Neoclassical and something like that... <3

2021/22 Release

All Songs

Ambient Stuff I’ve Found 16

Ladat’s Support Apr’23 vol.1

Resposts the Seventh

Musique et chant @Tulipe-Records
Basse @Wypernet 

Lyrics

I am a savage 
Dressed in feathers 
I always have a weapon 
Beware of my reactions 
Don't hang out on my territory 
Don't dawdle keep this mystery 
You're taking a chance 


Get back on your horse 
Get away from this place

The traveler

Savage

Bask in the Winter Snow

2nd Coffee of the Morning

Play on Spotify

Sea Breeze

Once More Morning Sun

Chris Drabble

2nd coffee of the Morning

1st Coffee of the Morning

Always Twilight

Beautiful Jazz tones by Thomas Nakas @to_mi_nor and Igor Iofe @igor-iofe-1

Days that gone never come back again. The name is of this project is representative of the process that music goes from Athens to Amsterdam and came back as feedback.

From Athens To Amsterdam And Back III

From The Athens To Amsterdam And Back III [Trumpet: Igor Iofe | Piano: Thomas Nakas]

Music by: Igor Iofe and Thomas Nakas 
Piano: Thomas Nakas @to_mi_nor
Trumpet: Igor Iofe @igoriofe-1
Art Cover by Luana Bento: www.instagram.com/offluaph
...............................................................................................................................
This musical material is very dear to me and it came to me many years ago, in about 2002. I would walk to my bus stop to go to school or walk to the bazar always humming these few very simple chords. They were stuck in my head for quite some years. Strange that at that time I had never considered doing anything with this material. Maybe because I was very much occupied with abstract contemporary conceptual music back then. The older I become the more I appreciate clarity, simplicity and emotion in music rather than complexity and hidden abstract concepts. The time to unfold this material came 20 years after. Thomas Nakas aka @to_mi_nor brought it to life  by creating a beautiful piano part, structure and arrangement. This is our second EP and there are more works to come!

The improvisations are rough, meaning that I recorded them in one take with no corrections or editing and this represents the concept of this EP. Do we have to be perfect at all? Or is it maybe more important to honestly communicate your thoughts, your feelings, regrets, nostalgia?..

#tomi # Igor_Iofe

Imperfect//Monologs (Impro 2)

The Passion of your Demons

The Passion Of Your Demons

The Tense Flame

A Soft Gentle Breeze

House Of Glass Hearts

"Dinner Chats: Together" 
Music composed by Dika Chartoff. 
Performed by Clare Longendyke and Amir Farid. 
Mostly Modern Festival in Saratoga Springs at the Arthur Zankel Hall, Summer 2022
Video of Dinner Chats https://www.youtube.com/watch?v=Ol1xFzLd-3I
Copyright 2022 ASCAP

Together

Think About The Waves

Still working on my piano skills. LOL
Piano, Bass, Guitar, Composition, Mix and Mastering by Robert Grigg.

Chillin' an Grillin'

Vibrations

Embark on a sonic odyssey with "Á Hlið Englanna" by Laxá, a captivating post-rock masterpiece hailing from the enchanting landscapes of Iceland. This instrumental journey, expertly crafted by Laxá & Heima Kvartett, weaves a tapestry of sound that transcends genres, drawing influences from rock, ambient, and symphonic elements.

Featuring the musical prowess of Jussi Siglarson on guitar, Bjarne Guðjohnsen on bass, Matthias Helguson on drums, Mike Taylor on keyboards, Lisbeth Heima on violin, Sif Árnadóttir on violin, Natasha Guðmundsdóttir on viola, and Ída Sigurðardóttir on cello, this collaborative effort is a testament to the diverse talents within the ensemble.

Reviews for "Á Hlið Englanna" describe it as cinematic, symphonic, and intriguingly complex. The track unfolds with a cinematic allure, gradually building into a symphonic crescendo that showcases the seamless integration of strings and rock instrumentation. The intricate play of instruments, including the staccato-like horn theme, adds a layer of complexity that keeps listeners engaged from start to finish.

It had been a while since the band had recorded in a church, so returning there, they performed and recorded "Á Hlið Englanna" [On The Side Of The Angels] with Mike on the church organ. The recording captured the strings reverberating among the pews and the drums enjoying a natural echo.

The lush production and meticulous melding of instruments have garnered praise, with reviewers commending the dense sonic landscape created by Laxá & Heima Kvartett. The track's dynamic evolution, from its cinematic opening to the symphonic climax, showcases the diversity of talent within the ensemble.

Listeners have expressed admiration for the dense production and the skillful fusion of diverse instruments, highlighting the ensemble's ability to create a multifaceted musical experience. "Á Hlið Englanna" stands as a testament to Laxá & Heima Kvartett's innovation in post-rock, earning acclaim for its evocative storytelling and the expert blend of rock and symphonic elements.

Immerse yourself in the captivating world of "Á Hlið Englanna," where the magic of Icelandic post-rock meets the richness of a string quartet, creating an unforgettable musical experience. Discover the depth of talent within Laxá & Heima Kvartett as they redefine the boundaries of instrumental music. Available on vinyl for those who appreciate the warmth and authenticity of analog sound. Join the post-rock community and experience the brilliance of "Á Hlið Englanna" by Laxá.

Á Hlið Englanna by Laxá. Postrock music from Iceland with symphonic rock elements.

The Bar in Space Station K7 is a sleek and modern establishment, situated in the heart of the bustling spaceport. As you step inside, the cool hum of the space station's life-support systems is replaced by the soft buzz of conversation and the clinking of glasses.

Subscribe for more videos just like this: https://www.youtube.com/channel/UCRkgBVJZp13RKZPYg9vbecA?sub_confirmation=1

The bar is illuminated by soft, atmospheric lighting that casts a warm glow over the polished metal surfaces and plush seating areas. At the center of the room, a gleaming chrome bar stretches along one wall, lined with a variety of bottles and glasses.

As you approach the bar, you notice a small, automated drink dispenser nestled between the bottles of liquor. This state-of-the-art device is equipped with a touch screen interface, allowing customers to select from a range of pre-programmed cocktails and other beverages with just a few taps.

With a few deft movements, the bartender expertly mixes your cocktail, adding just the right amount of ice and garnish before sliding the drink across the bar to you. You take a sip, savoring the rich, complex flavors as you look out over the bustling space station beyond.

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Space Station K7

Stream or purchase A Tribute to Israel at found.asherlaub.com/atributetoisrael

Asher's "A Tribute to Israel" is a medley that combines three well-known Israeli melodies: Yerushalayim Shel Zahav, Raid on Antebbe, and Hatikvah (the Israeli national anthem). The medley begins with a slow tempo and employs simple harmonies to create a solemn and reverential mood. Throughout the piece, a simple and expressive melody is repeated, and various techniques such as chromaticism, syncopated rhythms, and orchestration are used to add interest and variation.

One interesting aspect of "A Tribute to Israel" is the influence of Naomi Shemer's "Yerushalayim Shel Zahav" on the composition. This song, written in 1967 to celebrate the reunification of Jerusalem during the Six-Day War, has become an iconic Israeli song, with its melody based on an old Hassidic tune and its lyrics expressing a love and longing for Jerusalem.

In "A Tribute to Israel," Asher pays tribute to Shemer's contribution to Israeli music by incorporating a variation of the melody from "Yerushalayim Shel Zahav" in the first part of the medley. This use of the melody highlights the song's significance in Israeli culture and music and demonstrates the impact that Shemer had on Israeli music. The melody is played with reverence and a slower tempo, contributing to the overall solemnity of the piece.

In conclusion, "A Tribute to Israel" is a moving medley that combines iconic Israeli melodies, including a variation of "Yerushalayim Shel Zahav." This tribute to Naomi Shemer and her contribution to Israeli music demonstrates the importance of this song in Israeli culture and music and honors its enduring impact.

A Tribute To Israel

Thanks, Mama

A short composition consisting of themes I'm extremely fond of. Initially I wanted to experiment with it more, but decided to keep as compact and unassuming as possible, in the manner of various moment musicaux written by composers such as Schubert. 
Dedicated to one of my greatest and most special friend, Marko Paradžik, who was amazed when hearing the main theme for the first time (although when I showed him again much later he said it was horrible).

Ode for Piano, F Major

The sweet piano sings, tender and serene,
Aching with memories, a wistful, heartfelt scene.
The orchestra swells, painting colors in the air,
Conveying the depths of emotions, beyond compare.

I'm Coming Home

VIDEO https://youtu.be/FDjNav6gvLw

"un-controlling" for cello, piano and two ebows composed by Dika Chartoff (ASCAP 2022) 

Dave Eggar, cello
Clare Longendyke, piano
Christian Amonson, recording engineer
Louis Ng, recording engineer

In memory and celebration of my friend Ben who was a wonderful friend to so many; amazing son, brother and father; a passionate surfer and sailor who lost his life to suicide after a long battle with depression.

During the opening, characterized as Poetico quasi senza mesura (poetic and unmeasured), the e-bow is used as an ostinato - a constant sound triggered by a magnet that vibrates the piano strings. Essentially, it’s a noise that’s calming and seductive at times, but much like depression, or tinnitus, it’s an unwelcome guest. The second part, giocoso (lively and humorous), is an innocent and technical interlude that culminates in climbing adrenaline; such as surfing a giant wave. Finally, Lento Irrealmente (slow and surreal) is a free fall of reverberating, vibrations and letting go. The e-bow is not present at that moment and perhaps a sense of hope, is restored.

un-controlling

Alibi (feat. Rudimental)

The VIP mix of my latest single 'Wasted Youth'

Wasted Youth (feat. Cat Burns)

Wasted Youth (feat. Cat Burns) [VIP mix]

Congratulations.... You made it. It seems like the perfect place to be.... What is your definition of peace? Success? Victory? Is it the same ideology as the rest of the sentinent beings that formed the circle with you? Were all the sacrifices worth it the end? Only time will show the tragic cost of what it truly meant to be.

In The Circle LP

In The Circle

Buy / Download Song

In the Circle

Undisturbed

Hey kiddos, 

Here is a heartfelt mix from the iconic Piknic Électronik. 

It was more than special to share this moment with so many loving faces that have been supporting my journey from day 1. Piknic is an important heart beat to Montreal dance culture, and it was an honour to add my herbs & spices to the Fizz stage on this day.

This is a happy set. 
This is a daytime groover. 
This is a "sometimes we don't have to take life too seriously" set. 
This is I will always be a kid at heart set. 

Melancholy and astral journeys can take a little break for once for some good ol' fashion summer fun! 

Most songs are woven together in the form of live remixes. For high impact moments like this, I pride myself in creating new songs in real time and keeping the pace of change rapid and unpredictable. Not sure what style of mixing one would call it, but I enjoy doing it, and hopefully the smile it brings to my face translates & tickles your ears as much as it does to mine. 

Thank you to all those who made this moment possible & thank you to the city I call home. Montréal je t'aime! 

#piknicelectronik #montreal #parcjeandrapeau

SIMBASŌL @ Piknic Électronik 24'

Little bird

A life in the Wind

A Life in the Wind

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.