Greetings!

The original track comes from my esteemed colleague Markus Vogt (aka Klangbiotop), whom I only recently got to know through my professional activities. The track "Gedankenlos" of his "Hypnoid-EP" inspired me immediately and so this remix was created in a short time with his agreement.

The main focus was to use as many of the original sounds as possible and to add to them or modify them in the style of the originals. The bass carpet was widened and reduced in some frequency to get enough room for a new bassline that alternates with the dub piano. Although the arrangement was shortened to further increase of the song's appeal by making it more compact.

Please enjoy!
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Hallo zusammen!

Der Original-Track stammt von meinem geschätzten Kollegen Markus Vogt (aka Klangbiotop), den ich erst vor kurzem über meine berufliche Tätigkeit kennengelernt habe. Der Track „Gedankenlos“ seiner „Hypnoid-EP“ hat mich sofort inspiriert und so entstand mit seinem Einverständnis in kurzer Zeit dieser Remix.

Im Vordergrund standen dabei möglichst viele der Original-Sounds zu verwenden und diese zu Ergänzen oder in Anlehnung an die Originale zu modifizieren. Der Bass-Teppich wurde verbreitert und frequenzmäßig entschärft um Platz für eine neue Bassline zu schaffen, die im Wechsel mit dem Dub-Piano spielt. Gleichzeitig wurde das Arrangement gekürzt um durch mehr Kompaktheit die Attraktivität des Songs weiter zu erhöhen.

Viel Vergnügen!

Hypnoid: Gedankenlos (Chris Gate Remix)

Klangbiotop - Hypnoid: Gedankenlos (Chris Gate Remix)

ABSYNTH OVERDOSE is an experimental band shaping sound like stained glass—fractured, reassembled, and lit from within. Founded in 2025 our music bends the edges of genre, fusing the raw power of metal, the mechanical drive of industrial, the elegance of classical, and the boundless exploration of experimental soundscapes.

Each track is a collision of contrasts: heavy distortion meeting delicate strings, relentless rhythms cut with atmospheric space, harmony unraveling into noise before reforming into something new. Glass Note isn’t about fitting into a box—it’s about breaking it apart and reshaping it into something luminous.

This is music built from fragments—sharp, resonant, and alive.


#glassnote #synth #industrial #industrialmetal #metal #experimental #electronic #midi #instagram #youtube #absynthoverdose

I love listening to ambient music.
I only use a free VST synths and effects.
Big fan of good free software.


Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

DAVE WALKER and ROBERT DAVIDSON aka WHO HIT JACK are Musicians, Songwriters and Music Producers known for their infectious, groove inducing 'ElectroSoul' Pop Sound. Smooth Synth Pads, Shimmering Celestial Guitars, Pulsating Basslines and Haunting Vocals sizzle on the layered melodic textures of the WHJ Productions.
The duo display exceptional song writing skills drawing on an eclectic mix of influences. You'll hear Emotive 80's with leanings into the Chill and House Scene to the Mainstream 'SoulPop' Sound that resonates with so many.  Melodic, Catchy and Powerful Songs that captivate the listener with their Anthemic Ethereal Sound. 
 2023 has seen a plethora of new releases from their 'JACKIE0'9' LP. The album featuring the Soulful and Beautiful 'I Don't Wanna Sleep' and the SoulPop Classic 'Drivin' All Night' received glowing reviews from fans and critics alike. The Summer of '23 was also a productive time, August saw the release of 2023's 2nd long player 'DRIVIN' HOME FROM THE JFK' probably their best body of work yet with lead single, the Dynamic and Wonderful 'I Wanna Hear A Promise' steam rolling it's way into the mainstream and onto everybody's playlists with it's hypnotic backbeat and gorgeous melody line !! . . check out 'The WHO HIT JACK Sound' and join the WHJ Club.

Hi! I'm MADARA 
Sorry for my poor English and time difference
Good bye!!

CHRIS GATE is a German Composer & Producer and works since 1996 with focus on Electronic Music. He is also part of the VORTEX ELEMENTS Project.

HISTORY: First he started with the Collaboration-Project NOISE CONSTRUCTION in 1996 and got the chance to release two tracks in 1998 on Millennium-Storm Records (Hannover/Germany) and its first Techno-Trance Sampler. But unfortunately the distribution of the disc failed and the label decided to discontinue its work. 
To get some new experience, a partnership of NOISE CONSTRUCTION with CJ MILLER as an upcoming DJ was a nice chance to get a new focus on straight Club sounds. 
The work of Noise Construction was discontinued at the beginning of 1999 and CHRIS GATE began to focus on his Solo-Project.
In 2003 he founded the collaboration project VORTEX ELEMENTS together with Sonic Chain, which can be discovered on Soundcloud. After some years his musical view changed from Club & Trance-Style to more classical Electronic Music Style.
During the time, he did some REMIXES for SNAP & BLANK & JONES (Remix-contests) and some of his own tracks as well.
Actually it´s the intention of CHRIS GATE to get some new Contacts , to improve the musical artwork and getting in contact with people who like his tracks.

Hello, SoundCloud crew. I create all my music from the ground up. ZERO A.I. (Except for the tracks Jamaica and Castlevania versions, which, I altered the original notes from pre made template.)  I am an experimentalist with tones of synthwave and ambient thrown in to the mix. I hope you can enjoy some of my tracks.  

I use FL Studio most of the time.
GEAR BEHIND THE SOUNDS.
FL STUDIOS
FLKEY49
NOVATION LAUNCHPAD PRO
ROLAND RD-88
ALESIS V49
SCARLETT SOLO
GRETSCH ELECTROMATIC GIT.
FENDER MUSTANG III