This track „My Ambience“ is a prototype of a progessive ambient style which could maybe be interesting for my collaboration project VORTEX ELEMENTS.
Will be more stuff like that to come in the future? Who knows but the future isn´t written so far, so stay tuned and wait for more music from me and my other projects with VORTEX ELEMENTS and my dear colleague Markus aka KLANGBIOTOP.

My Ambience

Chris Gate - My Ambience

Hip hop...period...……….collab just send it to bloomoon12@gmail.com..all is welcomed

Sjonkel Rolfsen is a vinyl enthusiast and music collector from Trondheim in Norway. He has been welding records at local venues and events for two decades. Nowadays, he mostly enjoys to fiddle around with experimental and ambient in the comfort of his humble abode, but still get the odd epiphany to wonder out into the enchanting world of house and techno. When he is not fumbling about on the decks, he likes to travel. He tries to play with the possibility of combining electronica and leftfield soundscapes, in a mixcast friendly way, catering to your everyday soundtrack needs.

Distressed and torrid tunes from night shadow of my home, i try to keep it basic, simple, with love and respect as I and I hope U like it. 
All photos and music made, produced, arranged and mixed by me at berg 27 studios, Trzin, Slovenia, 2018-2025
Member of Random Logic 1992-94

I use: 
Ableton 11 suite (Win 11, I7), 
Kurzweil PC88. presonus Quantum ES2
tc electronic icon series: master x, brickwall HD, Dyn 3000. PEQ3000, TC 1210, TC8210, DVR 250 
KORG: volca modular, volca drum, volca bass, volca mix
KORG: Drumologue - hybrid drum machine
KORG:  nu:Tekt NTS3
Roland: S-1, P-6
Opal by fors, 
GForce: Minimosta 2, SEM, Bass station, Halogen, impOSCar3, DMD, MAP ...
KV331 audio: Synthmaster  1, 2, 3
Klanghelm: IVGI2

CHRIS GATE is a German Composer & Producer and works since 1996 with focus on Electronic Music. He is also part of the VORTEX ELEMENTS Project.

HISTORY: First he started with the Collaboration-Project NOISE CONSTRUCTION in 1996 and got the chance to release two tracks in 1998 on Millennium-Storm Records (Hannover/Germany) and its first Techno-Trance Sampler. But unfortunately the distribution of the disc failed and the label decided to discontinue its work. 
To get some new experience, a partnership of NOISE CONSTRUCTION with CJ MILLER as an upcoming DJ was a nice chance to get a new focus on straight Club sounds. 
The work of Noise Construction was discontinued at the beginning of 1999 and CHRIS GATE began to focus on his Solo-Project.
In 2003 he founded the collaboration project VORTEX ELEMENTS together with Sonic Chain, which can be discovered on Soundcloud. After some years his musical view changed from Club & Trance-Style to more classical Electronic Music Style.
During the time, he did some REMIXES for SNAP & BLANK & JONES (Remix-contests) and some of his own tracks as well.
Actually it´s the intention of CHRIS GATE to get some new Contacts , to improve the musical artwork and getting in contact with people who like his tracks.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Hello, SoundCloud crew. I create all my music from the ground up. ZERO A.I. (Except for the tracks Jamaica and Castlevania versions, which, I altered the original notes from pre made template.)  I am an experimentalist with tones of synthwave and ambient thrown in to the mix. I hope you can enjoy some of my tracks.  

I use FL Studio most of the time.
GEAR BEHIND THE SOUNDS.
FL STUDIOS
FLKEY49
NOVATION LAUNCHPAD PRO
ROLAND RD-88
ALESIS V49
SCARLETT SOLO
GRETSCH ELECTROMATIC GIT.
FENDER MUSTANG III

Life without music would be too bleak to endure!
#Indie

I strive to be different. My inspirations are life, love, and liver, with kidney beans!! 

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.