This is the CLR Podcast 382 with a set by Bloody Mary recorded live at Tresor Berlin for the CLR takeover. Enjoy!

Tracklist - CLR Podcast 382 I Bloody Mary

X-101 - Sonic Destroyer (Edit)
Dave Clarke - Thunder
SOUR - Gate to Nowhere
Axel Karakasis - Parallel Content
EXOS - Open Your Mind
SOUR - 4th Dimension
The Advent & Jon Hester - Push
DEAS - Basel
No.name - Memento
Rebecca Delle Piane - My Type of Stress
Truncate - Remember (V2)
Marc Broom - W.W.W.W.W.W.W.WORK
Chaos System - Dark Matter
RNGD - FW16 
Jeff Mills - Life Cycle 
Mark Broom - 909 Workout
Bloody Mary - Cloud Nine 
Benales - Mutate
Audio Units - Shock Culture
New Frames - Scatter (Manni Dee remix)

CLR Podcast 382 I Bloody Mary

OUT NOW: Chris Liebing 'Phantom Rider EP'
https://lnk.to/CLR128

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Groove•Tribal•Breakbeat•Oldschool•Techno• Melodic 

Not a DJ or a producer, just a lover of techno, fast beats, hard, melodic, groovy, breakbeats and tuneful with minimal breaks: hard groove / Hardgroove - a superb genre. 
My first set of decks 33 years after my first rave back in 1993, Desire at Roller Express have just made their way to me. With so much amazing music available and the inspiration from so many superb artists and DJ’s I’m well on my way to having a lot of fun 😊
See you on a dance floor just make sure to keep up 🔊


Techno
Hardgroove techno is a sub-genre of techno that dates back to the 90's. The genre emphasizes rhythm and groove, featuring syncopated, funky beats and prominent, bouncy basslines. It stands out with its dynamic, percussive elements and energetic, danceable aggressive vibe. Often incorporating melodic or atmospheric touches, hardgroove techno blends influences from funk, breakbeat, and tribal music, creating a distinctive sound that's both rhythmically complex and highly engaging on the dancefloor.


https://www.technoairlines.com/blog/how-techno-music-affects-the-brain

Cultura techno en la bella ciudad de pereira
eventos, djs, lugares,podcast, talento local etc.

Bedroom producer, grew up with 80 90s UK underground music. My music is just me messing around and having fun with samples and synth sounds as a hobby.

Music is my passion! Music is an important art! Every musical work of art is unique and of special quality! We know what music is, it is so much more, it's incredibly much more, what is possible with music is unbelievably, really great🎵 Cheers 🙏