Pop instrumental
All
Instruments and vocals—
Written, arranged and produced by Vino

Outroduction            (c2021)

... 

Agenouillées de force par l’infiniment lourd
Où s’avalanchent en masse les fracas des mots creux des puissances cyniques 
Où s’étranglent en chuintant les cris asphyxiés des peuples
Sous des tonnes de plomb
Elles incantent, sans dire
Plongent et cherchent la force, et la légèreté
L’inspiration, l’envol

Paupières baissées, arcs de lune, elles implorent

Il faut
Réinventer l’issue
Avant l’écrasement
La chute
Résister à ce tourbillon
À la source d'acier qui vrille
Chasser la peur
Puiser profond au désir primitif

Sous l’ombre de leurs fronts
Derrière leurs yeux d’amande
Bouches livides scellées
Maudissent la déraison mortelle grimée d’or et d’argent
Hurlent en silence blême les corps déchiquetés
L’ardeur assassinée, et tous les innocents sacrifiés inutiles 
Invoquent son envers par la folie qui sauve, vivifie et ranime
Brûlante et glacée	
Comme les perles salées qui s’accrochent à leurs cils

Elles oscillent
Elles incantent
Elles flambent

"translation"
Forced to kneel by the infinitely heavy
Where the din of empty words of cynical powers is a mass avalanche
Where the asphyxiated cries of the people are strangled by hissing
Under tons of lead
They incant, without saying
Dive and seek strength, and lightness
Inspiration, flight

Eyelids down, moon bow, they beg

It's necessary to
Reinvent the end
Before the crash
The fall
To resist this whirlwind
At the source of twisting steel
To drive away the fear
To draw deep to the primitive desire

Under the shadow of their brows
Behind their almond eyes
Livid mouths sealed
They curse mortal unreason painted in gold and silver
Scream in pale silence the shredded bodies
The ardor murdered, and all the innocents sacrificed useless
Invoke its reverse with the madness that saves, vivifies and revives
Burning and freezing
Like the salty pearls that cling to their eyelashes

They oscillate
They incant
They blaze

Avalanche - Deepman & Luciole Langevine

Greetings!

The original track comes from my esteemed colleague Markus Vogt (aka Klangbiotop), whom I only recently got to know through my professional activities. The track "Gedankenlos" of his "Hypnoid-EP" inspired me immediately and so this remix was created in a short time with his agreement.

The main focus was to use as many of the original sounds as possible and to add to them or modify them in the style of the originals. The bass carpet was widened and reduced in some frequency to get enough room for a new bassline that alternates with the dub piano. Although the arrangement was shortened to further increase of the song's appeal by making it more compact.

Please enjoy!
---------------------------------------------------------------------------------------------------------------
Hallo zusammen!

Der Original-Track stammt von meinem geschätzten Kollegen Markus Vogt (aka Klangbiotop), den ich erst vor kurzem über meine berufliche Tätigkeit kennengelernt habe. Der Track „Gedankenlos“ seiner „Hypnoid-EP“ hat mich sofort inspiriert und so entstand mit seinem Einverständnis in kurzer Zeit dieser Remix.

Im Vordergrund standen dabei möglichst viele der Original-Sounds zu verwenden und diese zu Ergänzen oder in Anlehnung an die Originale zu modifizieren. Der Bass-Teppich wurde verbreitert und frequenzmäßig entschärft um Platz für eine neue Bassline zu schaffen, die im Wechsel mit dem Dub-Piano spielt. Gleichzeitig wurde das Arrangement gekürzt um durch mehr Kompaktheit die Attraktivität des Songs weiter zu erhöhen.

Viel Vergnügen!

Hypnoid: Gedankenlos (Chris Gate Remix)

Klangbiotop - Hypnoid: Gedankenlos (Chris Gate Remix)

Eight days after I listened to this song, my mother came and asked me to play it again. Two days after that, she said to me that she had heard a wonderful song a long time ago. It was clear to me that the time had come when she would see everything only through fog. It was this song: https://youtu.be/izsjRpcgfmk. The Empire of Angels had impressed her so much that she had decided for herself to go there. Then, a year and six months later, she had arrived. She must be happy there. 

I don't quite reach the quality of a master, but one evening she knocked quietly on my door and asked what I was going to do. Rattling keys she would hear. I told her that I was trying to create my own interpretation of that very song. She sat down next to it, listened........and said, "Thank you!"

Those were the last words I heard from her. Before she flowed over into the realm of the angels. This, my interpretation, lies since then fallow on a data medium. Now again. Here on this, a server somewhere in the world. Slightly edited I now release this song to the realm of the angels, that she may hear it...

To my dear Mom.

Empire Of Angels

Do not drive or operate heavy machinery until you know how your body responds to this piece in a lower frequency than typical radio music recorded 440Hz.

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Harmonium

E-La Musicologie

new mix of track original done 26/7 2022
https://soundcloud.com/user-370942421-686440500/some-thing

some thing

Featuring lecture by philosopher and fringe scholar Maggie Malady aka Keith Brown circa 2008.
https://soundcloud.com/pahndeepah
https://callmemaggie.com/

Mastered by One-Kind
https://soundcloud.com/one-kind

Vocal Diary Entry by my sister, Rebecca

Field recordings and Arrangement by obcb

Photo by Alexey Demidov at www.pexels.com

Shadow and Light - Feat. pahndeepah and One-Kind

TL Premiere #2011 (2025.09.29) : Ad Fiction - Synthesia 432 [META MOTO]

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For this 170th Premiere of 2025, we have a track by Ad Fiction titled ‘Synthesia 432’ from his forthcoming EP "Camera Obscura" on the English label curated and owned by 𝔼𝔾ℤ𝕆𝕋𝕀𝕂𝕂𝔸 (@EGZOTIKKA) : META MOTO.

▶︎ The EP will be available from October 10, 2025 in digital only on Bandcamp : https://metamoto.bandcamp.com/album/ad-fiction-camera-obscura-ep

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Release Info : 

AD FICTION - Camera Obscura EP [META MOTO]

"Camera Obscura" is an exploration of the grey areas of perception, an inner journey captured in the dark mirror of an endless forest. This EP dives into a flow of raw EBM, industrial textures, mechanical beats and cold synthetic layers, where each track acts as a sonic snapshot of a dissolving world. Between nocturnal ritual and inner wandering, the music becomes the negative of an altered memory. Elevated by the post-production of Scan X, a legendary figure of techno, Ad Fiction’s universe takes on a new dimension.

Tracklist : 
1. AD FICTION - Häxan
2. AD FICTION - Camera Obscura
3. AD FICTION - D-Ctrl
4. AD FICTION - Synthesia 432

releases October 10, 2025

Written & produced by Ad Fiction at Labo 75.
Mixed & mastered by Scan X
Photography: Sugano Matsusaki
Model: Yuria Koizumi
Artwork: Diana Tolstovaite

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Follow Ad Fiction:
Bandcamp : https://adfiction75.bandcamp.com
Instagram : https://www.instagram.com/adfiction
SoundCloud : https://soundcloud.com/adfiction

Follow META MOTO :
Bandcamp : https://metamoto.bandcamp.com
Facebook : www.facebook.com/metamotometamoto
Instagram : www.instagram.com/metamotometamoto
SoundCloud : https://soundcloud.com/metamoto

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

TL PREMIERE : AD FICTION - Synthesia 432 [META MOTO]

Passerine (Remixes)” brings Catatonique’s downtempo track into new territory with six fresh takes from friends around the world. The original and VIP versions set the foundation at 92 bpm, while Cavedweller’s remix adds a dark sub‑bass layer that changes the mood without touching the tempo. Juliano Gomez and Oondza pick up the pace slightly, delivering groovy slow‑techno renditions. Alacrán del Amor and Fernn go even further, turning the track into slow‑techno bangers with their signature bouncy touches. vietzen closes the EP with a progressive house remix that builds tension and plays creatively with the original elements.

Despite the BPM shifts, all versions keep the melodic thread that makes “Passerine” instantly recognisable.

Tracklist:
1. Passerine (Original Mix)
2. Passerine (VIP)
3. Passerine (Cavedweller Remix)
4. Passerine (Juliano Gomez Remix)
5. Passerine (Oondza Remix)
6. Passerine (Alacrán del Amor Remix)
7. Passerine (Fernn Remix)
8. Passerine (viezten Remix)

Release date: September 26
Subnautique Records: https://linktr.ee/subnautique Passerine (Remixes)” brings Catatonique’s downtempo track into new territory with six fresh takes from friends around the world. The original and VIP versions set the foundation at 92 bpm, while Cavedweller’s remix adds a dark sub‑bass layer that changes the mood without touching the tempo. Juliano Gomez and Oondza pick up the pace slightly, delivering groovy slow‑techno renditions. Alacrán del Amor and Fernn go even further, turning the track into slow‑techno bangers with their signature bouncy touches. vietzen closes the EP with a progressive house remix that builds tension and plays creatively with the original elements.

Despite the BPM shifts, all versions keep the melodic thread that makes “Passerine” instantly recognisable.

Tracklist:
1. Passerine (Original Mix)
2. Passerine (VIP)
3. Passerine (Cavedweller Remix)
4. Passerine (Juliano Gomez Remix)
5. Passerine (Oondza Remix)
6. Passerine (Alacrán del Amor Remix)
7. Passerine (Fernn Remix)
8. Passerine (viezten Remix)

Release date: September 26
Subnautique Records: https://linktr.ee/subnautique

Get it!

PREMIERE : Catatonique • Passerine • Fernn Remix • Subnautique

NEW TRACK is on the Road!

Made with:

Impact (Presonus)
Phase Plant (Kilo Hearts)
FM8 (Native Instruments)
Massive X (Native Instruments)
Sylenth (Linnar Digital)

All Synth-Lines are written by Digital Paradox!
All Drum-Patterns are written by Digital Paradox!

Reposts are welcome :)

Digital Paradox

High Five (Analog Mastered)

CHRIS GATE is a German Composer & Producer and works since 1996 with focus on Electronic Music. He is also part of the VORTEX ELEMENTS Project.

HISTORY: First he started with the Collaboration-Project NOISE CONSTRUCTION in 1996 and got the chance to release two tracks in 1998 on Millennium-Storm Records (Hannover/Germany) and its first Techno-Trance Sampler. But unfortunately the distribution of the disc failed and the label decided to discontinue its work. 
To get some new experience, a partnership of NOISE CONSTRUCTION with CJ MILLER as an upcoming DJ was a nice chance to get a new focus on straight Club sounds. 
The work of Noise Construction was discontinued at the beginning of 1999 and CHRIS GATE began to focus on his Solo-Project.
In 2003 he founded the collaboration project VORTEX ELEMENTS together with Sonic Chain, which can be discovered on Soundcloud. After some years his musical view changed from Club & Trance-Style to more classical Electronic Music Style.
During the time, he did some REMIXES for SNAP & BLANK & JONES (Remix-contests) and some of his own tracks as well.
Actually it´s the intention of CHRIS GATE to get some new Contacts , to improve the musical artwork and getting in contact with people who like his tracks.