Name: Carter Tutti - Harmonic Coaction One (live excerpt) by CARTER TUTTI
Duration: 4 min 29 s
Description: This is a short clip from a live performance by Chris Carter & Cosey Fanni Tutti in Brescia, Italy on the 24th May 2010.

Very Trippy, Goes down well with a smoke. A nice brain cleanse

1. Pauline Oliveros, Stuart Dempster, Panaiotis "Deep Listening " 2LP
2. Alina Kalancea "Impedance" 2LP
3. Ned Lagin "Seastones" LP (feat. Jerry Garcia)
4. Harry Bertoia "Glowing Sounds" LP
5. ELEH "Harmonic Twins" LP
6. Alessandro Cortini "Forse" CD Box set
7. Eliane Radigue "Chry-Ptus" 2LP
8. NYZ "Millz Medz" LP
9. Shasta Cults LP
10. Alina Kalancea "Impedance" 2LP

IMPREC/Important Records:  Late 2020 / Early 2021

Particular Sites and Species

Idling

Standard Grey - Idling I

Video:
https://vimeo.com/109369114

Cover of a song from the film Vaxdockan (1962). 
Written by Lars Forssell & Ulrik Neumann.

Vaxdockan

This is a short clip from a live performance by Chris Carter & Cosey Fanni Tutti in Brescia, Italy on the 24th May 2010.

Carter Tutti - Harmonic Coaction One (live excerpt)

Site-specific composition developed the acoustics of Silo City's Marine A grain elevator in Buffalo, NY. Composition by Lea Bertucci. Performed by Lea Bertucci, Steve Baczkowski, Bill Sacks and Kyle Ohlsen. This project was developed as part of Squeaky Wheel Film & Media Art Center's Workspace Residency.

Terminus

Karamika - a studio creation from George Thompson (Black Merlin) and Gordon Pohl AKA Dussuldorfs engineer supreme(Musiccargo / Kunstkopf / The Isolators…). This their second long player is a record full of mind games. Sounds leak from fractal-like holes, and are sedately trodden back into the cosmic fabric of the album. The noise of post cruise carpet.

Release: 25.04.2019
Distributed by Rush Hour Distribution

A2.TON 2.2

Pierre Bastien orchestrates his meccano marionettes on Tinkle Twang ‘n Tootle to form the charming imaginative ensemble that he’s been known for since the late 80s. 

Equal parts composer, inventor, mechanic, and performer - Bastien translates his imagination into instruments and compositions that defy any musical categories. Whether it’s preparing instruments like playing a trumpet underwater or through a kazoo, using belt-driven motors and mechanical components to perform cumbersome yet surprisingly musical operations on traditional instruments and household items, or using a fan to hit the strings of a kundi harp with flowing paper - Bastien’s love for tone, rhythm, noise and harmony is poetically reflected across his quite extensive oeuvre. 

Playful and melancholic, the sound sculptures that Bastien invents and plays with are partly inspired by the work of Raymond Roussel, a visionary French author who at the turn of the 20th century wrote a unique form of literature which inspired and guided artists from the surrealist and pataphysical movement and was declared by Michel Foucault as one of structuralism's founding fathers. On that note, the influence of literature and syntax on Bastien’s work cuts all the way through to the palindromes he uses for his track titles - which, much like his machines, infinitely loop. 

True to it’s adorable title, Tinkle Twang ‘n Tootle is a music box of unfolding whimsical structures, half broken rhythms, detuned harmonies, and fantastical sound collages that evoke a childlike sense of wonder and an urge to explore the spaces in between the sounds.

Tinkle Twang 'n Tootle

Pierre Bastien - Pet Step [from Tinkle Twang 'n Tootle]

loop ∞ walk

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

Laurent Fairon is a French musician, DJ and record collector. Active as a sound art blogger and archivist from 2007 to 2016 via Continuo’s Weblog and Continuo’s Documents. As a composer he has published several cassettes in the early 1990s on various DIY labels.

‘Eclipse Profonde – Experimental Church Organ Music 1970–2020’ is a two hour long mix, focusing on organ+electronics or electroacoustic treatment, as well as organ+live instruments.

Tracklist:
Codespira1 – Triangular Progression (2020)
Alfredo Costa Monteiro & Bruno Duplant – Un cercle autour du soleil (2020)
Pierre Alexandre Tremblay – BWV1080-1 (2015)
Alex Bonney – Liebster Jesu remix (2015)
Michel Estellet-Brun & Gerard Berlioz – Jungle (1972)
René Baptist Huysmans – Accretion (2014)
Thomas Demenga & Horst Reber – Cellorganics I (1981)
Mudboy – Live at the Providence Performing Arts Center (2008)
Bronius Kutavicius – Jubiliejinis Koncertas (1982)
Juan Allende-Blin – Mon Piano Bleu (1970)
Winfried Mühlum-Pyrápheros – Musica Nova Contemplativa (1970)
Michael Bonaventure – Interlude (2017)
Davorin Kempf – Interferencije (1981)
Michael Bonaventure – Coronach (2019)
Xavier Darasse – Organum I (1970)
Franz Richter Herf – Alapa (1980)
Franz Richter Herf – Wie schwache Fontänen (1974)
Gilius van Bergeijk – Over de Dood en de Tijd pt 3 (1980)

Eclipse Profonde mix

MIXTAPE: Eclipse Profonde – Experimental Church Organ Music 1970–2020

09112020.

Incoming CSS071 Mix and Feature from experimental artist, choreographer, and composer Colin Self. Colin is residing in New York and Berlin where he creates a wide range of music and performance pieces designed to expand consciousness, trouble binaries, and play with the boundaries of perception, reaching a broad range of communities using voices, bodies, and computers as tools to interface with biological and technological software.

This mix features acoustic and electronic sounds with focuses 
on nature and human relations, theatrical ambiance with diverse sonic textures throughout. Presenting a ritualistic, and meditative narrative that transcends listeners to a beautiful world Colin creates with many genres of music combined together. 

Read full interview here: 
https://cultivatedsound.com/071-Colin-Self

Cultivated Sound Sessions - CSS071: Colin Self [Lughnasadh Mix]

Colin Self

Although this was the personal account of Chris Carter it now also hosts Carter Tutti and Chris & Cosey tracks.

Throbbing Gristle tracks can be found on our Industrial Records Ltd. SoundCloud https://soundcloud.com/industrial-records

Carter Tutti - Harmonic Coaction One (live excerpt)

CARTER TUTTI

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