Waow that’s so beautiful 🥰👏❤️

One of my favorite song Chris, great rendition and i love your Irish Accent :-) Johnny

Gorgeous ballad!!! Love the scratchy tenor and gentle picking

Gorgeous authentic sounds you're creating with Brendan, Chris

A beautiful tune Chris and Brendan! Lovely indeed!

Had to revisit, great version , really love it. Johnny

video here:   https://youtu.be/Kzodqzwbjr4

A popular Irish song about unrequited love. Brendan and I get the chance to play this live together sometimes.

Brendan Wakely on guitar:  https://soundcloud.com/brendan-wakely
Chris O on vocals and 8 string uke
Home recording

The Salley Garden

The Salley Garden (W.B. Yeats) ~ Chris O & Brendan Wakely *video link in description

Jamais plus, (*Translation below*)

Plus jamais, je ne la reverrai
Plus jamais, je ne l'entendrai
oublier tout ce qui s'est passé
oublier que nous nous sommes aimé.
Plus jamais, je ne l'appellerai
plus jamais, je ne lui écrirai
effacer son visage de mes pensées
effacer sa voix de ces bandes usées.

Un peu cassé, je sortirai du fossé
vous retrouver, je sais que vous m'attendez
chère inconnue, je viendrai vous chercher
car jamais plus, je ne saurai me tromper.
Un jour de mai, nous nous sommes embrassés
Un jour, oui mais, depuis nous sommes enlacés
Mon ingénue, c'est bien de vous dont j'ai rêvé
car jamais plus je ne saurai me tromper.
*(Chanson originale, mix, voix, texte KidOfEarth)  
©Copyright France

Never again,

Never again will I see her again
Never again will I hear her
forget everything that happened
forget that we loved each other.
Never again will I call her
never again will I write to her
erase her face from my thoughts
erase her voice from these worn tapes.

Kinda broke, I'll get out the ditch
find you, I know you are waiting for me
dear stranger, I will come and get you
because never again will I be able to be wrong.
One day in May we kissed
One day, yes but, since we are intertwined
My ingenue, it's really you I dreamed of
because never again will I be able to be wrong.
*(Original song, mix, vocals and lyrics KidOfEarth) 
©Copyright France)

Jamais Plus

Jamais Plus © (original song/Translation in description)

Who's that girl across the Street-Stone Pony

After a trip through the Mediterranean with the paramour of my life years ago... these lyrics emerged as an expression of gratitude and love. Yesterday those lyrics found home in this new original composition.

Forever thinking about you and the family we've made baby.

Thinkin' About You [Instrumental]

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

The second installment of Smoking Trout's EPIC tale of adventure, love, heartache, and a bunch of other stuff, in the travels of the "Hobo Cyberpunks" and the "BUS"

Tea R Sea(Terry) Producer, Synth, percussion, artwork
Uziel - vocals,keyboards(clarinet)
TexMex Shamen (Stephen) guitar
Sonic Structures and Silent Stretches (Jo Richter) percussion, lyrics
StonerJazz(jeff) Lyrics, vocals, percussion

lyrics       

you may have heard the creaking noise and tiny footsteps n the darkened corridors
that stretch to the southern boundaries of the unpolluted parts
where souls are living with total disregard for the nature of the Holy Dumpling
floating on the cosmic stew that simmers horizontally to your soul ln your heart

Traveling with the HOBO CYBERPUNKS, l learned a thing or two from the leader of the band Cosmic Stu who ln a wild tangent and a Rant, described a different spot
a filthy plot, invaded by tribe of bots, who stank of superficiality
an opportunity that he lost

The teachers teach ln empty auditoriums to pupils lost ln 4 inch screens
sequestered ln squalid scenes, that go unnoticed as useless information ls gobbled up and gobbled down ln every home and every town
Put the monster down and walk away He sald,
lron John ls not afraid of the queen
and even though the prince ls doomed
the purpose doesn't change

let me introduce you to some members of the band
there's Sally and Roberta who play the clarinet with beauty and with Grace
who plays the violin and Viola who makes the Djembe
bounce around the brain
with subliminal referrals to her pleasure and her paln
The horns are played by the twins
Maurece and Nostradamus, their trumpeting sublime

the accordlan of course ls played by Johnny who you might remember from the land of Zed, He did eventually get out of bed and sald
This reminds me of a time when things were real, and l could feel the rope of
hope wrapped firmly around and round my throat
before l knew the truth about the Lle
before l knew the meaning of goodbye

Now Stu he claimed to know or knew the whereabouts of the holy condiment that grew only
just outside his windowsill (and was essential to the Dumpling's flavor)
where he lived ln another life with Mary-Ann his ex-wife
who left hm for a guy named Sid who was a maestro on guitar
and had a band that traveled wide and far
including Mary Ann, and Larry too

Looking for that very thing
Hoping for just one bite
of that heavenly delight
before the turning of the light

The Holy  Dumpling #2 "the Smoking Trout" (featuring Tea R Sea, Uziel, TexMex Shaman, Jo Richter)

Truly an honor once again to feature Jorg Joerxworx on track.  He always seem to have the missing piece to the puzzle.  Recently sent him a request asking him to do his thing on this track, and man did he deliver. Jorg is a very talented musician who plays a variety of instruments, including the Tenor sax, which I was fortunate enough to have him grace this track with. Thank you Jorg! 
Please visit his page: https://soundcloud.com/joerxworx
Enjoy!

Meeting The World IPG1 feat. Joerxworx

Metallic Blue Rabbit

P-Iris Germanica

Another track inspired by "The Wake", a post apocalyptic novel by Paul Kingsnorth.

Buccmaster and his friends visit a village untouched by the Norman invasion. They participate in a village celebration, which Buccmaster looks back on as the very last joyful day. Even so, everyone there fears for the future.

I used my Flamenco guitar again... but economically, my early versions were too Iberian!

the last daeg we was yonge

YOU WANT SOME

Chris, hailing  from North West  Tasmania in Australia, is a singer-songwriter who pens originals, and  plays vintage music the way it used to be.  Her mashup of  Folk, Blues,  &  Americana  draws on a lifetime of  encounters with places, people, and the magic of nature;  echoing  a multitude of  global grassroots traditions. 
Traveling around carrying her “band” like a pack pony ~ lap-slide, banjo, uke, as well as a few plain ole guitars, she  regularly performs in Australia and Europe.
Growing up in Merseyside, England, Chris was exposed to the vibrant music scene of the late 60’s and 70’s,  and her music is has been influenced by  traditional folk, country blues, and  world music .
In 2016 she represented her State at the International Blues Challenge & National Women in Blues Showcase in Memphis,  and her second album,  “Wailin’ & Raggin’ the Blues” was  a   finalist for “Best Self-produced CD with the Blues Foundation , USA.  Her third album, “Twisted Roots & Twisted Highways” was  a finalist for Blues & Roots Radio Album of the Year in 2018.
www.chrisokunbor.net

The Salley Garden (W.B. Yeats) ~ Chris O & Brendan Wakely *video link in description

Chris O (2)

Recent comments

cam-o the chameleon

No killie fish

David Skellenger

Benjamin Laplace & NouX !

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