45obonMo?si=BaXgAKTYR-a4wm48N5hMMw&utm_source=copy-link

Available on all digital platforms such as Spotify, Apple Music, YouTube Music, Deezer, Tidal, among others.

Música por Wladimir Martínez.

Nocturno N°1 Opacidad

Stream or purchase A Tribute to Israel at found.asherlaub.com/atributetoisrael

Asher's "A Tribute to Israel" is a medley that combines three well-known Israeli melodies: Yerushalayim Shel Zahav, Raid on Antebbe, and Hatikvah (the Israeli national anthem). The medley begins with a slow tempo and employs simple harmonies to create a solemn and reverential mood. Throughout the piece, a simple and expressive melody is repeated, and various techniques such as chromaticism, syncopated rhythms, and orchestration are used to add interest and variation.

One interesting aspect of "A Tribute to Israel" is the influence of Naomi Shemer's "Yerushalayim Shel Zahav" on the composition. This song, written in 1967 to celebrate the reunification of Jerusalem during the Six-Day War, has become an iconic Israeli song, with its melody based on an old Hassidic tune and its lyrics expressing a love and longing for Jerusalem.

In "A Tribute to Israel," Asher pays tribute to Shemer's contribution to Israeli music by incorporating a variation of the melody from "Yerushalayim Shel Zahav" in the first part of the medley. This use of the melody highlights the song's significance in Israeli culture and music and demonstrates the impact that Shemer had on Israeli music. The melody is played with reverence and a slower tempo, contributing to the overall solemnity of the piece.

In conclusion, "A Tribute to Israel" is a moving medley that combines iconic Israeli melodies, including a variation of "Yerushalayim Shel Zahav." This tribute to Naomi Shemer and her contribution to Israeli music demonstrates the importance of this song in Israeli culture and music and honors its enduring impact.

A Tribute To Israel

The sweet piano sings, tender and serene,
Aching with memories, a wistful, heartfelt scene.
The orchestra swells, painting colors in the air,
Conveying the depths of emotions, beyond compare.

I'm Coming Home

VIDEO https://youtu.be/FDjNav6gvLw

"un-controlling" for cello, piano and two ebows composed by Dika Chartoff (ASCAP 2022) 

Dave Eggar, cello
Clare Longendyke, piano
Christian Amonson, recording engineer
Louis Ng, recording engineer

In memory and celebration of my friend Ben who was a wonderful friend to so many; amazing son, brother and father; a passionate surfer and sailor who lost his life to suicide after a long battle with depression.

During the opening, characterized as Poetico quasi senza mesura (poetic and unmeasured), the e-bow is used as an ostinato - a constant sound triggered by a magnet that vibrates the piano strings. Essentially, it’s a noise that’s calming and seductive at times, but much like depression, or tinnitus, it’s an unwelcome guest. The second part, giocoso (lively and humorous), is an innocent and technical interlude that culminates in climbing adrenaline; such as surfing a giant wave. Finally, Lento Irrealmente (slow and surreal) is a free fall of reverberating, vibrations and letting go. The e-bow is not present at that moment and perhaps a sense of hope, is restored.

un-controlling

Part of the album "Die Umrandung des Nichts".

Die Umrandung des Nichts

Wegschenken

We're SoRo, a Montreal music partnership consisting of producers @sonnyblackprod and @ROMIBUNS.

This track is a cover we did of an '80s classic called "Don't You Want Me" by The Human League. 

Make sure to like and share! 

Thank you!

#SoRo

Don't You Want Me (The Human League Cover)

I'm fairly proud of the two main theme of this piece, they have grace and a simplicity that makes it very malleable and expressive. That is, I hope, well displayed through modulation I employed (G-B-D) and frequent switching from major to minor. 
I particularly liked the final bit of the exposition where I reversed the main theme, played it descending instead of ascending, which added a layer of macabre/discord displayed and emphasized through chromaticism and dissonance.
There is still a middle part mising that I may add in the coming days, (although that would transform the form of the piece, so an impromptu might not be the correct title, but we'll see).

Impromptu For Piano, G Major

Little summer project ... vocals by @angiecadenasok

Electric Dreams

Listen on Spotify

SneakPreview for the coming live Set, praise the Omnissiah!

Omnissiah LiveSetup

9 Dash Line by The Jeremias Langsämmer Ensemble is a striking example of contemporary chamber music, blending piano, harp, cello, and strings to explore complex emotional and thematic landscapes. The ensemble utilizes intricate harmonies and dynamic contrasts, balancing tension and serenity throughout the composition. This piece highlights the modern approach to chamber music, where minimalist structures meet expressive, avant-garde techniques. The interplay between the instruments creates an immersive sonic journey, emphasizing texture, mood, and fluidity. 9 Dash Line is a bold, thought-provoking addition to the contemporary chamber music repertoire.

9 Dash Line by The Jeremias Langsämmer Ensemble [Contemporary Chamber Music]

Sheet Music

“Atlantic to Adriatic” is an album built on connection — across distance, time, and sound. A collaboration spanning oceans, the record transforms each track into a shared space where field recordings, classical instrumentation, and synthesizers intertwine to evoke memory, place, and movement. Every piece emerges from the intersection of our two worlds — Venice and Boston — bridging geography and time to create something timeless.

▶️ Buy High-Quality Digital Album: https://edoardogastaldi-music.bandcamp.com/album/atlantic-to-adriatic
▶️ Listen on other Platforms: https://sirilrecords.ffm.to/atlantictoadriatic

🔗 Connect with Jay Brewer: ‪www.sirilrecords.com/jay-brewer
🔗 Connect with Edoardo Gastaldi: ‪www.sirilrecords.com/edoardo-gastaldi

Credits below.

Artists: Edoardo Gastaldi, Jay Brewer
Genres: Ambient, Drone, Soundtrack, Space Ambient, Guitar and Piano Instrumental
Original Picture: Edoardo Gastaldi
Cover Art: Edoardo Gastaldi, Davide Fasiello
Mastering: Jay Brewer
Record Label: Siril Records
Release Date: 14/03/2025

© 2025 Siril Records
℗ 2025 Siril Records

The World Under the Snow

"She Loves February" embodies the intense balance between openness and the unsaid.

The soundtrack is part of a bigger project titled "Johann", a Compilation released under NOOX and dedicated to Piano Day 2025. Whilst this collective effort pays homage to a musical instrument that is more or less our society's paradigm of human expression through sound since the 19th Century, we mustn't forget who basically set the rules for keyboard musical writing, changing the whole game forever. So, happy Piano Day, but also happy "Johann".

▶️ Buy High-Quality Digital Track: https://edoardogastaldi-music.bandcamp.com/track/she-loves-february
▶️ Listen on other Platforms: https://distrokid.com/hyperfollow/edoardogastaldi1/she-loves-february
▶️ Listen to the Johann Compilation on Spotify: https://open.spotify.com/playlist/1AsGdZIAdx9XOlYshkhiHK
▶️ Download FREE Sheet Music: https://www.modernclassicalmusic.com/free-sheet-music/

🔗 Connect with Edoardo Gastaldi: https://solo.to/edoardo-gastaldi

Credits below.

Artist: Edoardo Gastaldi
Genre: Ambient, Piano, Instrumental
Cover Art: Doug Thomas
Mastering: Davide Fasiello
Record Label: NOOX
Release Date: 28/03/2025

© 2025 NOOX
℗ 2025 NOOX

She Loves February [Johann Compilation, Piano Day 2025]

"L'improvviso nei tuoi occhi" is a solo piano piece, composed to celebrate Piano Day and part of the EP Collaboration Johann, released by NOOX. An intimate and spontaneous composition, capturing the sudden, delicate feeling of an unexpected glance.
Listen to the full EP:

https://open.spotify.com/playlist/1AsGdZIAdx9XOlYshkhiHK?si=omqCYzFRTaaxT-35wGPNhw&pi=e-38OBuZs2SseG&nd=1&utm_medium=organic&_branch_referrer=H4sIAAAAAAAAA8WO0UrDMBiFnya9W%2BsSFRXK6JRWEZ24XbjdjL9tsoRmSfyT0M0Ln91U8BmEc3H4Pg4cGYLzd0XhnQ1KnHNwLtfKDMXCoe1jF0rruMkIvRRR631EXcppQlhFaJ0y6fxv3dljQk7DWSsfUp1Xvul3T1V%2Fuv1Y6a2Xg1SPz4TVXhH2YI%2Bf99uv%2Bn0DcNrM2NXYvL3KkdBrN1k%2BYzerZdx5uva8%2Bb0AWrfQDf94I1HTJzrPBIcQkZcWD2BUl30jFxxRmcO%2BRTt6juWLbZXmhF6sQQCqH9VDeKRsAQAA&product=open&%24full_url=https%3A%2F%2Fopen.spotify.com%2Fplaylist%2F1AsGdZIAdx9XOlYshkhiHK%3Fsi%3DomqCYzFRTaaxT-35wGPNhw%26pi%3De-38OBuZs2SseG&feature=organic&_branch_match_id=1417639404389789119

L'improvviso nei tuoi occhi

Held Back

Water

Summer Sun

Real

In this video I play Crossing Mars, the most majestic track in The Martian. Heck, one of the most majestic tracks ever composed! Video: https://www.youtube.com/watch?v=BK7Vb7HoHQg

The Martian Soundtrack - Crossing Mars - Piano (Harry Gregson-Williams)

I Giorni - Ludovico Einaudi

This is Piano in an Empty Room from Vangelis' Blade Runner Trilogy 25th Anniversary album released in 2007.

Live video: http://www.youtube.com/watch?v=ok0ZMA7_88M

Photo (cropped) by Kay Arne Jensen - https://www.facebook.com/photo.php?fbid=653845857961186

Vangelis plays it on an acoustic piano with beautiful ambient room noise. I tried to replicate the feeling by boosting the pedal noise on my synth, and I added some pads that get pretty dark and intense towards the end.

The instrument is a Nord Stage 2, using a sampled Steinway grand piano and virtual analog synthesizers controlled with an expression pedal, and a generous amount of reverb.

Video

Vangelis - Piano in an Empty Room (Blade Runner)

Miro Kepinski - Das Model (Kraftwerk Cover)
Music by  Ralf Hütter and Karl Bartos
Arranged and produced by Miro Kepinski

Watch video: http://smarturl.it/MIRO-KRAFTWERK

https://www.facebook.com/Miro.Kepinski/
https://www.instagram.com/mirokepinski/
https://soundcloud.com/mirokepinski
http://mirokepinskimusic.com
https://www.imdb.com/name/nm5502587/

#pianoday #pianoday2019

Das Model (Kraftwerk Cover)

Nashville Demos

The Pretenders - Brass In Pocket (Cover by Davis Mallory)

Culture Club - Do You Really Want To Hurt Me (Virgin Magnetic Material Remix)

Tina Turner - We don't need another hero (Makeout Club thunderdome edit)

ALEXIS FFRENCH - DREAMLAND (classical piano cover)

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.